Album Details
Title: Slow Train Coming Artist: Bob Dylan Release Date: 8/20/1979 Re-Released On: 1/4/2005 Label: Columbia, Sony Music Distribution Duration: 46:19 UPCs: 074643612029, 4562109408461, 4562109404357, 5099703252422, 5099751234920 Genre: Rock Styles: Rock & Roll, Singer/Songwriter, Psychedelic, Folk-Rock, Contemporary Pop/Rock, Album Rock Moods: Freewheeling, Rousing, Sardonic, Searching, Bittersweet, Enigmatic, Fiery, Intimate, Lively, Yearning, Melancholy, Swaggering, Warm, Humorous, Laid-Back/Mellow, Organic, Passionate, Plaintive, Playful, Rebellious, Rollicking, Snide, Urgent, Witty, Earthy, Gritty, Provocative, Spiritual, Sprawling, Uncompromising, Outrageous, Acerbic, Cerebral, Cynical/Sarcastic, Literate, Poignant, Reflective, Romantic, Wistful, Wry Total Copies: 0 Members Wishing: 4 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Gotta Serve Somebody
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Precious Angel
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I Believe in You
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Slow Train
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Gonna Change My Way of Thinking
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Do Right to Me Baby (Do Unto Others)
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When You Gonna Wake Up
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Man Gave Names to All the Animals
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When He Returns
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Sony Music Distribution | 380 | | 1990 | CD | Columbia | CK-36120 | | 1989 | CD | Sony Music Distribution | 32524 |
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Album Review
Perhaps it was inevitable that Bob Dylan would change direction at the end of the '70s, since he had dabbled in everything from full-on repudiation of his legacy to a quiet embrace of it, to dipping his toe into pure showmanship. Nobody really could have expected that he would turn to Christianity on Slow Train Coming, embracing a born-again philosophy with enthusiasm. He has no problem in believing in a vengeful god -- you gotta serve somebody, after all -- and this is pure brimstone and fire throughout the record, even on such lovely testimonials as "I Believe in You." The unexpected side effect of his conversion is that it gave Dylan a focus he hadn't had since Blood on the Tracks, and his concentration carries over to the music, which is lean and direct in a way that he hadn't been since, well, Blood on the Tracks. Focus isn't necessarily the same thing as consistency, and this does suffer from being a bit too dogmatic, not just in its religion, but in its musical approach. Still, it's hard to deny that Dylan doesn't sound revitalized here, and the result is a modest success that at least works on its own terms. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Barry Beckett | Producer, Percussion, Keyboards | | Bob Dylan | Vocals, Keyboards, Harmonica, Guitar | | Carolyn Dennis | Vocals | | Gregg Hamm | Engineer | | Helena Springs | Vocals | | Jerry Wexler | Producer | | Mark Knopfler | Guitar | | Mickey Buckins | Percussion | | Muscle Shoals Horns | Horn | | Pick Withers | Drums | | Regina Havis | Vocals | | Tim Drummond | Bass |
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