Album Details
Title: Let's Dance [Bonus Track] Artist: David Bowie Release Date: 1983 Re-Released On: 9/28/1999 Label: Virgin Genre: Rock Styles: Soul, New Wave, Contemporary Pop/Rock, Blue-Eyed Soul, Punk/New Wave, Album Rock, Dance-Rock Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered Total Copies: 0 Members Wishing: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Modern Love
-
China Girl
-
Let's Dance
-
Without You
-
Ricochet
-
Criminal World
-
Cat People (Putting Out Fire)
-
Shake It
-
Under Pressure [*]
Additional Releases
| Year | Type | Label | Catalog # | | 1999 | CD | Virgin | 21896 |
|
Other Editions
- No other editions were found for this album.
|
|
Similar CDs
- No similar CDs were found for this album.
|
Album Review
After summing up his maverick tendencies on Scary Monsters, David Bowie aimed for the mainstream with Let's Dance. Hiring Chic bassist Nile Rodgers as a co-producer, Bowie created a stylish, synthesized post- disco dance music that was equally informed by classic soul and the emerging new romantic subgenre of new wave, which was ironically heavily inspired by Bowie himself. Let's Dance comes tearing out of the date, propulsed by the skittering "Modern Love," the seductively menacing "China Girl," and the brittle funk of the title track. All three songs became international hits, and for good reason -- they're catchy, accessible pop songs that have just enough of an alien edge to make them distinctive. However, that careful balance is quickly thrown off by a succession of pleasant but unremarkable plastic soul workouts. "Cat People" and a cover of Metro's "Criminal World" are relatively strong songs, but the remainder of the album indicates that Bowie was entering a songwriting slump. However, the three hits were enough to make the album a massive hit, and their power hasn't diminished over the years, even if the rest of the record sounds like an artifact. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bernard Edwards | Bass | | Bob Clearmountain | Mixing, Engineer | | Carmine Bojas | Bass | | Carmine Rojas | Bass | | Dave Greenberg | Assistant Engineer | | David Bowie | Keyboards, Guitar, Mixing, Producer, Arranger, Vocals, Saxophone | | David Spinner | Vocals (Background), Vocals | | Denis O'Regan | Photography | | Frank Simms | Vocals (Background), Vocals | | George Simms | Vocals (Background), Vocals | | Kevin Cann | Design | | Mac Gollehon | Trumpet | | Mick Haggerty | Design, Photography | | Nigel Reeve | Remastering | | Nile Rodgers | Producer, Mixing Assistant, Guitar, Arranger | | Omar Hakim | Drums | | Peter Mew | Remastering | | Queen | Producer, Performer | | Robert Aaron | Flute, Tenor (Vocal) | | Robert Arron | Saxophone, Sax (Tenor), Flute | | Robert Sabino | Keyboards | | Sammy Figueroa | Percussion | | Stan Harrison | Sax (Tenor), Tenor (Vocal), Saxophone, Flute | | Steve Elson | Flute, Baritone (Vocal) | | Stevie Ray Vaughan | Guitar | | Tony Thompson | Drums |
|
|