Album Details
Title: Results May Vary Artist: Limp Bizkit Release Date: 9/23/2003 Re-Released On: 9/30/2003 Label: Flip/Interscope Records, Interscope Records Album Type(s): Explicit lyrics sticker, lyrics/libretto UPCs: 602498608920, 0602498121054, 0602498609712, 0602498623794, 602498121054 Genre: Rock Styles: Hard Rock, Heavy Metal, Funk Metal, Alternative Metal, Post-Grunge, Rap-Metal, Rap-Rock, Nü Metal Moods: Cynical/Sarcastic, Rebellious, Rowdy, Visceral, Angst-Ridden, Boisterous, Confrontational, Menacing, Outrageous, Bleak, Energetic, Malevolent, Playful, Rambunctious, Raucous, Refined/Mannered, Rollicking, Rousing, Harsh, Indulgent, Intense, Angry, Bitter, Nihilistic, Aggressive, Hostile, Thuggish Total Copies: 11 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Re-Entry
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Eat You Alive
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Gimme the Mic
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Underneath the Gun
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Down Another Day
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Almost Over
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Build a Bridge
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Red Light-Green Light
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The Only One
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Let Me Down
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Lonely World
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Phenomenon
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Creamer (Radio Is Dead)
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Head for the Barricade
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Behind Blue Eyes
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Drown
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Flip/Interscope Records | 000123502 | | 2003 | CD | Interscope Records | 9812105 |
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Album Review
It took a long, long time for Limp Bizkit to get their follow-up to Chocolate Starfish and the Hotdog Flavored Water into the stores. First, guitarist Wes Borland, generally regarded as the band's musical force, up and left the band, and it took a long, long time to find a replacement guitarist. After a national talent search performed at Guitar Center stores, where candidates had to sign contracts that gave up their rights to anything original they played at their audition, Limp Bizkit settled on former Snot guitarist Mike Smith and recorded an album. Then scrapped it. Then they recorded another album. Then scrapped it. They were going through album titles, too -- it was called Bipolar and then, charmingly, Panty Sniffer. Finally, all the sessions and the turmoil were whittled down into one very long album called Results May Vary. Without Borland on the album, Limp Bizkit turns to frontman Fred Durst, who already dominated the band's personality and now must provide direction in addition to bravado. Durst doesn't come up with any new musical ideas, apart from slight hints of Staind and emo on the ballads, and he generally runs amuck, spewing bile at targets including Britney Spears, ranting about how she broke his heart. He complains about being picked on in high school and about radio and MTV playing the same old bands, and invokes icons like Kurt Cobain. Results May Vary would have been improved if the music had a fraction of Durst's anger (no matter how misguided it is) or had energy to match the clown jumping up and down and screaming in front. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Aaron Lepley | Assistant | | Andrew Scheps | Engineer | | Billy Bowers | Engineer | | Brendan O'Brien | Mixing | | Brian Humphrey | Assistant | | Cory Durst | Photography | | Dave Holdredge | Engineer, Digital Editing | | DJ Lethal | ?, Producer | | Fred Durst | Vocals, Concept, Producer, Photography, Cover Design, Guitar, Art Direction | | J.D. Andrew | Assistant | | Jason Carson | Assistant | | Jason Dale | Engineer | | Jason Spears | Assistant | | Jim Marshall | Photography | | John Morrical | Assistant | | John Otto | Beats | | Jordan Schur | Executive Producer | | Jun Ishizeki | Assistant | | Mark Valentine | Assistant | | Michael "Elvis" Baskette | Engineer | | Michael Patterson | Mixing | | Mike Smith | Guitar | | Neal Ferrazzani | Assistant | | Rick Rubin | Producer | | Sam Rivers | Bass | | Sergio Chavez | Assistant | | Stephen Marcussen | Mastering | | Steve Robillard | Assistant | | Stewart Whitmore | Digital Editing | | Terry Date | Producer, Engineer | | Ulrich Wild | Engineer | | Zack Odom | Assistant |
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