David Bowie - Let's Dance [Bonus Track]

David Bowie - Let's Dance [Bonus Track]
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Album Details

Title: Let's Dance [Bonus Track]
Artist: David Bowie
Release Date: 1983
Re-Released On: 9/28/1999
Label: Virgin
Genre: Rock
Styles: Soul, New Wave, Contemporary Pop/Rock, Blue-Eyed Soul, Punk/New Wave, Album Rock, Dance-Rock
Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered
Total Copies: 0
Members Wishing: 2
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Modern Love
  2. China Girl
  3. Let's Dance
  4. Without You
  5. Ricochet
  6. Criminal World
  7. Cat People (Putting Out Fire)
  8. Shake It
  9. Under Pressure [*]

Additional Releases

YearTypeLabelCatalog #
1999CDVirgin21896

Other Editions

  • No other editions were found for this album.

Similar CDs

  • No similar CDs were found for this album.

Album Review

After summing up his maverick tendencies on Scary Monsters, David Bowie aimed for the mainstream with Let's Dance. Hiring Chic bassist Nile Rodgers as a co-producer, Bowie created a stylish, synthesized post-disco dance music that was equally informed by classic soul and the emerging new romantic subgenre of new wave, which was ironically heavily inspired by Bowie himself. Let's Dance comes tearing out of the date, propulsed by the skittering "Modern Love," the seductively menacing "China Girl," and the brittle funk of the title track. All three songs became international hits, and for good reason -- they're catchy, accessible pop songs that have just enough of an alien edge to make them distinctive. However, that careful balance is quickly thrown off by a succession of pleasant but unremarkable plastic soul workouts. "Cat People" and a cover of Metro's "Criminal World" are relatively strong songs, but the remainder of the album indicates that Bowie was entering a songwriting slump. However, the three hits were enough to make the album a massive hit, and their power hasn't diminished over the years, even if the rest of the record sounds like an artifact. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Bernard EdwardsBass
Bob ClearmountainMixing, Engineer
Carmine BojasBass
Carmine RojasBass
Dave GreenbergAssistant Engineer
David BowieKeyboards, Guitar, Mixing, Producer, Arranger, Vocals, Saxophone
David SpinnerVocals (Background), Vocals
Denis O'ReganPhotography
Frank SimmsVocals (Background), Vocals
George SimmsVocals (Background), Vocals
Kevin CannDesign
Mac GollehonTrumpet
Mick HaggertyDesign, Photography
Nigel ReeveRemastering
Nile RodgersProducer, Mixing Assistant, Guitar, Arranger
Omar HakimDrums
Peter MewRemastering
QueenProducer, Performer
Robert AaronFlute, Tenor (Vocal)
Robert ArronSaxophone, Sax (Tenor), Flute
Robert SabinoKeyboards
Sammy FigueroaPercussion
Stan HarrisonSax (Tenor), Tenor (Vocal), Saxophone, Flute
Steve ElsonFlute, Baritone (Vocal)
Stevie Ray VaughanGuitar
Tony ThompsonDrums