Search - Bartók: Klavierkonzert No. 3; Mahler: Sinfonie No. 1

Georg Solti - Bartók: Klavierkonzert No. 3; Mahler: Sinfonie No. 1
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Album Details

Title: Bartók: Klavierkonzert No. 3; Mahler: Sinfonie No. 1
Artist: Georg Solti
Release Date: 2004
Label: Orfeo d'Or
Duration: 78:53
Album Type(s): performer(s) biography, Special essay (music history, styles, etc.)
UPCs: 675754795429, 4011790628127
Genre: Classical
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)
    - Allegretto
  2. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)
    - Adagio religioso
  3. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)
    - Allegretto vivace
  4. Symphony No. 1 in D major ("Titan")
    - Langsam, schleppend. Im Anfang sehr gemächlich
  5. Symphony No. 1 in D major ("Titan")
    - Kráftig, bewegt, doch nicht zu schnell
  6. Symphony No. 1 in D major ("Titan")
    - Feierlich und gemessen, ohne zu schleppen
  7. Symphony No. 1 in D major ("Titan")
    - Stürmisch bewegt

Review

This CD of Bartók's Piano Concerto No. 3 and Mahler's Symphony No. 1 in D major may find defenders for its enjoyable Salzburg Festival performances, but others will be nonplussed by the mono AAD sound, which is decently cleaned up but still disheartening for a live recording from 1964. Pianist Annie Fischer is vigorous and eloquent in Bartók's Concerto, and the Vienna Philharmonic under Georg Solti is, simply put, magnificent. Yet the recording makes the performers seem distant and indistinct, as if the microphone placement was far back behind the audience. Remastering has removed tape hiss and brought some details to the fore, but the the sound overall is two-dimensional. The recording of Mahler's Symphony No. 1 also suffers from limited audio resources, and the Vienna Philharmonic's usually warm strings and rich brass seem colder and weaker in the mix. The woodwinds, however, remain distinct, perhaps due to some acoustic anomaly that carries their timbres over the others. Solti's interpretation seems more relaxed and inviting here than in his driven performance with the Chicago Symphony Orchestra from the same year, and this disc is recommended over the 2004 Decca reissue. But considerations of the sound quality and the audience's occasionally distracting noises may put this disc lower on most wish lists. ~ Blair Sanderson, All Music Guide

Credits

NameCredits
Annie FischerPiano
Christine DelankLiterary Editor
Christoph SchammLiterary Editor
Georg SoltiConductor
Gottfried KrausLiner Notes, Art Supervisor
Hans SachsRecording Supervision
Harald HuberDigital Remastering
Josef SladkoEngineer
Stewart SpencerLiner Note Translation
Vienna Philharmonic OrchestraOrchestra