Album Details
Title: Forty Licks (Special Edition 12" x 12" Boxed Set) Artist: The Rolling Stones Release Date: 10/1/2002 Re-Released On: 0/0/2002 Label: Universal Distribution, ABKCO Records, Virgin Records, Digital Distribution Saudi Arabia, Decca, Virgin Album Type(s): Greatest Hits, Box set UPCs: 018771404026, 018771404125, 724381332528, 724381337820, 0602498707180, 0724381337851, 4988006804876, 602498707180, 602498707210 Genre: Rock Styles: Rock & Roll, Blues-Rock, Hard Rock, British Invasion, Psychedelic, Contemporary Pop/Rock, British Blues, Album Rock, British Psychedelia, Dance-Rock, Regional Blues Moods: Bravado, Confident, Energetic, Rebellious, Rowdy, Swaggering, Brash, Exciting, Fiery, Freewheeling, Greasy, Intense, Menacing, Raucous, Reckless, Rollicking, Rousing, Sexy, Street-Smart, Trashy, Urgent, Visceral, Acerbic, Amiable/Good-Natured, Angry, Cynical/Sarcastic, Earthy, Fun, Hedonistic, Malevolent, Messy, Sexual, Sleazy, Stylish, Nocturnal, Ominous, Playful, Trippy, Whimsical, Aggressive, Bitter, Bittersweet, Boisterous, Eerie, Exuberant, Harsh, Sardonic, Thuggish, Druggy, Humorous, Irreverent, Lively, Melancholy, Organic, Poignant, Reflective Total Copies: 0 Members Wishing: 25 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Street Fighting Man
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Gimme Shelter
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(I Can't Get No) Satisfaction
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The Last Time
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Jumpin' Jack Flash
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You Can't Always Get What You Want
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19th Nervous Breakdown
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Under My Thumb
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Not Fade Away
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Have You Seen Your Mother, Baby, Standing in the Shadow?
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Sympathy for the Devil
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Mother's Little Helper
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She's a Rainbow
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Get Off of My Cloud
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Wild Horses
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Ruby Tuesday
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Paint It, Black
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Honky Tonk Women
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It's All Over Now
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Let's Spend the Night Together
Track Listings Disc 2
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Start Me Up
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Brown Sugar
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Miss You
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Beast of Burden
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Don't Stop [#]
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Happy
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Angie
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You Got Me Rocking
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Shattered
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Fool to Cry
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Love Is Strong
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Mixed Emotions
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Keys to Your Love [#]
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Anybody Seen My Baby?
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Stealing My Heart [#]
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Tumbling Dice
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Undercover of the Night
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Emotional Rescue
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It's Only Rock 'N' Roll
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Losing My Touch [#]
Additional Releases
| Year | Type | Label | Catalog # | | 2006 | CD | Digital Distribution Saudi Arabia | | | 2005 | CD | Universal Distribution | 9870718 | | 2005 | CD | ABKCO Records | 4041 | | 2005 | CD | ABKCO Records | 40402 | | 2005 | CD | Decca | 9870721 | | 2002 | CD | Virgin Records | 13378 | | 2002 | CD | Virgin | 2964 |
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Album Review
Forty Licks, like Elvis' 30 #1 Hits, is a career-spanning compilation that wouldn't have happened without the unprecedented, blockbuster success of Beatles 1. Where Elvis' set is hurt by the simple fact that there are too many damn Elvis comps on the market, the Rolling Stones benefit greatly from the fact that there has not been any set that chronicles all their recordings from the '60s through the '90s. It also benefits that this is the concept behind the record -- it's meant to be a journey through their biggest songs, not just the number one hits. Of course, the Stones couldn't have had a CD containing just their number ones that spanned one disc, much less two, because they never topped the charts that frequently. This is a liberating thing (compare it to Elvis', which got weighed down with the number ones, resulting in some subpar selections), since it opens the door for almost every Stones song of note to feature on this collection, along with four new songs (not great, but solid songs, all). Sure, there are many great Rolling Stones moments missing, and not just fan favorites Beggars Banquet or Exile on Main St., either -- "Play With Fire," "2000 Light Years From Home," "Tell Me," "Heart of Stone," "Doo Doo Doo Doo Doo (Heartbreaker)," "Lady Jane," "Time Is on My Side," "Waiting on a Friend," "I'm Free," and "We Love You" are all missing in action. The thing is, as the disc is playing, you don't miss any of them, and it feels like all the hits are here. At first, the nonchronological order seems to be a mistake, but both discs flow well, especially since they're roughly divided thematically (the first is devoted largely to the '60s, with the rest on the second). Yes, the Stones made great albums that should be in any serious rock collection, but if you just want a summary of their best moments, Forty Licks is it; it does its job as well as Beatles 1 did. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Kooper | Organ, French Horn, Piano | | Andrew Loog Oldham | Producer, Audio Production | | Anita Pallenberg | Vocals (Background) | | Bernard Fowler | Vocals (Background) | | Bill Wyman | Bass, Group Member, Bowed Double Bass, Maracas, Vocals (Background) | | Blondie Chaplin | Shaker, Vocals (Background) | | Bob Clearmountain | Mixing | | Bob Gruen | Photography | | Bob Ludwig | Mastering, Mastering Engineer | | Bobby Keys | Saxophone, Percussion | | Brian Jones | Marimba, Sitar, Guitar, Recorder, Tamboura, Vocals (Background), Harmonica, Piano, Group Member, Guitar (Rhythm) | | Charlie Watts | Vocals (Background), Drums, Group Member, Percussion | | Chris Kimsey | Producer, Associate Producer | | Chuck Leavell | Keyboards, Piano, Organ | | Chuck Pulin | Photography | | Clydie King | Vocals (Background) | | Cyrus Andrews | Photography | | Darryl Jones | Bass | | Dave Mason | Shenai | | David Costa | Photo Editing | | David Magnus | Photography | | David Wild | Liner Notes | | Denis O'Regan | Photography | | Don Smith | Mixing | | Don Was | Producer, Keyboards, Audio Production | | Doris Troy | Vocals (Background) | | Gemma Corfield | Artist Coordination | | Gered Mankowitz | Photography | | Glyn Johns | Engineer | | Ian McLagan | Piano (Electric) | | Ian Stewart | Piano | | Ivan Neville | Vocals (Background) | | Jack Nitzsche | Choir Arrangement, Piano | | Jamie Muhoberac | Bass, Keyboards | | Jim Dickinson | Piano | | Jim Price | Trombone, Trumpet | | Jimmy Miller | Audio Production, Cowbell, Percussion, Drums, Producer | | Keith Richards | Bowed Double Bass, Vocals, Vocals (Background), Guitar, Bass, Group Member, Guitar (Acoustic), Guitar (Rhythm) | | Kick Horns | Brass | | Laurens Van Houten | Photography | | Lisa Fischer | Vocals (Background) | | London Bach Choir | ? | | Louie Teran | Digital Editing | | Louis Jardine | Percussion | | Madeline Bell | Vocals (Background) | | Marianne Faithfull | Vocals (Background) | | Mark Seliger | Photography | | Matt Clifford | Pre-Production | | Mel Collins | Saxophone | | Merry Clayton | Vocals | | Michael Ochs | Photography | | Michael Putland | Photography | | Mick Jagger | Group Member, Piano (Electric), Percussion, Guitar, Vocals, Harmonica | | Mick Taylor | Bass, Guitar, Slide Guitar, Group Member | | Nanette Newman | Vocals (Background) | | Nicky Harrison | String Arrangements | | Nicky Hopkins | Piano, Vocals (Background), Synthesizer Strings | | Peter Sanders | Photography | | Rocky Dijon | Conga, Percussion | | Ron Wood | Guitar, Bass, Drums (Bass), Vocals (Background) | | Sarah Dash | Vocals (Background) | | Sly Dunbar | Percussion | | Stephen Marcussen | Mastering | | Steve Rosenthal | Archives Coordinator, Restoration | | Sugar Blue | Harp | | Teri Landi | Transfers, Tape Archivist, Analog Transfer | | Terry O'Neill | Photography | | The Glimmer Twins | Audio Production, Producer | | The Rolling Stones | Producer | | Tom Lord-Alge | Mixing | | Tony King | Art Coordinator | | Vanetta Field | Vocals (Background) | | Waddy Wachtel | Guitar (Electric), Guitar (Acoustic) | | Wayne Perkins | Guitar |
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