Album Details
Title: Empire Burlesque Artist: Bob Dylan Release Date: 6/8/1985 Re-Released On: 2/1/2008 Label: Columbia, Sbme Special Mkts. Duration: 46:24 Album Type(s): lyrics/libretto UPCs: 074644011029, 886972422121, 074644011043, 5099746784027 Genre: Rock Styles: Rock & Roll, Singer/Songwriter, Psychedelic, Folk-Rock, Contemporary Pop/Rock, Album Rock Moods: Freewheeling, Rousing, Sardonic, Searching, Bittersweet, Enigmatic, Fiery, Intimate, Lively, Yearning, Melancholy, Swaggering, Warm, Humorous, Laid-Back/Mellow, Organic, Passionate, Plaintive, Playful, Rebellious, Rollicking, Snide, Urgent, Witty, Earthy, Gritty, Provocative, Spiritual, Sprawling, Uncompromising, Outrageous, Acerbic, Cerebral, Cynical/Sarcastic, Literate, Poignant, Reflective, Romantic, Wistful, Wry Total Copies: 0 Members Wishing: 11 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Tight Connection to My Heart (Has Anyone Seen My Love?)
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Seeing the Real You at Last
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I'll Remember You
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Clean Cut Kid
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Never Gonna Be the Same Again
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Trust Yourself
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Emotionally Yours
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When the Night Comes Falling from the Sky
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Something's Burning, Baby
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Dark Eyes
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Sbme Special Mkts. | 724221 | | 1985 | CD | Columbia | CK-40110 |
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Other Editions
- No other editions were found for this album.
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Album Review
Say what you want about Empire Burlesque -- at the very least, it's the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn't quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems -- the most obvious being "Tight Connection to My Heart (Has Anybody Seen My Love?)," but also "Emotionally Yours" and "Dark Eyes" -- proving that his powers are still there. The rest of the album may not be as graceful, but it's still well-crafted songwriting that never fails to be interesting. The record's biggest flaw is its state-of-the-art production; this is every bit as slick as Street Legal, but now sounds more focused and more of its time -- thanks to a reliance on synthesizers and mildly sequenced beats -- than it did upon its original release. All this makes Empire Burlesque seem more transient than it actually is, since -- discounting the production -- this is as good as Dylan gets in his latter days. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Kooper | Guitar (Rhythm), Horn, Guitar, Keyboards | | Alan Clark | Synthesizer, Keyboards | | Anton Fig | Drums | | Bashiri Johnson | Percussion | | Benmont Tench | Piano, Keyboards | | Bob Dylan | Guitar, Vocals, Harmonica, Keyboards | | Bob Glaub | Bass | | Carolyn Dennis | Vocals, Vocals (Background) | | Chops | Horn | | David Watson | Saxophone | | Debra Byrd | Vocals (Background), Vocals | | Don Heffington | Drums | | George Tutko | Engineer | | Howie Epstein | Bass, Vocals | | Ira Ingber | Guitar | | Jim Keltner | Vocals, Drums | | John Paris | Bass | | Josh Abbey | Engineer | | Judy Feltus | Engineer | | Madelyn Quebec | Vocals | | Mick Taylor | Guitar | | Mike Campbell | Guitar, Vocals | | Peggi Blu | Vocals (Background), Vocals | | Queen Esther Marrow | Vocals, Vocals (Background) | | Richard Scher | Synthesizer | | Robbie Shakespeare | Bass | | Ron Wood | Guitar | | Sid McGinnis | Guitar | | Sly Dunbar | Percussion, Drums | | Stuart Kimball | Guitar (Electric), Guitar | | Syd McGuiness | Guitar | | Ted Perlman | Guitar | | Urban Blight Horns | Horn | | Vince Melamed | Synthesizer |
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