Prior to releasing his first non-
Grateful Dead-related solo albums,
Jerry Garcia (guitar) teamed up with
Howard Wales (keyboards), another Bay Area performer, for the instrumental studio outing Hooteroll? (1971). They had actually been sharing the stage of local clubs -- most notably
the Matrix and
Keystone Korners -- during Monday night open-jam sessions circa 1968 and 1969. It was these free-form live collaborations that connected the guitarist with future
Jerry Garcia Band colleague
John Kahn (bass), and the pair maintained a close musical association until
Garcia's passing in 1995. The "anything goes" and "no expectations" mentality fuelling those
Garcia and
Wales gigs likewise translated into the primary motivating force behind this platter. Joining the two are
Curly Cook (rhythm guitar),
Bill Vitt (drums),
Michael Marinelli (drums),
Ken Balzall (trumpet), and
Martin Fierro (sax/flute). "Morning in Marin" and the funky "South Side Strut" fuse intricate and advanced
jazz progressions with soulful and driving rhythms, recalling
Miles Davis' (trumpet) late-'60s work and
Tony Williams' (drums) subsequent recordings Emergency! (1969) and Turn It Over (1970). "Da Bird Song" -- which bears no relationship to the "Bird Song" that
Garcia cut on his 1972 self-titled debut -- provides a nice contrast, as it takes on a
gospel flavor. The blend of
Fierro's windswept flute,
Wales' robust piano inflections, and
Garcia's weepy pedal steel guitar licks put the selection in a category all its own. The moody "Up From the Desert" embraces a slightly ethereal air, especially within the quaint baroque introductory passages. "One A.M. Approach" is remarkable in its intimacy between the co-leads.
Garcia brings a quality and pure tonality that he would rarely revisit, either on his own or in the context of
the Grateful Dead. The original LP included seven tracks -- minus both "Morning in Marin" and "Evening in Marin." The 2004 CD reissue from Evolver inexplicably removed "A Trip to What Next," making the Rykodisc and Grateful Dead Records pressings the most complete available. ~ Lindsay Planer, All Music Guide
