Title: The Hours [Original Soundtrack] Artist: Philip Glass Release Date: 12/10/2002 Label: Nonesuch Album Type(s): soundtrack UPCs: 075597969320, 075597969368 Genre: Soundtrack Styles: World Fusion, Minimalism, Avant-Garde, Film Music, Original Score Moods: Ambitious, Cerebral, Circular, Epic, Complex, Elegant, Restrained, Sophisticated, Uncompromising, Calm/Peaceful, Reserved Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1

1. The Poet Acts :: Lyric Quartet, Michael Riesman
2. Morning Passages :: Lyric Quartet, Michael Riesman
3. Something She Has to Do :: Lyric Quartet, Michael Riesman
4. For Your Own Benefit :: Lyric Quartet, Michael Riesman
5. Vanessa and the Changelings :: Lyric Quartet, Michael Riesman
6. I'm Going to Make a Cake :: Lyric Quartet, Michael Riesman
7. An Unwelcome Friend :: Lyric Quartet, Michael Riesman
8. Dead Things :: Lyric Quartet, Michael Riesman
9. The Kiss :: Lyric Quartet, Michael Riesman
10. Why Does Someone Have to Die? :: Lyric Quartet, Michael Riesman
11. Tearing Herself Away :: Lyric Quartet, Michael Riesman
12. Escape! :: Lyric Quartet, Michael Riesman
13. Choosing Life :: Lyric Quartet, Michael Riesman
14. The Hours :: Lyric Quartet, Michael Riesman

Year Type Label Catalog # 2005 CD Nonesuch 2002 CD Nonesuch 79693

No other editions were found for this album.

The score for the movie adaptation of Michael Cunningham's -The Hours, composed by Philip Glass. The music is somewhat continuous, all built upon the same basic motives. The repetition of a three-note phrase is key to the course of the whole, emerging time and time again as the framework for variations around which the rest of the music is arranged. Beyond the simple three-note bits, repetition in general stands as an important part of the music, with the various works eventually dovetailing together in the same basic framework, bringing a sense of return as they come up. The movie features three separate stories of women, all interlinked in the same Virginia Woolf novel, whose lives share recurring themes with one another's. The music stands here to make an auditory note of the parallels with its repetition. The sounds stay relatively mundane for the majority of the work, mirroring the everyday lives which form the basis of the characters' struggles, but it can also go quite dark for periods, touching on the suicidal tendencies held by the various characters in the story. Standing alone, this album might seem rather lackluster with its general sense of dreariness and the unstopping repetitions, despite the prime performance by the Lyric Quartet. Alongside the movie or the novel, however, the score holds a deeper meaning, fitting in with the moods of the story quite well. ~ Adam Greenberg, All Music Guide

Name Credits Andrew Dudman Assistant Engineer Chris Laurence Double Bass Christian Rutledge Studio Assistant Dan Bora Assistant Engineer Dave Arch Piano David Daniels Cello Don Christensen Producer Gregg Schaufeld Editorial Coordinator Héctor Castillo Engineer Ichiho Nishiki Assistant Engineer, Editing Isobel Griffiths Orchestra Contractor Jake Jackson Assistant Engineer Jim Keller Executive Producer John Bradbury Orchestra Leader Jonathan Allen Engineer Kara Bilof Post Production Karina Benznicki Production Supervisor Kurt Munkasci Producer Lyric Quartet Performer Michael Cunningham Liner Notes Michael Riesman Producer, Arranger, Liner Notes, Piano Nick Barr Viola Nick Ingman Conductor Nico Muhly Assistant, Arranger Philip Glass Executive Producer Rolf Wilson Violin Scott Rudin Executive Producer Tony Lewis Music Editor