Howard Hanson - Howard Hanson Conducts Howard Hanson

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Album Details

Title: Howard Hanson Conducts Howard Hanson
Artist: Howard Hanson
Release Date: 2005
Label: Mercury
Duration: 276:13
Album Type(s): composer biography, Special essay (music history, styles, etc.), composition (work) description
UPC: 028947568674
Genre: Classical
Total Copies: 0
Members Wishing: 2
Number of Discs/SwapaCD Credits: 4

Track Listings Disc 1

Merry Mount, suite from the opera, Op. 31
- 1. Overture
Merry Mount, suite from the opera, Op. 31
- 2. Children's Dance
Merry Mount, suite from the opera, Op. 31
- 3. Love Duet
Merry Mount, suite from the opera, Op. 31
- 4. Prelude to Act 2 and Maypole Dances
Mosaics for orchestra
For the First Time, suite for orchestra
- 1. Bells
For the First Time, suite for orchestra
- 2. Tamara and Peter Bolshoi
For the First Time, suite for orchestra
- 3. Deserted House
For the First Time, suite for orchestra
- 4. Eccentric Clock
For the First Time, suite for orchestra
- 5. Deep Forest
For the First Time, suite for orchestra
- 6. Clowns
For the First Time, suite for orchestra
- 7. Dance
For the First Time, suite for orchestra
- 8. Serious Conversations
For the First Time, suite for orchestra
- 9. Kikimora
For the First Time, suite for orchestra
- 10. Mist
For the First Time, suite for orchestra
- 11. Fireworks
For the First Time, suite for orchestra
- 12. Dreams
Concerto for piano & orchestra in G, Op 36
- 1. Lento molto and molto tranquillo
Concerto for piano & orchestra in G, Op 36
- 2. Allegro molto ritmico
Concerto for piano & orchestra in G, Op 36
- 3. Andante molto espressivo
Concerto for piano & orchestra in G, Op 36
- 4. Allegro giocoso

Track Listings Disc 2

Howard Hanson: The Composer Talks
- Introduction: the four orchestral colours
Howard Hanson: The Composer Talks
- Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks
- Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks
- Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks
- Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks
- Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks
- Mosaics. How the colours of music influence musical form in the composer's mind. Part 1
Howard Hanson: The Composer Talks
- Mosaics. How the colours of music influence musical form in the composer's mind. Part 2
Howard Hanson: The Composer Talks
- Mosaics. How the colours of music influence musical form in the composer's mind. Part 3
Howard Hanson: The Composer Talks
- Mosaics. How the colours of music influence musical form in the composer's mind. Part 4
Howard Hanson: The Composer Talks
- Mosaics. How the colours of music influence musical form in the composer's mind. Part 5
Howard Hanson: The Composer Talks
- Mosaics. How the colours of music influence musical form in the composer's mind. Part 6
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks
- For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions

Track Listings Disc 3

Symphony No. 1 in E Minor, Op 22 "Nordic"
- 1. Andante solonne - Allegro con forza
Symphony No. 1 in E Minor, Op 22 "Nordic"
- 2. Andante teneramente, con semplicit�
Symphony No. 1 in E Minor, Op 22 "Nordic"
- 3. Allegro con fuoco
Symphony No. 2 ("Romantic"), Op. 30
- 1. Adagio - Allegro moderato
Symphony No. 2 ("Romantic"), Op. 30
- 2. Andante con tenerezza
Symphony No. 2 ("Romantic"), Op. 30
- 3. Allegro con brio
Song of Democracy for chorus & orchestra, Op 44

Track Listings Disc 4

Symphony No. 3, Op 33
- 1. Andante lamentando
Symphony No. 3, Op 33
- 2. Andante tranquillo
Symphony No. 3, Op 33
- 3. Tempo scherzando
Symphony No. 3, Op 33
- 4. Largamente e pesante
Elegy in Memory of Serge Koussevitsky for orchestra, Op 44
Lament for Beowulf for chorus & orchestra, Op. 25

Album Review

The was no review given for this album.

Credits

Name	Credits
Andrew Nicholas	Mastering
C. Robert Fine	Technical Supervisor, Engineer
Eastman-Rochester Orchestra and Chorus	Orchestra
Harold Lawrence	Musical Supervision, Photography
Henry Ries	Cover Photo
Howard Hanson	Conductor
Raymond McGill	Product Manager, Compilation
Robert Layton	Liner Notes
Wilma Cozart Fine	Producer, Recording Director