Album Details
Title: Liz Phair Artist: Liz Phair Release Date: 6/24/2003 Re-Released On: 10/13/2003 Label: EMI Music Distribution, Capitol Records, Capitol/EMI Records Album Type(s): Explicit lyrics sticker, lyrics/libretto, Enhanced CD-ROM UPCs: 724352208401, 0724358392852, 724352208456, 724358392852, 724359399928 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Gutsy, Ironic, Literate, Provocative, Sexual, Bittersweet, Confident, Confrontational, Cynical/Sarcastic, Freewheeling, Humorous, Quirky, Reflective, Rousing, Sexy, Stylish, Witty, Wry, Brash, Melancholy, Playful, Poignant, Refined/Mannered, Snide, Summery, Theatrical, Acerbic, Bravado, Cathartic, Detached, Irreverent, Party/Celebratory, Sophisticated, Sprawling, Intimate Total Copies: 15 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Extraordinary
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Red Light Fever
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Why Can't I?
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It's Sweet
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Rock Me
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Take a Look
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Little Digger
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Firewalker
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Favorite
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Love/Hate
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H.W.C.
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My Bionic Eyes
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Friend of Mine
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Good Love Never Dies
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | EMI Music Distribution | 5939992 | | 2003 | CD | Capitol Records | | | 2003 | CD | Capitol/EMI Records | 22084 |
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Album Review
Who knew that all Liz Phair ever wanted was to be a pop star? Surely, her debut, Exile in Guyville, with its cinematic lo-fi production and frankness, never suggested as much, nor did its cleaner sequel, Whip-Smart, even if her appearance in negligee on the cover of Rolling Stone did imply she wanted a wider audience. In retrospect, perhaps the streamlined surfaces of Whitechocolatespaceegg were a bid for the big time, but it was undercut by songs of motherhood, marriage, and remnants of her time as an indie queen. All of that is a distant memory on her long-delayed eponymous fourth album, where she makes a long-delayed stab at superstardom, glamming herself up like a Maxim MILF of the Month and pitching herself somewhere between Sheryl Crow and Avril Lavigne, on one side working with Michael Penn and adult alternative singer/songwriter Pete Yorn and on the other hooking up with 2003's hitmakers du jour the Matrix (not wanting to lose her aging core audience, she began her support tour for the album opening for the thirty-something darlings of the early 2000s, the Flaming Lips, even if her new music was a far cry from indie). As "Extraordinary" starts the album with a heavy guitar downstroke, it's clear that Phair has piled nearly all her chips on making it as a pop act, delivering music that not just fits comfortably with Lavigne's, but follows her sounds and stance. Yet Exile in Guyville had such a lasting impact, it's impossible to shake its memory when hearing newer work such as this. Liz Phair is running away from that shadow on Liz Phair, creating a record that is pretty much the polar opposite of that album, a shiny bright affair that wants nothing more than to be taken as a confection, even when it tries to dig deeper. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Abe Laboriel, Jr. | Drums | | Alison Clark | Vocals (Background) | | Andrew Nast | Assistant | | Buddy Judge | Guitar, Vocals (Background), Guitar (Electric) | | Corky James | Guitar | | David Sutton | Bass | | Doug Boehm | Engineer | | Eddy Schreyer | Mastering | | Eric Roinestad | Design, Art Direction | | Howard Willing | Engineer | | Jebin Bruni | Keyboards | | John Sands | Drums | | Kevin Meeker | Assistant Engineer | | Krish Sharma | Drum Recordings | | Lenny Castro | Percussion | | Liz Phair | Vocals, Guitar, Sampling | | Mario Calire | Drums | | Matt Chamberlain | Drums | | Michael Penn | Vocals (Background), Bass, Engineer, Sampling, Guitar, Producer | | Mike Elizondo | Bass | | Mike Glines | Assistant | | Patrick Warren | Keyboards, Piano | | Pete Yorn | Drums, Guitar | | Phil Poynter | Photography | | R. Walt Vincent | Vocals (Background), Producer, Guitar, Guitar (Electric), Engineer, Harmonica, Wurlitzer, Bass | | Ryan Freeland | Engineer | | Serban Ghenea | Mixing | | Ted Jensen | Mastering | | The Matrix | Producer, Arranger, Engineer, Vocals | | The Wizardry of Oz | Vocals | | Tom Lord-Alge | Mixing | | Victor Indrizzo | Drums | | Wendy Melvoin | Guitar, Bass |
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