Album Details
Title: Spellbound Artist: Paula Abdul Release Date: 5/1991 Re-Released On: 5/14/1991 Label: Capitol Records, Virgin Duration: 49:03 UPCs: 075679161123, 077778621027, 077778621041, 077778621058 Genre: Rock Styles: Dance-Pop, Urban, Adult Contemporary, Club/Dance Moods: Cheerful, Confident, Stylish, Boisterous, Carefree, Exuberant, Playful, Energetic, Fun, Joyous, Sexy, Party/Celebratory, Sexual Total Copies: 97 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The Promise of a New Day
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Rock House
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Rush, Rush
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Spellbound
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Vibeology
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U
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My Foolish Heart
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Blowing Kisses in the Wind
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To You
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Alright Tonight
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Will You Marry Me?
Additional Releases
| Year | Type | Label | Catalog # | | 1991 | CD | Capitol Records | 86210 | | 1991 | CD | Virgin | 91753 |
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Album Review
The reason Paula Abdul was one of the handful of pop-dance artists of her time to actually have a career is that her production is so good that 10-15 years later it stands as the embodiment of late-'80s pop without being a parody of itself. And with this, her second album, she reinforces the upbeat personality she expressed on Forever Your Girl while showing growth as well. "Promise of a New Day," "Rock House," and John Hiatt's "Alright Tonight" are bouncy and joyous, much like some of the bright hits from her debut, but she adds a funky techno edge with "Vibeology," and "Will You Marry Me?" skates that thin line between sweet and precious. Additionally, Abdul adds better and more ballads to this CD. Smartly, her production team has put together sweeping, adult love songs (the hits "Rush Rush" and "Blowing Kisses in the Wind") that help give her strong crossover appeal to adult contemporary without alienating her original fan base. Not many artists hit the mark twice in terms of commercial and critical appeal, but Abdul was savvy enough to choose strong material (much of which was co-written by Abdul herself, Peter Lord, Sandra St. Victor, and V. Jeffrey Smith) and smart producers (including Lord, Smith, and Don Was). This was a safe follow-up to a massively successful debut, and surprisingly enough for a pop star, the baby steps she took toward becoming a respected artist were sure and solidly embraced. ~ Bryan Buss, All Music Guide
Credits
| Name | Credits | | Arne Frager | Engineer | | Arnold McCuller | Vocals (Background) | | Clifford Moonie Pusey | Guitar | | Colin England | Vocals (Background) | | Curt Bisquera | Drums | | Dave Pensado | Engineer | | Don Feinberg | Engineer | | Don Was | Producer | | Ed Cherney | Engineer | | Greg Adams | Trumpet | | Greg Laney | Engineer | | Ivan Neville | Keyboards | | Jamie Muhoberac | Organ | | Jorge Corante | Producer | | Mark Goldenberg | Guitar | | Melanie Nissen | Art Direction | | Michael Koppelman | Engineer | | Mike Campbell | Guitar | | Paisley Park | Producer | | Paula Abdul | Vocals, Vocals (Background) | | Paulinho Da Costa | Percussion | | Peter Lord | Vocals (Background), Keyboards, Programming, Producer | | Randy Jacobs | Guitar | | Rocky Bryant | Drums | | Rod Hul | Engineer | | Sally Dworsky | Vocals (Background) | | Sandra St. Victor | Vocals (Background) | | Sir Harry Bowens | Vocals (Background) | | Stephen Kupka | Sax (Baritone) | | Steve Grove | Sax (Tenor) | | Stevie Wonder | Harmonica | | Stuart Canin | Violin | | Sweet Pea Atkinson | Vocals (Background) | | The Family Stand | Vocals (Background) | | Tim Drummond | Bass | | Tom Hammer | Keyboards | | V. Jeffrey Smith | Programming, Keyboards, Guitar, Producer, Saxophone | | Wolfgang Aichholz | Engineer |
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