Album Details
Title: The Best of Bonnie Raitt on Capitol 1989-2003 Artist: Bonnie Raitt Release Date: 9/30/2003 Label: Capitol Records Album Type(s): Greatest Hits UPCs: 724359049120, 724359049151 Genre: Rock Styles: Blues-Rock, Adult Contemporary, Contemporary Pop/Rock, Album Rock Moods: Confident, Earthy, Organic, Summery, Exuberant, Party/Celebratory, Passionate, Rollicking, Amiable/Good-Natured, Freewheeling, Laid-Back/Mellow, Refined/Mannered, Reflective, Romantic, Rousing, Sensual Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Thing Called Love
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Nick of Time
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Love Letter
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Have a Heart
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Something to Talk About
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I Can't Make You Love Me
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Not the Only One [Radio Edit Version]
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Love Sneakin' Up on You
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You
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Dimming of the Day
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Love Me Like a Man [Live]
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Spit of Love
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One Belief Away [Radio Edit Version]
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Lover's Will [Radio Edit Version]
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I Can't Help You Now
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Gnawin' on It
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Silver Lining [Radio Edit Version]
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Hear Me Lord
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Capitol Records | 90491 |
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Album Review
The Best of Bonnie Raitt on Capitol 1989-2003, its 18 tracks handpicked by the artist herself as a portrait of her renaissance years, are indicative of the high-quality work ethic she has imposed on herself. Sometimes these songs reveal the queen doing a definitive read, such as on John Hiatt's "Lovers Will" (a song that deserves far, far more than it got -- the ache in her voice is the real grain of somebody who has been on both sides of love's hot broken arrow and still has faith enough to sing) or "Thing Called Love." Sometimes she's bringing the songs of Paul Brady ("Not the Only One"), Bonnie Hayes ("Love Letter" and "Have a Heart"), or even David Gray ("Silver Lining") and Richard Thompson ("Dimming of the Day") to the masses in ways that define them for a different audience. And sometimes, it's simply Raitt playing her own songs ("Nick of Time" and "Spit of Love") full of a poetic, sensual ferocity that oozes tenderness and commitment. And throughout it all is her trademark bottleneck slide, coaxing love notes or razored snarls out of her Stratocaster. There aren't any unreleased tracks here, but for the money you get the best of the best and her own comments on each song as well as a short essay about what this music means to her. Given that you don't have that box set (yet), that means this is worth whatever you happen to pay for it -- but don't forget about getting some of those Warner albums (Give It Up is a great place to start). Here is the astonishing range, from deep blue-eyed bluesy soul, sheeny reggae-tinged pop, and adult rock & roll that moves and inspires anyone with an open mind. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Alan Light | Liner Notes | | Alex Acuņa | Talking Drum, Conga | | Andrew Scheps | Drum Loop | | Andy Abad | Guitar | | Ann Cutting | Photography | | Arnold McCuller | Vocals (Background) | | Arthur Adams | Guitar | | B.S. Bull | Trumpet | | Benmont Tench | Piano, Organ (Hammond) | | Bernard Fowler | Vocals (Background) | | Bill Bergman | Sax (Alto) | | Bob Jr. Thiele | Synthesizer Accordian, Arranger | | Bob Ludwig | Mastering | | Bonnie Raitt | Guitar (Electric), Piano, Organ Arrangement, Vocals (Background), Producer, Vocals, Slide Guitar, Guitar (Acoustic), Horn Arrangements | | Bruce Hornsby | Keyboards | | Buell Neidlinger | Bass (Acoustic) | | Claire Lewis | Assistant | | Craig Conard | Assistant | | Curt Bisquera | Drums | | Dana Tynan | Photography | | Darrell Leonard | Trumpet | | David Lasley | Vocals (Background) | | Debra Dobkin | Percussion | | Dennis Farias | Trumpet | | Don Was | Producer | | Ed Cherney | Engineer, Mixing | | Gary Gold | Drums (Snare), Drum Loop | | George Marinelli | Vocals (Background), Guitar (Electric) | | Greg "Frosty" Smith | Sax (Baritone) | | Heart Attack Horns | ? | | Jacqui Blake | Assistant, Digital Editing, Pro-Tools | | James "Hutch" Hutchinson | Bass | | Jeff Scott Young | Gut String Guitar | | Jimmy Roberts | Saxophone | | Joe Sublett | Sax (Tenor) | | Joey Spampinato | Bass | | John Berry, Jr. | Trumpet | | John Paterno | Overdub Engineer | | Johnny Lee Schell | Guitar (Acoustic), Vocals | | Jon Cleary | Vocals (Background), Keyboards | | Mark Goldenberg | Guitar (Electric), Guitar (Acoustic), Oud | | Marlene Rosenberg | Photography | | Marty Grebb | Sax (Baritone), Sax (Tenor) | | Michael Landau | Guitar | | Mitchell Froom | Clavinet, Harmonium, Moog Bass, Reed Organ, Marxophone, Keyboards, Producer, Piano, Moog Synthesizer | | Nick Lane | Euphonium, Trombone | | Norman Moore | Design, Art Direction | | Paul Brady | Vocals (Background), Gut String Guitar | | Paulinho Da Costa | Percussion, Conga | | Pete Thomas | Percussion, Drums | | Renee Geyer | Vocals (Background) | | Richard Thompson | Guitar (Acoustic), Guitar (Electric) | | Ricky Fataar | Drums, Percussion, Vocals (Background) | | Roy Rogers | Slide Guitar | | Scott Thurston | Keyboards | | Sir Harry Bowens | Vocals (Background) | | Stephen Bruton | Guitar (Acoustic) | | Steve Berlin | Sax (Baritone) | | Steve Donnelly | Guitar (Rhythm) | | Sweet Pea Atkinson | Vocals (Background) | | Tchad Blake | Producer, Mixing, Engineer | | Texicali Horns | ? | | Tommy Sims | Vocals (Background) | | Tony Braunagel | Timbales, Drums, Percussion |
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