Album Details
Title: The Greatest Hits of All Artist: George Benson Release Date: 7/8/2003 Label: Unassigned, Rhino Records Album Type(s): Greatest Hits UPCs: 081227828424, 081227828462 Genre: Jazz Styles: Adult Contemporary, Soft Rock, Jazz-Pop, Contemporary Jazz, Crossover Jazz, Smooth Jazz, Jazz Instrument, Guitar Jazz Moods: Elegant, Intimate, Laid-Back/Mellow, Refined/Mannered, Soothing, Sophisticated, Amiable/Good-Natured, Gentle, Reserved, Stylish, Earthy, Energetic, Playful, Rollicking, Romantic Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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This Masquerade
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Breezin'
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Greatest Love of All
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On Broadway [Live]
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Love Ballad
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Unchained Melody
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Give Me the Night
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Love X Love
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Turn Your Love Around
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Love All the Hurt Away
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Never Give Up on a Good Thing
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Being With You
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Lady Love Me (One More Time)
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20/20
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I Just Wanna Hang Around You
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Kisses in the Moonlight
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Shiver
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Let's Do It Again
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Standing Together
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Rhino Records | 78284 | | ------ | CD | Unassigned | |
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Album Review
Basically, this "greatest hits of all" is simply that: the highest-charting tracks in George Benson's long career -- highest-charting pop and adult contemporary tracks, that is. Benson had been on the scene over a decade before signing with Warner Bros., and many of his jukebox and r&b hits were recorded for Creed Taylor's CTI label. Some of Benson's recorded work that held those hits has been reissued in the past two years. Of the Warner material, they have gauged success by chart placement -- not sales, not radio play, not artist choice. Therefore, while the stellar tracks from Breezin', namely "This Masquerade," which charted at number one on pop and r&b in Billboard, and its follow-up, the album's title track, kick the album off along with "On Broadway" and "The Greatest Love of All." But there are many stops along the way to the present from that 1976 issue, such as Benson's singularly beautiful read of "Unchained Melody," "Never Give Up on a Good Thing," and his duet with Aretha Franklin, which stormed through the radios of literally millions of lovers, "Love All the Hurt Away." Benson's streak is remarkable in that he consistently recorded tracks of similar weight, length, and dynamic with essentially the same timeless production that took him to the top in the first place. Thus, cuts such as "I Just Wanna Hang Around You," "Kisses in the Moonlight," "Never Give Up on a Good Thing," "Shiver," "Love X Love," and "Let's Do It Again," while being very different songs, come across in exactly the same way. The formula is a winning one even today. The Greatest Hits of All may not truly have Benson's great material, but the album does tell a story of one man's ability to consistently conquer the charts for a long period of time. And that, in this day and age, is an accomplishment realized by few. Benson virtually defined the quiet storm format with his slick, sheeny, lights-down-low approach to recording, and as this collection evidences, this made him an enduring artist. For those who dig the Warner material, this is the collection to have. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Abraham Laboriel | Bass | | Alan Glass | Guitar (Rhythm) | | Andy Bloch | Guitar | | Anthony Jackson | Bass | | Aretha Franklin | Vocals | | Arif Mardin | Producer, Arranger | | Audrey Wheeler | Vocals (Background) | | Babi Floyd | Vocals (Background) | | Bill Champlin | Vocals (Background) | | Bill Inglot | Producer | | Bill Reichenbach Jr. | Trombone | | Bryan Lee Janszen | Drum Programming | | Carlos Vega | Drums | | Carmen Twilley | Vocals (Background) | | Chuck Findley | Trumpet | | Claus Ogerman | Conductor, Orchestral Arrangements | | Claytoven Richardson | Vocals (Background) | | Dan Hersch | Remastering | | Danny Sembello | Synthesizer Bass, Fender Rhodes | | Dave Weckl | Cymbals | | David Foster | String Arrangements, Synthesizer, Piano (Electric) | | David McLees | Compilation Producer | | David Paich | Keyboards, Bass, Arranger, Synthesizer | | Dennis Turner | Executive Producer | | Diva Gray | Vocals (Background) | | Earl Klugh | Guitar (Acoustic) | | Eddie Daniels | Sax (Alto) | | Gary Herbig | Saxophone, Flute | | Gary Peterson | Discographical Annotation | | Gene Page | Synthesizer | | Genobia Jeter | Vocals (Background) | | George Benson | Compilation Producer, Vocals, Guitar | | Greg "Gigi" Gonaway | Drums, Cymbals | | Hamish Stuart | Vocals (Background) | | Harvey Mason, Sr. | Drums | | Herbie Hancock | Piano (Electric) | | Howard "Buzz" Feiten | Guitar | | Hugh Brown | Art Direction | | Jai Winding | Piano, Piano (Electric) | | James Newton Howard | Synthesizer, Keyboards, String Arrangements | | James Taylor | Vocals (Background) | | Jay Graydon | Producer, Arranger, Guitar, Synthesizer | | Jeff Porcaro | Drums | | Jennifer Hall | Vocals (Background) | | Jerry Hey | String Arrangements, Flugelhorn, Trumpet, Horn, Strings, Brass Arrangement | | Jim Gilstrap | Vocals (Background) | | Jocelyn Allen | Vocals (Background) | | John "J.R." Robinson | Drums | | Jonathan Lewis | Programming, Synthesizer | | Jorge Dalto | Keyboards, Piano, Clavinet | | Kim Hutchcroft | Flute, Saxophone | | Kitty Beethoven | Vocals (Background) | | Kwaku Alston | Photography | | Larry Williams | Saxophone, Flute | | Lee Holdridge | Conductor, Orchestration | | Lee Ritenour | Guitar | | Lenny Castro | Percussion | | Marcus Miller | Bass | | Marcy Levy | Vocals (Background) | | Mark Stevens | Vocals (Background) | | Marty Paich | String Arrangements | | Michael Boddicker | Synthesizer | | Michael Masser | Rhythm Arrangements, Producer, Piano | | Michael Omartian | Synthesizer, Piano | | Michael Sembello | Drum Programming, Vocals (Background) | | Mike Baird | Cymbals | | Mike Mainieri | Orchestration, Conductor | | Mike Sims | Guitar | | Narada Michael Walden | Drum Programming, Producer, Drums | | Nathan East | Bass | | Neil Stubenhaus | Bass | | Nick DeCaro | String Arrangements | | Patti Austin | Vocals (Background) | | Paul Brown | Producer | | Paul Jackson, Jr. | Guitar (Rhythm) | | Paulinho Da Costa | Percussion | | Phil Upchurch | Guitar (Rhythm), Bass | | Preston Glass | Drum Programming, Sequencing, Synthesizer, Associate Producer | | Quincy Jones | Rhythm | | Rachel Gutek | Design, Art Direction | | Ralph MacDonald | Percussion | | Randy Goodrum | Drum Programming, Synthesizer, Sequencing | | Randy Waldman | Synthesizer | | Richard Tee | Synthesizer Bass | | Rob Mounsey | Synclavier | | Robbie Buchanan | Piano (Electric) | | Rod Temperton | Vocal Arrangement, Rhythm Arrangements | | Ronnie Foster | Piano (Electric), Keyboards, Synthesizer | | Russ Titelman | Producer | | Scott Galloway | Compilation Producer | | Sheryl Farber | Editorial Supervision | | Stanley Banks | Bass | | Steve Dubin | Producer, Programming, Arranger | | Steve Gadd | Drums | | Steve Kipner | Sequencers, Drum Programming | | Steve Lukather | Guitar | | Steve Woolard | Discographical Annotation | | Suzanne Valentine | Vocals (Background) | | Tim Heintz | Keyboards | | Tom Bahler | Vocals (Background) | | Tom Bert | Photography | | Tommy LiPuma | Producer | | Vaneese Thomas | Vocals (Background) | | Venette Gloud | Vocals (Background) | | Walter Afanasieff | Keyboards | | Wayne Lewis | Producer, Keyboards, Drum Programming | | Wells Christy | Synclavier, Programming | | Will Lee | Bass | | Zachary Sanders | Vocals (Background) |
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