Kieran Kane - Shadows on the Ground

Title: Shadows on the Ground Artist: Kieran Kane Release Date: 10/8/2002 Re-Released On: 10/22/2002 Label: Dead Reckoning UPC: 015095938329 Genre: Country Styles: Contemporary Country, New Traditionalist, Americana Moods: Bittersweet, Intimate, Plaintive, Detached, Literate, Poignant, Warm, Earnest, Refined/Mannered, Reflective, Reserved, Sophisticated, Weary, Whimsical, Wistful, Earthy, Melancholy, Gentle, Organic, Searching, Insular, Passionate Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 2

1. Ain't Holdin' Back
2. Will You Miss Me
3. Shadows on the Ground
4. Mountain Song
5. One Raindrop
6. The Baby Keeps Cryin'
7. Shut Up
8. Better When You Take It Slow
9. Handsome Molly
10. June Carter (Sure Can Sing)
11. Harmony

1. Millionaire
2. Wouldn't Lay My Guitar Down
3. Hallelujah
4. Workin' on It

Year Type Label Catalog # 2002 CD Dead Reckoning 9383

No other editions were found for this album.

Kieran Kane, formerly of the not-quite-neo-trad (but utterly compelling) country group the O'Kanes, has released his finest album to date with the primarily acoustic Shadows on the Ground. On this effort, Kane pares back his tunes to only their most essential, suggestive elements, and the result can be compared to the most evocative short stories of Ernest Hemingway. This is his simplest effort yet -- but there's great artistry at work. Shadows on the Ground was recorded in a couple of days in a single room in Nashville, and is dedicated to Kieran's son Lucas, who had been diagnosed with Hodgkin's disease. The hard, simple truths on the album perhaps stem from that situation, with the lyrics often coming off like unadorned little nuggets of Eastern thought (such as the title track's "Truth is always truth, stone is always stone/We all live and die but not alone/We go by different roads/We go by different names/Shadows on the ground all look the same"). The combination of the stark but intelligent lyrics and low-key yet impressive instrumentation and arrangements -- in fact, two songs feature only one chord -- results in an album that, like the best art, doesn't telegraph its message. Rather, it's suggestive enough to draw the listener in for the act of discovery. (On a blunter level, it's also a darn fine listen.) The intelligence and artistry at work on this album are remarkable, and here in the new millennium, it baffles the mind that a talent like Kieran Kane and the O'Kanes once hurtled up the mainstream country music charts. ~ Erik Hage, All Music Guide

Name Credits Fats Kaplin Fiddle, Banjo, Button Accordion, Bajo Sexto Glenn Worf Bass Harry Stinson Drums, Vocals, Pots, Pans, Vocals (Background), Autoharp John Hadley Photography Kevin Welch Guitar Kieran Kane Guitar, Mandolin, Paintings, Vocals, Producer, Audio Production Mike Henderson National Steel Guitar, Mandolin, Harmonica Mills Logan Mixing Engineer, Audio Engineer, Engineer Philip Scoggins Mixing Engineer, Assistant Engineer Sean Locke Vocals (Background), Vocals, Guitar, Guitar Tammy Rogers Vocals (Background), Mandolin, Fiddle, Vocals Tracy Wallner Design, Art Direction