Album Details
Title: The Complex Artist: Blue Man Group Release Date: 4/22/2003 Re-Released On: 9/14/2004 Label: Lava/Atlantic Album Type(s): lyrics/libretto, Enhanced CD-ROM UPCs: 075678363122, 756783631220 Genre: Rock Style: Experimental Moods: Aggressive, Energetic, Hypnotic, Quirky, Rousing, Theatrical, Intense Total Copies: 11 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Above
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Time to Start
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Sing Along
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Up to the Roof
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Your Attention
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Persona
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Piano Smasher
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White Rabbit
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The Current
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Shadows, Pt. 2
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What Is Rock
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The Complex
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I Feel Love
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Exhibit 13
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Lava/Atlantic | 83631 |
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Other Editions
- No other editions were found for this album.
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Album Review
After devoting more than 15 years to building their unique fusion of edgy performance and advanced yet home-brewed technologies, the Blue Man Group moves aggressively toward the mainstream with The Complex. "Mainstream" is, of course, a flexible notion, so what passes as commercial for these guys is a lot more adventurous than most of the era's ear candy. These tracks adhere to clear song structures, with guest vocalists singing actual lyrics on original as well as cover material; a zombie-like cameo by Dave Matthews on "Sing Along" offers the wryest surprises. But an unmistakable imprint endures in the eclectic sonic references and, above all, thundering stage-oriented rhythms. The core members of the group play traditional instruments -- in this case, ranging from standard-issue electric guitar to Hungarian cimbalom, heard most clearly in the opening seconds of "Above" -- as well as their invented gear whose contributions to the din are, frankly, neither critical nor easy to discern. On their version of the disco classic "I Feel Love," for instance, the 16th-note pulse created via sequencer for the Donna Summer original is mimicked by the device they call the Tube, giving rise to the question of whether using something new to do what someone else did with old stuff 20-plus years earlier is worth the effort. But this is, of course, beside the point: Although its inspirations, musical and conceptual, trace as far back as Kraftwerk, The Complex serves as a reminder that modern devices and glistening production values can be applied to the most primal creative instincts, if utilized by the right -- blue -- hands. ~ Robert L. Doerschuk, All Music Guide
Credits
| Name | Credits | | Andrew Schneider | Mixing, Engineer | | Annette Strean | Vocals | | Arone Dyer | Vocals | | Avram Glietsman | Vocals, Guitar | | Bill Bookheim | Engineer | | Blue Man Group | Cimbalom, Anvil, Cuica, Percussion, Tubulum, Drums, Dulcimer, Sound Effects, ?, Casio | | Bob Ludwig | Mastering | | Brian Scott | Tubulum | | Brook Ferris | Voices | | Brooke Ferris | Spoken Word, Voices | | Byron Estep | Dobro | | Carl Plaster | Drum Technician | | Caryl Glaab | Development, Art Direction | | Charles Tyler Ensemble | Art Direction | | Chris Bowen | Tubulum, Voiceover, Drums | | Chris Traynor | Guitar | | Chris Wink | ? | | Christian Dyas | Baritone, Guitar (Baritone), E-Bow, Guitar, Harpsichord, Zither | | CMP | Producer | | Crag Rodriguez | Drums | | Dan the Automator | Programming, Producer, Art Consultant | | Dave Anania | Drums, Percussion | | Dave Mathews | Vocals | | Dave Matthews | Vocals | | Dave Steele | Guitar, Zither, Arranger | | David Bell | Artwork | | Elvis Lederer | Zither | | Esthero | Vocals | | Gavin Rossdale | Vocals | | Harmet Yellon | Product Development | | Harriet Yellin | Development | | Haru Furuya | Icon | | Ian Pai | Percussion, Drums, Arranger | | Jaime Ramírez | Production Coordination | | Jeff Levison | Production Supervisor | | Jeff Quay | Percussion, Drums | | Jeff Skillen | Executive Producer | | Jeff Torton | Drums | | Jeff Tortora | Drums | | Jeff Turlik | Zither, Guitar, Arranger | | Jeffrey Doornbos | Tubulum | | Jen Graffam Wink | Design, Cover Image | | Jeni Ardizzone West | Development, Product Development | | Jennie Willink | Executive Producer, Product Development, Development | | Joe Hogan | Engineer | | Joe O'Connell | Engineer | | John Alagia | Producer | | Jordan Cohen | Drums | | Josh Haden | Vocals | | Josh Matthews | Drums | | Kid Koala | Sampling | | Kip Kubin | Vocal Producer | | Kip Rubin | Vocal Producer | | Larry Heinemann | ?, Bass, Guitar, Zither, Tubulum, Chapman Stick, Computer Engineering | | Marcus Miller | Art Direction | | Mario J. McNulty | Additional Production, Pro-Tools | | Matt Goldman | ? | | Matthew Kriemelman | Drums | | Michael "Puck" Quinn | Development, Art Direction | | Michael Quinn | Product Development | | Mike Napolitano | Technician, Studio Assistant | | Nels Cline | Guitar | | Nick White | Drums | | Patrick Willingham | Development, Product Development | | Peter Moore | Keyboards, Arranger, Vocals | | Peter Simpson | Drums | | Phil Stanton | ? | | Rachel Matthews | Consultant, Collaboration, Artist Relations | | Rich Costey | Mixing | | Rob Swift | Turntables | | Ronny Katz | Technical Assistance | | Seth Freed | Director | | Shannon Brunette | Artist Coordination | | Spalding Gray | Lyricist, Spoken Word | | Todd Perlmutter | Drums, Programming, Producer, Engineer, Narrator, Percussion | | Todd Waetzig | Percussion, Drums | | Tom Elmhirst | Producer | | Toni Isabella | Consultant, Collaboration, Artist Relations | | Tony Miracle | Vocal Producer | | Tracy Bonham | Vocals | | Venus Hum | Vocals, Vocal Producer, Producer | | Vince Verderame | Drums | | Wendy Day | Drums | | Yuri Saniko | Artwork |
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