Due to a wealth of excellent recordings produced in the decades after the
Mahler boom of the 1960s,
Sir Georg Solti and the
Chicago Symphony Orchestra are no longer the most highly rated performers of
Mahler's symphonies. Their recordings for Decca were valued in their day for their electric energy, clarity, and precision; many were widely praised as vital contributions to the slender catalog and necessary antidotes to the faulty, idiosyncratic interpretations by
Bernstein on Columbia. In retrospect, however,
Solti's readings can at times seem ruthless and harsh, and
Mahler's gentle, poetic expressions can seem minimized in the more driven renditions. This 2004 reissue of an analog recording of
Mahler's Symphony No. 1 in D major reveals both the good and bad aspects of
Solti's
Mahler. While it merits attention for its boldness, precision, and energy, it is inferior to the accomplished 1983 all-digital version; thus, it is not the only recording one should hear. It should be compared with several other performances -- by
Walter,
Leinsdorf, and
Rattle, to name a few -- if only to gain a better perspective of its worth among subtler and more rewarding interpretations. The ADD sound is clean, though a little disheartening for its coldness on this budget disc. The four songs selected from Des Knaben Wunderhorn, performed eloquently by mezzo soprano
Yvonne Minton, are digital recordings and acceptable as filler.
~ Blair Sanderson, All Music Guide