Album Details
Title: Legacy...Hymns & Faith Artist: Amy Grant Release Date: 5/21/2002 Re-Released On: 8/25/2009 Label: Universal Distribution, Word Distribution, EMI Music Distribution Album Type(s): lyrics/libretto UPCs: 080688621124, 400000016856, 5099996664223, 606949331825, 0606949331825, 080688621162, 080688640163 Genre: Gospel Styles: Gospel, CCM, Contemporary Christian Moods: Poignant, Sentimental, Bright, Joyous, Spiritual, Calm/Peaceful, Fun, Passionate, Slick, Smooth, Warm, Amiable/Good-Natured, Delicate, Earnest, Gentle, Innocent, Reflective, Reverent, Sweet, Cheerful, Happy, Playful Total Copies: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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This Is My Father's World
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My Jesus, I Love Thee
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Softly and Tenderly
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I Need Thee Every Hour/Nothing But the Blood
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What You Already Own
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It Is Well With My Soul/The River's Gonna Keep on Rolling
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Do You Remember the Time
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Fields of Plenty/Be Still My Soul
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Imagine/Sing the Wondrous Love of Jesus
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Come, Thou Fount of Every Blessing
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Fairest Lord Jesus
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Holy, Holy, Holy
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What a Friend We Have in Jesus/Old Rugged Cross/How Great Thou Art
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Marching to Zion
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | EMI Music Distribution | 666422 | | 2005 | CD | Word Distribution | | | 2005 | CD | Word Distribution | | | 2005 | CD | Word Distribution | 886211 | | 2002 | CD | Universal Distribution | 493318 |
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Album Review
Within Amy Grant's rich catalog of sacred and secular recordings, Legacy...Hymns & Faith stands out for its thematic integrity and superb execution. Never a showy vocalist, she relies here on her familiarity with the material, most of which consists of old-time hymns, to convey the essence of each track. Her performances, bare of any extraneous effect and generally confined to a narrow segment of her range, blend into consistently excellent arrangements by Vince Gill (her husband) and Brown Bannister; these range from a catchy, soft pop treatment of "This Is My Father's World" through several dreamlike tracks, some buffeted by synths or strings (including "Softly and Tenderly," with its strong Daniel Lanois vibe), and one medley of particular beauty, "Fields of Plenty" and "Be Still My Soul," on which Grant sings a cappella and with Richard Bennett's acoustic guitar. Faith, in its gentlest manifestation, permeates the album up to the last track, "Marching to Zion," whose martial pipes and drums either disrupt the vibe or leave the listener exhilarated, depending on your disposition; a prayer, given in the studio by Amy's father, Burton Grant, and recorded by chance, provides an appropriate segue before the Crusaders storm off on their mission. ~ Robert L. Doerschuk, All Music Guide
Credits
| Name | Credits | | Alison Krauss | Vocal Harmony | | Amy Grant | Vocal Harmony, Liner Notes, Choir, Chorus | | Andrea Zonn | Fiddle | | Astrid Herbold May | Art Direction, Design | | Barry Green | Trombone | | Bekka Bramlett | Vocals (Background) | | Bernie Herms | Piano | | Beverly Darnall | Choir, Chorus | | Biff Watson | Guitar (Acoustic) | | Billy Thomas | Vocals (Background) | | Bonnie Keen | Choir, Chorus | | Brown Bannister | Arranger, Choir, Chorus, Producer | | Burton Grant | Choir, Chorus | | Carl Marsh | String Arrangements, Conductor | | Carol Davis | Bagpipes, Drums | | Carol Nuismer | Choir, Chorus | | Carol Pigg | Choir, Chorus | | Chad Cromwell | Drums, Floor Tom | | Chris Harris | Choir, Chorus | | Chris Scherbak | Assistant Engineer, Assistant | | Cindy Hudson | Choir, Chorus | | Dan Needham | Drums | | Don Finto | Choir, Chorus | | Doug Sax | Mastering | | Eric Darken | Percussion | | Fred Paragano | Digital Editing | | Gary Pigg | Choir, Chorus | | Ginger Lang | Choir, Chorus | | Gordon Kennedy | Guitar (Acoustic), Guitar (Electric) | | Greg Cutcliff | Drums, Bagpipes | | Greg Fogie | Assistant Engineer, Assistant | | Hank Nirider | Assistant, Assistant Engineer | | Jan Harris | Choir, Chorus | | Jay Dawson | Bagpipes, Drums | | Jeffery Regan | Choir, Chorus | | Jim Hoke | Harmonica | | Jim Horn | Sax (Baritone), Sax (Tenor), Horn Arrangements | | John Catchings | Cello | | John Darnall | Choir, Chorus | | John Jarvis | Piano | | Katherine Petillo | Art Direction, Design | | Kenny Greenberg | Guitar (Electric) | | Kevin Tucker | Art Direction, Artwork, Design | | Kim Keyes | Vocals (Background) | | Lars Nordensten | Wardrobe | | LeighAnn Jones | Choir, Chorus | | Leland Sklar | Kalbasse, Bass, Guitar (Bass) | | London Session Orchestra | Strings | | Mac McAnally | Guitar (Acoustic) | | Melanie Shelley | Hair Stylist | | Michael Blanton | Choir, Chorus, Executive Producer | | Michael Omartian | Piano | | Michael Rhodes | Bass | | Michelle Bentrem | Assistant, Choir, Chorus, Production Coordination Assistant | | Mike Haynes | Trumpet | | Nashville String Machine | Strings | | Pete Wasner | Synthesizer, Piano | | Phyllis Mayfield | Choir, Chorus | | Richard Bennett | Guitar (Acoustic), Gut String Guitar | | Richard Rodney Bennett | Guitar (Acoustic), Gut String Guitar | | Richard Seagraves | Photography | | Rivers Rutherford | Guitar (Acoustic) | | Robert Hadley | Mastering | | Rodney Barber | Drums, Bagpipes | | Ronn Huff | Arranger | | Sam Levine | Clarinet, Sax (Tenor), Penny Whistle | | Sang Park | Assistant, Assistant Engineer | | Sheila Davis | Make-Up | | Sterling Bishir | Choir, Chorus | | Steve Bishir | Engineer, Mixing | | Stuart Duncan | Fiddle | | Susan Browne | Package Design, Art Direction, Design | | Theresa Ellis | Choir, Chorus | | Tim Akers | Organ (Hammond), Accordion, Synthesizer | | Todd Boswell | Bagpipes, Drums | | Tom Britt | Guitar (Electric) | | Traci Sterling | Production Coordination | | Traci Sterling Bishir | Production Coordination, Choir, Chorus | | Vince Gill | Arranger, Guitar (Acoustic), Producer, Dobro, Liner Notes, Vocal Harmony, Mandolin, Vocals (Background), Guitar (Electric), Soloist |
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