Album Details
Title: Miss Fortune Artist: Allison Moorer Release Date: 8/6/2002 Label: Universal South Records Album Type(s): lyrics/libretto UPCs: 008817029528, 0008817029528, 088 170 295-2 Genre: Country Styles: Contemporary Country, Alternative Country-Rock, Neo-Traditionalist Country, Alternative/Indie Rock Moods: Bittersweet, Laid-Back/Mellow, Melancholy, Rollicking, Intimate, Confident, Earnest, Fiery, Organic, Passionate, Poignant, Reflective, Street-Smart, Yearning Total Copies: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Tumbling Down
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Cold in California
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Let Go
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Ruby Jewel Was Here
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Can't Get There from Here
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Steal the Sun
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Up This High
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Hey Jezebel
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Mark My Word
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No Place for a Heart
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Yessirree
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Going Down
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Dying Breed
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | Universal South Records | 170295 | | 2002 | CD | Universal South Records | UNSF-30009-2 |
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Album Review
Rather than open her Universal South debut with a boot-stompin' rave, Moorer sounds an autumnal tone -- not just on the opening track, but on the first three. Though several up-tempo tunes do follow, this muted quality pervades Miss Fortune. Clearly the point is that Moorer intends to move past her identification with traditional country into a more personalized and varied realm in which she exercises full creative control. Make no mistake: This is a country album, but it's closer to what the music might have become rather than to where it has sunk in its current doldrums. A honey-toned and expressive singer, Moorer does seem more at home with slower, thoughtful material; on faster numbers, like "Ruby Jewel Was Here" and "Hey Jezebel," her phrasing is more affected -- in fact, the grooves are transparently derivative, reflecting the Band and the Stones, respectively. On the other hand, when she slinks into a Kurt Weill pose on the closing track, "Dying Breed," she feels totally at home with the idiom and its interpretive implications. Despite the ambiguity of the title, Miss Fortune suggests an intriguing turn for Moorer, not to mention affirmation that there are still opportunities to experiment outside the boardrooms of Music Row. ~ Robert L. Doerschuk, All Music Guide
Credits
| Name | Credits | | Allison Moorer | Vocals (Background) | | Allison Presswood | Bass | | Billy Gosser | Guitar Technician | | Billy Huber | Euphonium, Trombone, Trombone (Bass) | | Chris Carmichael | Strings, Violin, Fiddle, Conductor, String Arrangements | | David Grissom | Guitar (Electric) | | Eric Conn | Mastering | | George Massenburg | Mixing Engineer, Mastering | | Greg Morrow | Drums, Percussion | | Jared Reynolds | Vocals (Background) | | Jay Bennett | Guitar (Leslie), Organ, Guitar (Electric), Mandolin | | Jim DeMain | Engineer | | Jim Herrington | Photography | | Jim Hoke | Sax (Tenor), Saxophone, Sax (Baritone), Horn Arrangements | | Joey Turner | Assistant Engineer | | Karen Cronin | Design, Art Direction | | Kenneth Blevins | Drums | | Kim Morrison | Vocals (Background) | | Manfred Jerome | Percussion | | Michael Noble | Guitar (Acoustic), Banjo, Dobro | | Michael Webb | Piano, Keyboards, Fender Rhodes, Organ (Hammond), Wurlitzer | | Mike Brignardello | Bass | | Nashville String Machine | Strings | | Neal Rosengarden | Trumpet, French Horn, Euphonium | | R.S. Field | Producer, Guitar (Electric) | | Rick Schell | Vocals (Background), Drums, Percussion | | Rob McNelley | Guitar (Electric), Guitar (Acoustic) | | Russ Pahl | Slide Guitar, Pedal Steel | | Steve Conn | Clarinet, Piano, Accordion | | Tony Brown | Executive Producer | | Yvonne Hodges | Vocals (Background) |
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