Allison Moorer - Miss Fortune

4




Album Details

Title: Miss Fortune
Artist: Allison Moorer
Release Date: 8/6/2002
Label: Universal South Records
Album Type(s): lyrics/libretto
UPCs: 008817029528, 0008817029528, 088 170 295-2
Genre: Country
Styles: Contemporary Country, Alternative Country-Rock, Neo-Traditionalist Country, Alternative/Indie Rock
Moods: Bittersweet, Laid-Back/Mellow, Melancholy, Rollicking, Intimate, Confident, Earnest, Fiery, Organic, Passionate, Poignant, Reflective, Street-Smart, Yearning
Total Copies: 2
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Tumbling Down
  2. Cold in California
  3. Let Go
  4. Ruby Jewel Was Here
  5. Can't Get There from Here
  6. Steal the Sun
  7. Up This High
  8. Hey Jezebel
  9. Mark My Word
  10. No Place for a Heart
  11. Yessirree
  12. Going Down
  13. Dying Breed

Additional Releases

YearTypeLabelCatalog #
2002CDUniversal South Records170295
2002CDUniversal South RecordsUNSF-30009-2

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Album Review

Rather than open her Universal South debut with a boot-stompin' rave, Moorer sounds an autumnal tone -- not just on the opening track, but on the first three. Though several up-tempo tunes do follow, this muted quality pervades Miss Fortune. Clearly the point is that Moorer intends to move past her identification with traditional country into a more personalized and varied realm in which she exercises full creative control. Make no mistake: This is a country album, but it's closer to what the music might have become rather than to where it has sunk in its current doldrums. A honey-toned and expressive singer, Moorer does seem more at home with slower, thoughtful material; on faster numbers, like "Ruby Jewel Was Here" and "Hey Jezebel," her phrasing is more affected -- in fact, the grooves are transparently derivative, reflecting the Band and the Stones, respectively. On the other hand, when she slinks into a Kurt Weill pose on the closing track, "Dying Breed," she feels totally at home with the idiom and its interpretive implications. Despite the ambiguity of the title, Miss Fortune suggests an intriguing turn for Moorer, not to mention affirmation that there are still opportunities to experiment outside the boardrooms of Music Row. ~ Robert L. Doerschuk, All Music Guide

Credits

NameCredits
Allison MoorerVocals (Background)
Allison PresswoodBass
Billy GosserGuitar Technician
Billy HuberEuphonium, Trombone, Trombone (Bass)
Chris CarmichaelStrings, Violin, Fiddle, Conductor, String Arrangements
David GrissomGuitar (Electric)
Eric ConnMastering
George MassenburgMixing Engineer, Mastering
Greg MorrowDrums, Percussion
Jared ReynoldsVocals (Background)
Jay BennettGuitar (Leslie), Organ, Guitar (Electric), Mandolin
Jim DeMainEngineer
Jim HerringtonPhotography
Jim HokeSax (Tenor), Saxophone, Sax (Baritone), Horn Arrangements
Joey TurnerAssistant Engineer
Karen CroninDesign, Art Direction
Kenneth BlevinsDrums
Kim MorrisonVocals (Background)
Manfred JeromePercussion
Michael NobleGuitar (Acoustic), Banjo, Dobro
Michael WebbPiano, Keyboards, Fender Rhodes, Organ (Hammond), Wurlitzer
Mike BrignardelloBass
Nashville String MachineStrings
Neal RosengardenTrumpet, French Horn, Euphonium
R.S. FieldProducer, Guitar (Electric)
Rick SchellVocals (Background), Drums, Percussion
Rob McNelleyGuitar (Electric), Guitar (Acoustic)
Russ PahlSlide Guitar, Pedal Steel
Steve ConnClarinet, Piano, Accordion
Tony BrownExecutive Producer
Yvonne HodgesVocals (Background)