Album Details
Title: The Divine One [ASV/Living Era] Artist: Sarah Vaughan Release Date: 5/21/2002 Label: ASV Album Type(s): Greatest Hits UPC: 743625542325 Genre: Vocal Music Styles: Bop, Cool, Standards, Traditional Pop, Vocal Jazz Moods: Elegant, Romantic, Soothing, Sophisticated, Stylish, Earnest, Intimate, Playful, Poignant, Refined/Mannered, Reflective, Smooth, Calm/Peaceful, Cheerful, Gentle, Happy, Innocent, Sensual, Sentimental, Wistful, Passionate, Nocturnal Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Lover Man
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Interlude (A Night in Tunisia)
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Mean to Me
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You Go to My Head
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If You Could See Me Now
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Everything I Have Is Yours
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Don't Worry 'Bout Me
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Time After Time
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September Song
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Tenderly
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Sometimes I Feel Like a Motherless Child
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The Man I Love
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I'm Gonna Sit Right Down (And Write Myself a Letter)
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It's Magic
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What a Diff'rence a Day Made
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Nature Boy
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Black Coffee
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Body and Soul
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I Cried for You
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Summertime
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The Nearness of You
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Ain't Misbehavin'
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It Might as Well Be Spring
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Nice Work If You Can Get It
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East of the Sun (And West of the Moon)
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Perdido
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | ASV | 5423 |
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Other Editions
- No other editions were found for this album.
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Album Review
While this Living Era compilation may serve as a roughly accurate core sample of Sarah Vaughan's career from 1944-1950, the inclusion of certain fluffy pop "hits" -- the tracks featuring the Richard Maltby String Orchestra and the Earle Rodgers Choir in particular -- detracts slightly even while emphasizing the vocalist's remarkable versatility, for Sarah Vaughan had the ability to sing anything under any circumstances. Her best recordings are those that find her in the company of jazz musicians, for jazz was her natural element. It was among Charlie Parker, Dizzy Gillespie, Al Haig, Flip Phillips, Sid Catlett, John Kirby, Buster Bailey, Russell Procope, Tadd Dameron, Bud Powell, Max Roach, Leo Parker, Teddy Wilson, Miles Davis, Charlie Ventura, and J.C. Heard that Sarah Vaughan developed her wonderful style, influencing (and influenced by) Ella Fitzgerald. Although Living Era's The Divine One is a satisfactory introduction to Sarah Vaughan, it fairly cries out to be augmented by a comprehensive survey of her early work as presented in the Classics Chronological Series. Start with the discs covering the years 1944-1946, 1946-1947, and 1949-1950, as these compilations contain many of her very best jazz performances on record. ~ arwulf arwulf, All Music Guide
Credits
| Name | Credits | | Aaron Sachs | Clarinet | | Al Caiola | Guitar | | Al Casey | Guitar | | Al Gibson | Sax (Alto), Clarinet | | Al Haig | Piano | | Andrew Ferretti | Trumpet | | Art Drellinger | Sax (Tenor) | | Bernard Kaufman | Sax (Alto), Sax (Baritone) | | Big Sid Catlett | Drums | | Bill Beason | Drums | | Bill DeArango | Guitar | | Bill Pritchard | Trombone | | Billy Butterfield | Trumpet | | Billy Kyle | Piano | | Billy Rowland | Piano | | Billy Taylor, Sr. | String Bass | | Bob Haggart | String Bass | | Buck Clayton | Trumpet | | Bud Powell | Piano | | Budd Johnson | Sax (Tenor) | | Buddy Morrow | Trombone | | Bunny Shawker | Drums | | Buster Bailey | Clarinet | | Charlie Parker | Sax (Alto) | | Charlie Ventura | Sax (Tenor) | | Chuck Wayne | Guitar | | Clarence Brereton | Trumpet | | Cozy Cole | Drums | | Curly Russell | String Bass | | Dizzy Gillespie | Trumpet | | Don Byas | Sax (Tenor) | | Eddie de Verteuill | Sax (Baritone), Sax (Alto) | | Eddie Safranski | String Bass | | Ermet Perry | Trumpet | | Flip Phillips | Sax (Tenor) | | Frank Carroll | String Bass | | Freddie Green | Guitar | | Freddy Webster | Trumpet | | George James | Sax (Baritone) | | George Kelly | Sax (Tenor) | | George Treadwell | Trumpet | | Georgie Auld | Sax (Tenor) | | Hal Mitchell | Trumpet | | Hank Ross | Clarinet (Bass), Sax (Tenor) | | Harold Feldman | Sax (Tenor) | | Harry (Henry) Thacker Burleigh | Arranger | | Harry Terrill | Sax (Alto) | | Hymie Schertzer | Sax (Alto) | | J.C. Heard | Drums | | Jack Lesberg | String Bass | | Jack Satterfield | Trombone | | Jesse Drakes | Trumpet | | Jimmy Abato | Saxophone | | Jimmy Jones | Piano, Celeste | | Jimmy Maxwell | Trumpet | | Joe Benjamin | String Bass | | John Collins | Guitar | | John d'Agostino | Trombone | | John Fulton | Saxophone | | John Kirby | String Bass | | Kenny Clarke | Drums | | Leo Parker | Sax (Baritone) | | Leonard Feather | Piano | | Leroy Harris | Sax (Alto) | | Lowell Hastings | Sax (Tenor) | | Martin Haskell | Audio Restoration | | Max Roach | Drums | | Miles Davis | Trumpet | | Mock Shopnick | String Bass | | Morey Feld | Drums | | Mundell Lowe | Guitar (Electric), Guitar | | Nicholas Tagg | Piano | | Peter Dempsey | Transcription, Liner Notes | | Phil Duffy | Design | | Ray Crick | Compilation | | Roger Jones | Trumpet | | Roy Haynes | Drums | | Rupert Cole | Sax (Alto) | | Russell Banzer | Saxophone | | Russell Procope | Sax (Alto) | | Sam Musiker | Clarinet | | Scoville Brown | Sax (Alto) | | Sid Cooper | Sax (Alto) | | Stan Freeman | Piano | | Stan Webb | Sax (Alto) | | Tadd Dameron | Piano | | Ted Sturgis | String Bass | | Teddy Wilson | Piano | | Terry Snyder | Drums | | Tony Mottola | Guitar | | Tony Scott | Clarinet | | Toots Mondello | Sax (Alto) | | Will Bradley | Trombone | | William Barker | Drums | | William Versaci | Saxophone | | Wolfie Tannenbaum | Sax (Baritone) |
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