Album Details
Title: Lodger [Bonus Tracks] Artist: David Bowie Release Date: 1979 Re-Released On: 8/23/1991 Label: Rykodisc UPCs: 014431014642, 114431014625, 114431014649 Genre: Rock Styles: Contemporary Pop/Rock, Proto-Punk, Experimental Rock, Alternative/Indie Rock, Album Rock, Dance-Rock, Art Rock Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Fantastic Voyage
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African Night Flight
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Move On
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Yassassin (Turkish for: Long Live)
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Red Sails
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DJ
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Look Back in Anger
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Boys Keep Swinging
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Repetition
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Red Money
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I Pray Olé [Ryko Edition Only][#]
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Look Back in Anger [New Version Recorded 1988]
Additional Releases
| Year | Type | Label | Catalog # | | 1991 | CD | Rykodisc | RCD-10146 |
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Other Editions
- No other editions were found for this album.
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Similar CDs
- No similar CDs were found for this album.
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Album Review
On the surface, Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop; what makes it different is how it incorporates such experimental tendencies into genuine songs, something that Low and Heroes purposely avoided. "D.J.," "Look Back in Anger," and "Boys Keep Swinging" have strong melodic hooks that are subverted and strengthened by the layered, dissonant productions, while the remainder of the record is divided between similarly effective avant pop and ambient instrumentals. Lodger has an edgier, more minimalistic bent than its two predecessors, which makes it more accessible for rock fans, as well as giving it a more immediate, emotional impact. It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Adrian Belew | Guitar (Rhythm), Mandolin, Guitar | | Brian Eno | Synthesizer, Trumpet, Ambience, Horn, Guitar, Piano | | Bruce Weber | Photography | | Carlos Alomar | Guitar (Rhythm), Drums, Guitar | | David Bowie | Vocals, Piano, Chamberlin, Saxophone, Synthesizer, Lyricist, Producer, Mixing, Composer, Vocals (Background), Guitar | | David Richards | Engineer, Mixing | | Dennis Davis | Percussion, Bass, Drums | | Dr. Toby Mountain | Mastering | | Erdal Kizilcay | Bass, Drums | | Erdal Kizilgay | Bass, Drums | | Eugene Chaplin | Assistant Engineer | | George Murray | Bass | | Greg Calbi | Engineer | | Gregg Caruso | Assistant Engineer | | Jonathan Wyner | Assistant Engineer | | Kevin Cann | Design | | Nigel Reeve | Remastering | | Peter Mew | Remastering | | Reeves Gabrels | Guitar | | Rod O'Brien | Engineer | | Roger Powell | Synthesizer | | Sean Mayes | Keyboards, Piano | | Simon House | Mandolin, Violin | | Tony Visconti | Engineer, Guitar, Vocals (Background), Mandolin, Guitar (Rhythm), Bass, Producer |
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