Album Details
Title: Dancing on the Edge of a Volcano: Jewish Cabaret Popular and Political Songs 1900-1945 Artist: New Budapest Orpheum Society Release Date: 2002 Label: Cedille Records Duration: 154:36 Album Type(s): performer(s) biography, Special essay (music history, styles, etc.), musical score, composition (work) description, lyrics/libretto UPCs: 675754561925, 735131906524, 669910244463 Genre: Classical Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Wiener Fiakerlied (Viennese Coachman's Song)
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Nach Großwardein (To Großwardein)
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Der jüdische Landsturm (The Jewish Country Regiment)
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Der Leb, der Hersch und der Kohn (Levin and Hirsch and Cohn), Viennese broadside (tune Es klappert die Mühle)
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Die koschere Mischpoche! (The Kosher Mischpoche!), Viennese broadside
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Jüdische Fiaker Lied (Jewish Coachman's Song)
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Cohen Owes Me Ninety-Seven Dollars, song
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Liebeslied an ein Proletariermädchen (Love Song to a Proletarian Girl)
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Couplet des Schmafu (Schmafu Couplet)
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Eine kleine Sehnsucht (Do a Little Dreaming)
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Ich bin Kopf bis Fuß (Falling in love again) (for the film The Blue Angel)
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Brettl-Lieder (Cabaret Songs), for voice & piano
- Gigerlette
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Songs (6) for mezzo-soprano or baritone & piano, Op. 3
- Mahnung (Warning)
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Haman-Arie (The 'Haman' Coachman's Song)
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Ballade von der Judenhure Marie Sanders
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Der Graben
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Solidaritätslied, for voice & orchestra, Op. 27/1
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An den Kleinen Radioapparat for voice & piano
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Und es sind die finstern Zeiten
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Havu l'venim (Bring the Bricks), folk song for voice & piano
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Hine Achal'la Bachalili (Lo, I Play upon My flute)
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Gam Hayom, Palestinian folksong setting for voice & piano, Op. 179/2
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Holem Tsaudi, Palestinian folksong setting for voice & piano, Op. 179/1
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Ra'inu amalenu, for voice & piano (Folk Songs No. 3), C. 80/3
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Baa M'nucha (There comes Peace unto the Weary), folk song for voice & piano
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Banu (We've Come), song
Track Listings Disc 2
-
Wiener Fiakerlied (Viennese Coachman's Song)
-
Nach Großwardein (To Großwardein)
-
Der jüdische Landsturm (The Jewish Country Regiment)
-
Der Leb, der Hersch und der Kohn (Levin and Hirsch and Cohn), Viennese broadside (tune Es klappert die Mühle)
-
Die koschere Mischpoche! (The Kosher Mischpoche!), Viennese broadside
-
Jüdische Fiaker Lied (Jewish Coachman's Song)
-
Cohen Owes Me Ninety-Seven Dollars, song
-
Liebeslied an ein Proletariermädchen (Love Song to a Proletarian Girl)
-
Couplet des Schmafu (Schmafu Couplet)
-
Eine kleine Sehnsucht (Do a Little Dreaming)
-
Ich bin Kopf bis Fuß (Falling in love again) (for the film The Blue Angel)
-
Brettl-Lieder (Cabaret Songs), for voice & piano
- Gigerlette
-
Songs (6) for mezzo-soprano or baritone & piano, Op. 3
- Warning
-
Haman-Arie (The 'Haman' Coachman's Song)
-
Ballade von der Judenhure Marie Sanders
-
Der Graben
-
Solidaritätslied, for voice & orchestra, Op. 27/1
-
An den Kleinen Radioapparat for voice & piano
-
Und es sind die finstern Zeiten
-
Havu l'venim (Bring the Bricks), folk song for voice & piano
-
Hine Achal'la Bachalili (Lo, I Play upon My flute)
-
Gam Hayom, Palestinian folksong setting for voice & piano, Op. 179/2
-
Holem Tsaudi, Palestinian folksong setting for voice & piano, Op. 179/1
-
Ra'inu amalenu, for voice & piano (Folk Songs No. 3), C. 80/3
-
Baa M'nucha (There comes Peace unto the Weary), folk song for voice & piano
-
Banu (We've Come), song
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Album Review
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Credits
| Name | Credits | | Bill Maylone | Engineer | | Elizabeth Ostrow | Producer | | Eric Bentley | Liner Note Translation | | Ilya Levinson | Music Direction | | Karl Kraus | Adaptation | | Melanie Germond | Design | | New Budapest Orpheum Society | Ensemble | | Philip V. Bohlman | Liner Notes, Artistic Director | | Stewart Figa | Baritone (Vocal) | | Stuart Miller | Bass |
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