Album Details
Title: Hybrid Artist: Gary Numan Release Date: 3/4/2003 Re-Released On: 6/27/2006 Label: Artful Records, Jagged Halo Album Type(s): lyrics/libretto UPCs: 684340000335, 723724529120, 7237245291204, 766489821023, 0684340000335, 684340000786 Genre: Rock Styles: Synth Pop, Industrial, Experimental Electronic, New Wave, Alternative/Indie Rock, Punk/New Wave Moods: Cold, Detached, Austere, Dramatic, Refined/Mannered, Restrained, Boisterous, Clinical, Hostile, Tense/Anxious, Wintry, Brooding, Hypnotic, Paranoid, Reflective, Atmospheric, Eerie, Energetic, Ominous, Rousing, Spacey, Playful Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Hybrid
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Dark
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Crazier
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Bleed
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Torn
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Down in the Park
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Everyday I Die
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Absolution
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Cars
Track Listings Disc 2
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Ancients
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Dominion Day
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A Prayer for the Unborn
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Me! I Disconnect from You
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Listen to My Voice
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Rip
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This Wreckage
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Are Friends Electric?
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M.E.
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Down in the Park
Additional Releases
| Year | Type | Label | Catalog # | | 2006 | CD | Artful Records | 400003 | | 2006 | CD | Jagged Halo | 007 | | 2003 | CD | Artful Records | 4 |
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Album Review
Gary Numan didn't invent the idea of synth-pop--Germany's innovative Kraftwerk had a high-tech electronic sound half a decade before Numan's first Tubeway Army album came out in 1978. But he was definitely a major player in synth-pop and new wave and became amazingly influential; everyone from the industrial-oriented Nine Inch Nails to pop-rapper Sir Mix-A-Lot has claimed Numan as an influence. Electronica, as we now call it, has evolved considerably since Numan's late 70s/early 80s heyday, and this two-CD set addresses some of those changes. Recorded in 2002, Hybrid re-examines many of the British innovator's 70s, 80s and 90s recordings and does so from an early 2000s perspective. Anyone who expects Hybrid to be a best-of in the conventional sense will be disappointed; this double-CD offers new versions of familiar material, not the original versions. Some of the songs were first unveiled in the 90s, including "Absolution," "Dominion Day" and "Dark". But many of them go back to Numan's late 70s/early 80s heyday, and it's intriguing to hear new wave/synth-pop classics like "Are Friends' Electric?," "M.E." and "Down in the Park" getting an early 2000s makeover. These are hardly carbon copies of the original versions; on Hybrid, a song that started out as new wave is likely to receive the industrial, techno, aggro or darkwave treatment. "Everyday I Die" (originally recorded in 1978) acquires a Stabbing Westward-like appeal, while "Cars" (Numan's biggest hit) loses its new wave bounce and becomes surprisingly moody. Hybrid isn't recommended to casual listeners, who would be better off starting out with a best-of that focuses on the original versions of Numan's late 70s/early 80s songs. But the singer's hardcore fans will find this double-CD to be an interesting, if less than essential, addition to his catalog. ~ Alex Henderson, All Music Guide
Credits
| Name | Credits | | Adam Nunn | Mastering | | Alan Moulder | Guitar, Producer, Engineer, Mixing | | Andrew Skeet | String Arrangements | | Andy Gray | Producer, Reworking, Remixing | | Curve | Reworking, Producer | | Danielle Chambers | Publicity | | DJ Rico | Remixing, Producer, Instrumentation | | Ed Chadwick | Assistant | | Flood | Reworking, Producer | | Francesca Hanley | Flute | | Gary Numan | Guitar, Reworking, Producer, Mixing | | Jimmy Robertson | Assistant | | Mark Gemini Thwaite | Producer, Mixing, Reworking | | Mark Ralph | Guitar | | Monti | Reworking, Engineer, Producer | | Musa | Orchestration | | New Disease | ? | | Paul Agar | Design, Layout Design | | Richard Pryce | Double Bass | | Rob Holiday | Vocals, Producer, Engineer, Reworking, Guitar | | Rob Kirwan | Mixing, Engineer | | Roderick Chandler | Drums | | Sandy Mill | Vocals | | Savanna Electra Sparkes | Publicity | | Steve Malins | Executive Producer, Publicity | | Stevenson Sedgwick | Assistant | | Zakaroo | Inspiration |
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