This CD of
Bartók's Piano Concerto No. 3 and
Mahler's Symphony No. 1 in D major may find defenders for its enjoyable
Salzburg Festival performances, but others will be nonplussed by the mono AAD sound, which is decently cleaned up but still disheartening for a live recording from 1964. Pianist
Annie Fischer is vigorous and eloquent in
Bartók's Concerto, and the
Vienna Philharmonic under
Georg Solti is, simply put, magnificent. Yet the recording makes the performers seem distant and indistinct, as if the microphone placement was far back behind the audience. Remastering has removed tape hiss and brought some details to the fore, but the the sound overall is two-dimensional. The recording of
Mahler's Symphony No. 1 also suffers from limited audio resources, and the
Vienna Philharmonic's usually warm strings and rich brass seem colder and weaker in the mix. The woodwinds, however, remain distinct, perhaps due to some acoustic anomaly that carries their timbres over the others.
Solti's interpretation seems more relaxed and inviting here than in his driven performance with the
Chicago Symphony Orchestra from the same year, and this disc is recommended over the 2004 Decca reissue. But considerations of the sound quality and the audience's occasionally distracting noises may put this disc lower on most wish lists. ~ Blair Sanderson, All Music Guide