David Bowie - Low [Bonus Tracks]

Title: Low [Bonus Tracks] Artist: David Bowie Release Date: 1/1977 Re-Released On: 9/28/1999 Label: Virgin Genre: Rock Styles: Contemporary Pop/Rock, Experimental, Proto-Punk, Experimental Rock, Alternative/Indie Rock, Album Rock, Dance-Rock, Art Rock Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered Total Copies: 0 Members Wishing: 6 Number of Discs/SwapaCD Credits: 1

1. Speed of Life
2. Breaking Glass
3. What in the World
4. Sound and Vision
5. Always Crashing in the Same Car
6. Be My Wife
7. A New Career in a New Town
8. Warszawa
9. Art Decade
10. Weeping Wall
11. Subterraneans
12. Some Are [#][*]
13. All Saints [#][*]
14. Sound and Vision [Remixed Version][*]

Year Type Label Catalog # 1999 CD Virgin 21907

No other editions were found for this album.

Following through with the avant-garde inclinations of Station to Station, yet explicitly breaking with David Bowie's past, Low is a dense, challenging album that confirmed his place at rock's cutting edge. Driven by dissonant synthesizers and electronics, Low is divided between brief, angular songs and atmospheric instrumentals. Throughout the record's first half, the guitars are jagged and the synthesizers drone with a menacing robotic pulse, while Bowie's vocals are unnaturally layered and overdubbed. During the instrumental half, the electronics turn cool, which is a relief after the intensity of the preceding avant pop. Half the credit for Low's success goes to Brian Eno, who explored similar ambient territory on his own releases. Eno functioned as a conduit for Bowie's ideas, and in turn Bowie made the experimentalism of not only Eno but of the German synth group Kraftwerk and the post-punk group Wire respectable, if not quite mainstream. Though a handful of the vocal pieces on Low are accessible -- "Sound and Vision" has a shimmering guitar hook, and "Be My Wife" subverts soul structure in a surprisingly catchy fashion -- the record is defiantly experimental and dense with detail, providing a new direction for the avant-garde in rock & roll. ~ Stephen Thomas Erlewine, All Music Guide

Name Credits Brian Eno Multi Instruments, Piano, Chamberlin, Keyboards, Engineer, Guitar, Mixing, Vocals, Synthesizer, Moog Synthesizer, Mini Moog Carlos Alomar Guitar (Rhythm), Guitar Clive Anderson Photography David Bowie Saxophone, Harmonica, Mixing, Keyboards, Percussion, Horn, Producer, Arp, Pump Bass, Guitar, Strings, Cello, Xylophone, Piano, Vocals, Chamberlin, Vibraphone, Brass Synth, Tape, Bass David Richards Mixing Dennis Davis Percussion Dr. Toby Mountain Mastering Eduard Meyer Cello Eduard Meyerm Cello George Murray Bass Iggy Pop Organ, Vocals, Piano, Vocals (Background) Jonathan Wyner Assistant Engineer Kevin Cann Design Mary Hopkin Vocals Mary Visconti Vocals (Background), Vocals Nigel Reeve Remastering Peter Himmelman Piano, Arp Peter Mew Remastering Ricky Gardiner Guitar (Rhythm), Guitar Ricky Murray Bass Roy Young Organ, Farfisa Organ, Piano Steve Shapiro Photography Tony Visconti Producer Wall Engineer