Album Details
Title: Beethoven: Missa solemnis, Op.123 Artist: Georg Solti Release Date: 1995 Label: London Duration: 77:16 Album Type(s): composition (work) description, lyrics/libretto UPC: 028944433722 Genre: Choral Music Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123
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Review
You know the old debate over the Missa Solemnis, the whole "Is it sacred music for the concert hall or secular music for the church" question? Don't worry about it. The issue doesn't come up in this 1994 recording of the work with Georg Solti conducting the Berlin Philharmonic. For Solti, the answer is an obvious one: the Missa Solemnis may have a sacred text, but it is in every way a dramatic work for the opera house. But what a dramatic work! Remember, this is Solti, the screaming skull, the conductor who transformed Wagner's Ring into the Greatest Story Ever Told, but whose power and conviction made it work at a supremely high level. What else could he do with the Missa Solemnis except play it to the last row in the bleachers? That isn't to say that Solti's Missa Solemnis isn't unbelievably dramatic. The playing and singing are strong and virtuosic, plus they sustain an unbearable level of intensity through the entire length of the work. The problem is that the whole performance is unbelievable and unbearable, a deadly combination in Beethoven's Missa Solemnis, one of the highest and holiest works of musical art in the history of humanity. London's sound is clear, but otherwise unimpressive. ~ James Leonard, All Music Guide
Credits
| Name | Credits | | Anne Kirchbach | Photography | | Anne Schneider | Booklet Editor | | Barbara Baran | Cover Photo | | Berlin Radio Symphony Chorus | Choir, Chorus | | Berliner Philharmoniker | Orchestra | | Christian Steiner | Cover Design | | Christopher Pope | Producer | | Deborah Gilbert | Editing | | Erich Lessing | Cover Art | | Georg Solti | Conductor | | H.C. Robbins Landon | Artistic Consultation | | Iris Vermillion | Vocals | | Jeremy Tilston | Artwork | | John Pellowe | Engineer | | Julia Varady | Soprano (Vocal) | | Kolja Blacher | Violin | | Michael Woolcock | Producer | | Monika Rittershaus | Photography | | Neil Hutchinson | Engineer | | Philip Siney | Engineer | | René Pape | Bass (Vocal) | | Robin Gritton | Choir Master | | Terry O'Neill | Photography | | Vinson Cole | Tenor (Vocal) | | Zafer Baran | Cover Art |
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