Album Details
Title: 34th N Lex Artist: Randy Brecker Release Date: 4/22/2003 Re-Released On: 10/9/2007 Label: Esc Records, Tone Center, Esc Album Type(s): Instrumental UPCs: 016728490924, 026245406223, 718750368423 Genre: Jazz Styles: Funk, Jazz-Funk, Contemporary Jazz, Jazz Instrument, Trumpet Jazz Moods: Organic, Passionate, Searching, Cerebral, Complex, Earnest, Nocturnal, Reserved, Sophisticated, Amiable/Good-Natured, Earthy, Intimate, Reflective, Bravado Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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34th N Lex
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Streeange
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Shanghigh [Live]
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All 4 Love
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Let It Go
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Foregone Conclusion [Live]
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Hula Dula
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The Fisherman
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Give It Up
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Tokyo Freddie [Live]
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The Castle Rocks
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Tone Center | 454062 | | 2003 | CD | Esc Records | 036842 | | 2003 | CD | Esc Records | 4909 | | 2003 | CD | Esc | |
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Similar CDs
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Album Review
Randy Brecker is one of the most proficient trumpeters of his generation and brilliantly shows why he has achieved this stature on 34th N Lex. The 11-song paean to his Manhattan, NY, neighborhood is a potent, in-your-face program of hard bop and funky jazz with the likes of his brother, Michael Brecker, on tenor sax; David Sanborn on alto saxophone; Ronnie Cuber on baritone saxophone; and the great trombonist Fred Wesley. The set opens with the free funk and hard bop fusion of horn blasts and honks in different registers, which depict the hustle and bustle of "34th N Lex." The ensemble pulls this off without a hitch and clearly conveys the energy associated with this street corner. On "All 4 Love," Randy Brecker adds a mute to his trumpet and gives a cool tone to the swaggering funk of Gary Haase's programming and urban vocals supplied by J Phoenix. The funk gets funkier on "Let It Go," a party jam with vocal effects and prime horn playing that lends itself to the younger generation but clearly represents the talent of jazz masters in an awesome blowing session. "Foregone Conclusion" is a beautiful ballad that features outstanding cool harmonizing and modal synchronicity that is reminiscent of Miles Davis in his heydey. As a whole, Randy Brecker clearly outdoes himself on this one and it's clearly evident that these musical masters came to play. ~ Paula Edelstein, All Music Guide
Credits
| Name | Credits | | Ada Rovatti | Sax (Tenor), Soloist | | Adam Rogers | Guitar, Engineer | | Chris "Box" Taylor | Guitar | | Chris Minh Doky | Bass (Electric), Bass (Acoustic), Bass, Engineer | | Chris Taylor | Guitar | | Clarence Penn | Drums | | Dae Bennett | Engineer | | David Sanborn | Soloist, Sax (Alto) | | Francois Zalacain | Release Production | | Fred Wesley | Trombone, Soloist | | Gary Haase | Guitar, Arranger, Vocal Effect, Percussion Programming, Producer, Bass, Engineer, Programming, Drum Programming, Sound Effects, Drums, Keyboards | | George Whitty | Percussion Programming, Mixing, Bass, Drum Programming, Effects, Piano, Arranger, Keyboards, Engineer, Effects Programming, Producer, Programming | | Greg Calbi | Mastering | | Holger Keifel | Photography | | J. Phoenix | Vocals | | Joachim Becker | Executive Producer | | Michael Brecker | Soloist, Sax (Tenor) | | Michael Davis | Trombone | | Phil Pagano | Engineer | | Randy Brecker | Arranger, Pre-Programming, Trumpet, Producer, Horn Arrangements, Engineer, Flugelhorn | | Ronnie Cuber | Sax (Baritone), Soloist | | Zach Danziger | Drum Programming |
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