Album Details
Title: Automatic for the People Artist: R.E.M. Release Date: 10/6/1992 Re-Released On: 10/15/2004 Label: Warner Bros., R.E.M. Duration: 48:25 UPCs: 093624505525, 093624505563, 093624505587, 093624513827, 936245055256 Genre: Rock Styles: Alternative Pop/Rock, Jangle Pop, Adult Alternative Pop/Rock, Alternative/Indie Rock, College Rock, American Underground Moods: Atmospheric, Enigmatic, Intimate, Melancholy, Autumnal, Brooding, Cathartic, Literate, Organic, Poignant, Quirky, Restrained, Rousing, Whimsical, Bittersweet, Complex, Earnest, Eccentric, Energetic, Exuberant, Fiery, Gentle, Nocturnal, Passionate, Plaintive, Playful, Reflective, Searching, Urgent, Wistful, Yearning, Dreamy, Eerie, Intense, Reserved Total Copies: 165 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Drive
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Try Not to Breathe
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The Sidewinder Sleeps Tonite
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Everybody Hurts
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New Orleans Instrumental No. 1 [Instrumental]
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Sweetness Follows
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Monty Got a Raw Deal
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Ignoreland
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Star Me Kitten
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Man on the Moon
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Nightswimming
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Find the River
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | R.E.M. | | | 1992 | CD | Warner Bros. | 2-45055 | | 1992 | CD | Warner Bros. | 2-45122 (LTD. E | | 1992 | CD | Warner Bros. | 45055 |
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Album Review
Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the album is a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards. Automatic for the People captures the group at a crossroads, as they moved from cult heroes to elder statesmen, and the album is a graceful transition into their new status. It is a reflective album, with frank discussions on mortality, but it is not a despairing record -- "Nightswimming," "Everybody Hurts," and "Sweetness Follows" have a comforting melancholy, while "Find the River" provides a positive sense of closure. R.E.M. have never been as emotionally direct as they are on Automatic for the People, nor have they ever created music quite as rich and timeless, and while the record is not an easy listen, it is the most rewarding record in their oeuvre. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Andrew Roshberg | Engineer | | Anton Corbijn | Photography | | Bertis Downs | Performer | | Bill Berry | ?, Drums | | Cecil Juanarena | Computer Imaging | | Clif Norrell | Mixing, Engineer | | Daniel Laufer | Cello | | Daniel Lauter | Cello | | Deborah Workman | Oboe | | Denise Berginson-Smith | Violin | | Ed Brooks | Engineer, Mixing | | Elizabeth Murphy | Cello | | Elizabeth Proctor Murphy | Cello | | Fredrick Nilsen | Photography | | George Cowan | Engineer | | George Hanson | Conductor | | Heidi Nitchie | Viola | | Jefferson Holt | Performer | | Jody Taylor | Violin | | John Keane | Engineer | | John Paul Jones | Orchestra | | Judy Taylor | Violin | | Kathleen Kee | Cello | | Knox Chandler | Cello | | Lonnie Ditzen | Violin | | Lonnie Ottzen | Violin | | Mark Howard | Engineer | | Mark Mytrowitz | Technical Assistance | | Michael Stipe | Group Member, Design, Art Direction, Vocals | | Mike Mills | ?, Bass | | Patti Gouvas | Violin | | Paul Murphy | Viola, Leader | | Peter Buck | Group Member, Guitar | | R.E.M. | Producer | | Reid Harris | Viola | | Sandy Salzinger | Violin | | Scott Litt | Producer, Clarinet (Contrabass), Clavinet, Harmonica, Mixing | | Sou-Chun Su | Violin | | Stephen Marcussen | Mastering | | Ted Malia | Engineer | | Tod Lemkuhl | Mixing Assistant, Assistant Engineer | | Tom Recchion | Design, Art Direction |
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