Sarah McLachlan - Afterglow

27




Album Details

Title: Afterglow
Artist: Sarah McLachlan
Release Date: 11/4/2003
Re-Released On: 10/12/2004
Label: Arista, Arista Records
Album Type(s): lyrics/libretto, Enhanced CD-ROM
UPCs: 828765015028, 828765757522
Genre: Rock
Styles: Alternative Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock
Moods: Elegant, Reflective, Literate, Passionate, Poignant, Soft, Soothing, Amiable/Good-Natured, Bittersweet, Gentle, Sophisticated, Stylish, Calm/Peaceful, Earnest, Intimate, Laid-Back/Mellow, Organic, Refined/Mannered, Romantic, Sensual
Total Copies: 50
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Fallen
  2. World on Fire
  3. Stupid
  4. Drifting
  5. Train Wreck
  6. Push
  7. Answer
  8. Time
  9. Perfect Girl
  10. Dirty Little Secret

Additional Releases

YearTypeLabelCatalog #
2004CDArista82876575752
2003CDArista Records50150

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Album Review

During the mid-'90s, Sarah McLachlan was a near-ubiquitous presence in pop music, establishing adult alternative pop radio with 1994's Fumbling Toward Ecstasy and 1997's Surfacing and spearheading the popular Lilith Fair touring festival, but once the last Lilith wound up in 1999, she retreated from the spotlight, had a baby, and seemingly retired from music. Four years later, she made a typically subdued return with Afterglow, her first album in six years. Not much has changed in the time she was away. Afterglow is firmly within the McLachlan signature sound -- a softly tuneful, mildly atmospheric blend of classic singer/songwriterism and a touch of vaguely dreamy alternative pop, all shined and immaculately produced by Pierre Marchand. Prior to its release, the album was touted as the first collection of songs she wrote entirely on piano, not guitar, but ultimately this doesn't make much of a difference to the overall feel and effect of the album, which perfectly dovetails with Surfacing. At times, the pacing is so languid and the production so open-ended, the album kind of drifts away, but it's not only in a pleasant fashion; it's also no different than its immediate predecessor, which also could meander. In other words, after a prolonged absence, Sarah McLachlan re-emerges with a record that could have followed Surfacing by six months, not years. Some may call that predictable, some may call it reliable, but there's little arguing that Afterglow is a solid effort -- it won't win new fans, but it will certainly satisfy the old ones. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Ashwin SoodKeyboard Bass, Loops, Percussion, Drums
Bill DillonGuitar, Guitorgan, Organ
Bob LudwigMastering
Brian HogueEngineer
Christopher Marc PotterMixing Engineer, Engineer
Darryl JohnsonBass
Dave KershawOrgan (Hammond)
Ethan JohnsGuitar
Jerry MarottaPercussion
Jim CreegganBass (Acoustic)
John OlivieraEngineer
John RummenDesign
JoraneCello, Vocal Treatments, Cello Arrangement
Kharen HillPhotography
Linda StrawberryEngineer
Mark JowettGuitar
Michael ChavesGuitar
Michel PepinGuitar
Pete CaiganEngineer
Pierre MarchandGuitar, Producer, Bass, Mixing, Synthesizer Bass, Piano, Keyboards, Engineer
Roman KlunEngineer
Sarah McLachlanFender Rhodes, Keyboards, Vocals, Guitar, Piano
Sean AshbyGuitar
Tony LevinBass
Yanick DaunaisEngineer
Yves DesrosiersGuitar