The Bad Plus - These Are the Vistas

2




Album Details

Title: These Are the Vistas
Artist: The Bad Plus
Release Date: 2/11/2003
Re-Released On: 12/15/2007
Label: Columbia, Sony Music Distribution, Sony BMG Music (Canada)
Album Type(s): Instrumental
UPCs: 4547366010435, 5099751066620, 696998704022, 454736601043
Genre: Jazz
Styles: Post-Bop, Post-Rock, Alternative/Indie Rock
Moods: Ambitious, Cerebral, Playful, Uncompromising, Complex, Energetic, Knotty, Passionate, Freewheeling, Quirky, Sophisticated, Fun, Intense
Total Copies: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Big Eater
  2. Keep the Bugs Off Your Glass and the Bears Off Your Ass
  3. Smells Like Teen Spirit
  4. Everywhere You Turn
  5. 1972 Bronze Medalist
  6. Guilty
  7. Boo-Wah
  8. Flim
  9. Heart of Glass
  10. Silence Is the Question

Additional Releases

YearTypeLabelCatalog #
2007CDSony BMG Music (Canada)361
2003CDColumbia87040
2003CDSony Music Distribution5106662

Other Editions

  • No other editions were found for this album.

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Album Review

Whether or not pianist Ethan Iverson is literally using it, all of the Bad Plus' These Are The Vistas sounds as if it was recorded with the sustain pedal of the piano depressed. It's actually probably mostly the fault of producer Tchad Blake (Soul Coughing, Cibo Matto, Los Lobos), who applies his incredible treatments throughout the album, shining through especially in his work on David King's chaotic drums. Nonetheless, the Bad Plus sound as if they are in a cavernous space. The band rolls out the now-requisite jazz covers of pop tunes (in this case, Nirvana's "Smells Like Teen Spirit," Blondie's "Heart of Glass," and Aphex Twin's "Flim"), but it is their attitude (the very fact that they hired Blake to begin with, for example) that carries them the distance. The band itself is quite compelling. Iverson is a complex piano player. His skills come to bear on the abstract epic "Silence Is The Question," which closes the album, as his spidery piano lines melt into chaotic statements, left hand meeting subtly with bassist Reid Anderson, right hand meeting crazily with King. What is impressive is that the trio manages to sound contemporary using only piano, bass, and drums, and without resorting to electronic gimmicks. Whether or not the band is reinventing jazz is irrelevant. These Are The Vistas is good, interesting music. ~ Jesse Jarnow, All Music Guide

Credits

NameCredits
Bob LudwigMastering
Chris FloydPhotography
David KingDrums
Ethan IversonPiano
Josh CheuseDesign, Art Direction
Reid AndersonBass
Steve CollierCover Painting
Tchad BlakeMixing, Photography, Producer, Engineer
The Bad PlusProducer
Yves BeauvaisA&R

Member Reviews

Jessica T. (jessicatok) wrote on 4/23/2007...

I love piano rock and piano-based jazz. That being said, this is not your mother's dinner-party ambiance music. Combining rock sensibility and modern jazz into one album, the critically acclaimed "These Are the Vistas" surprised and delighted me. While the "Teen Spirit" and "Heart of Glass" tracks are a treat and original reworkings of the well-known hits, the other tracks are equally as lovely and energetic (Boo-Wah!). I found myself immediately hooked by the progressions of the first track, "Big Eater," drawn to the melodious piano lines of "1972 Bronze Medalist," and the meandering, ethereal feel to "Everywhere You Turn." This isn't "new age" jazz, but it is modern, so be prepared... don't expect Coltrane, expect a drum, a piano, and a bass.