Seattle Trumpet Consort - After Baroque: Music for the Natural Trumpet

?



Album Details

Title: After Baroque: Music for the Natural Trumpet
Artist: Seattle Trumpet Consort
Release Date: 2008
Label: Origin Classical
Duration: 54:47
Album Type(s): performer(s) biography, composition (work) description
UPC: 805553300122
Genre: Chamber Music
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Work(s)
    - Fanfare
  2. Marcia für die Arche, for 3 trumpets & timpani in C major, H. 621, Wq. 188
  3. Divertimento No. 6 for mixed ensemble in C major, K. 188 (K. 240b)
    - [Part 1]
  4. Divertimento No. 6 for mixed ensemble in C major, K. 188 (K. 240b)
    - [Part 2]
  5. Divertimento No. 6 for mixed ensemble in C major, K. 188 (K. 240b)
    - [Part 3]
  6. Divertimento No. 6 for mixed ensemble in C major, K. 188 (K. 240b)
    - [Part 4]
  7. Divertimento No. 6 for mixed ensemble in C major, K. 188 (K. 240b)
    - [Part 5]
  8. Divertimento No. 6 for mixed ensemble in C major, K. 188 (K. 240b)
    - [Part 6]
  9. Fanfares (3) for two brass choirs & timpani
    - [Part 1]
  10. Fanfares (3) for two brass choirs & timpani
    - [Part 2]
  11. Fanfares (3) for two brass choirs & timpani
    - [Part 3]
  12. Premier Suite of Fanfares
    - [Part 1]
  13. Premier Suite of Fanfares
    - [Part 2]
  14. Premier Suite of Fanfares
    - [Part 3]
  15. Premier Suite of Fanfares
    - [Part 4]
  16. Premier Suite of Fanfares
    - [Part 5]
  17. Heroic Music for six trumpets & timpani
    - [Part 1]
  18. Heroic Music for six trumpets & timpani
    - [Part 2]
  19. Heroic Music for six trumpets & timpani
    - [Part 3]
  20. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 1]
  21. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 2]
  22. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 3]
  23. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 4]
  24. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 5]
  25. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 6]
  26. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 7]
  27. Divertimento, for 2 flutes, 5 trumpets & timpani
    - [Part 8]
  28. Fanfaren für Signaltrompeten (doubtful)
  29. Fanfares (3), for brass ensemble
    - [Part 1]
  30. Fanfares (3), for brass ensemble
    - [Part 2]
  31. Fanfares (3), for brass ensemble
    - [Part 3]
  32. Fanfaren für Signaltrompeten (doubtful)
  33. Quartet No. 6, for four trumpets
  34. Fanfares for 4 trumpets & timpani, B. 167
  35. Fanfaren für Signaltrompeten (doubtful)
  36. Canons (2), for Seven Trumpets
    - [Part 1]
  37. Canons (2), for Seven Trumpets
    - [Part 2]
  38. Fanfare for St. Edmundsbury, for trumpets in multiples of 3

Album Review

A group created in order to study and exhibit the sound of the natural trumpet (the trumpet prior to the addition of valves), the Seattle Trumpet Consort put together a collection of works created after the baroque period that showcases the trumpet in its original form, using instruments modeled after museum pieces. Combining with them is a timpani modeled after another museum piece and a pair of flutists using baroque versions of their instrument. As one might expect from the instrument, with its sonic (and general) similarity to a bugle, there is much fanfare to be had here. The album opens with a pair of parade pieces by Leopold Mozart (Wolfgang's father) and Carl Philip Emmanuel Bach. A pair of divertimenti utilize the baroque flutes as accompaniment to somewhat lighten the mood. However, more fanfare quickly returns, with pieces from Dvorák and Wagner (as well as Neukomm) anchoring a series of slightly newer fanfares, though there's a bit more melody involved in these pieces. Finishing out the album are a pair of more modern works, a Britten piece and a modern piece by Marti Epstein commissioned by the Consort. Throughout the album, the collective does a fine job to present the horn in its original element, making what should be straightforward and dull fanfare material into much more. In particular, the modern compositions display a range not expected, but entirely worthwhile. ~ Adam Greenberg, All Music Guide

Credits

NameCredits
Brian ChinPhotography, Producer
John BishopCover Design
Judson ScottProduction Assistant, Liner Notes
Robert SanchezCover Photo
Ronald HaightMastering, Engineer
Seattle Trumpet ConsortEnsemble