Album Details
Title: Amused to Death Artist: Roger Waters Release Date: 9/1/1992 Re-Released On: 7/10/2006 Label: Columbia, Sony/Columbia, Sony Music Distribution Duration: 72:45 Album Type(s): lyrics/libretto UPCs: 074644712728, 074646442623, 4571191051592, 4988009591322, 5099746876197, 074644712742, 5099746876128, 074644712780, 457119105159 Genre: Rock Styles: Prog-Rock, Album Rock, Art Rock Moods: Brooding, Literate, Acerbic, Cynical/Sarcastic, Wry, Ambitious, Earnest, Ironic, Theatrical, Outraged, Reflective, Restrained Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The Ballad of Bill Hubbard
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What God Wants, Pt. 1
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Perfect Sense, Pt. 1
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Perfect Sense, Pt. 2
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The Bravery of Being Out of Range
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Late Home Tonight, Pt. 1
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Late Home Tonight, Pt. 2
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Too Much Rope
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What God Wants, Pt. 2
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What God Wants, Pt. 3
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Watching TV
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Three Wishes
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It's a Miracle
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Amused to Death
Additional Releases
| Year | Type | Label | Catalog # | | 2006 | CD | Sony/Columbia | 4687619 | | 2005 | CD | Sony Music Distribution | 693 | | 1994 | CD | Columbia | 47127 | | 1992 | CD | Columbia | CK-47127 | | ------ | CD | Sony Music Distribution | 5913 |
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Other Editions
- No other editions were found for this album.
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Album Review
Amused to Death is a solid album both conceptually and musically, showcasing Waters as an artist who, like his work with Pink Floyd, conveys his thoughts and ideals with pinpoint accuracy so that they are engraved within his audience's mind. With this album, Waters touches heavily on the dangers of capitalism, the insensitivity of the human race, the ridiculousness of war, and the onslaught of mindless entertainment that encroaches on mankind on a day-to-day basis. Fitting all these aspects into 14 songs is a task in itself, but accomplishing this task alongside music that is forceful and appealing is extremely difficult, and still Waters succeeds in doing this throughout the duration of the album. "The Ballad of Bill Hubbard" is a moving spoken intro from Alf Razzell, a former member of Britain's Royal Fusiliers. A stab at the false sense of security that lies within religion is dealt with on the powerful "What God Wants, Pt. 1," and the cowardice of the world's leaders is addressed in "The Bravery of Being Out of Range," one of the albums most blatant tracks. Guest guitarist Jeff Beck rises to the occasion on a number of songs here, and both Rita Coolidge and Don Henley fill in behind and beside Waters on a couple of the longer tunes. Ending with the title track, a song that sums up the whole of the album with it's subtle yet hard-hitting demeanor, Waters proves that he can still reveal his conceptual ideas with pristine clarity, only on Amused to Death, the music is as equally entertaining and effective. ~ Mike DeGagne, All Music Guide
Credits
| Name | Credits | | Alf Razzell | Vocals | | Alf Razzelli | Vocals | | Andy Bradfield | Assistant Engineer | | Andy Fairweather Low | Guitar (Acoustic), Vocals, Guitar (Rhythm), Guitar (12 String), Guitar, Guitar (Electric), Vocals (Background) | | B.J. Cole | Guitar (Steel) | | Brian Burrows | Assistant Engineer | | Brian MacLeod | Drums, Percussion | | Bruce Gaitsch | Guitar, Guitar (Acoustic) | | Charles Fleischer | Voices, ? | | Chris Brown | Assistant Engineer | | Christopher Austopchuk | Creative Director | | Dary Sulich | Assistant Engineer | | Denny Fongheiser | Drums | | Don Henley | Vocals | | Doreen Chanter | Vocals, Vocals (Background) | | Doug Sax | Mastering | | Geoff Whitehorn | Guitar | | Graham Broad | Percussion, Drums | | Guo Yi | Oboe, Dulcimer, Lute, Zhen, Bass | | Haydn Bendall | Engineer | | James Guthrie | Mixing | | James Johnson | Bass | | Jeff Beck | Guitar | | Jeff Porcaro | Drums | | Jeremy Wheatley | Assistant Engineer | | Jerry Jordan | Engineer | | Jessica Leonard | ?, Screams, Voices | | Jim Haas | Vocals (Background) | | John "Rabbit" Bundrick | Organ | | John Brundrick | Organ (Hammond) | | John Dupree | Arranger, Conductor, String Arrangements | | John Lowson | Assistant Engineer | | John Patitucci | Guitar (Electric), Bass (Upright), Bass (Electric), Bass | | John Pierce | Bass | | Jon Joyce | Vocals, Vocals (Background) | | Jordan Leonard | ?, Voices, Screams | | Katie Kisoon | Vocals (Background) | | Katie Kissoon | Vocals | | Kenneth Bowen | Conductor | | Linsey Fiddmont | Vocals | | London Welsh Chorale | ? | | Luis Conte | Percussion | | Lynn Fiddmont | Vocals (Background) | | Marc Moreau | Assistant Engineer | | Mark Burdett | Art Direction | | Marv Albert | Voices, ? | | McLaugh | Engineer | | Michael Bosley | Assistant Engineer | | Michael Kamen | Conductor, Arranger | | N'Dea Davenport | Vocals (Background), Vocals | | Natalie Jackson | Vocals (Background), Vocals | | National Philharmonic Orchestra | ? | | Nick Griffiths | Producer, Engineer | | P.P. Arnold | Vocals | | Patrick Leonard | Vocal Arrangement, Arranger, Programming, Synthesizer, Organ (Hammond), ?, Producer, Voices, Piano, Keyboards | | Paul M. Martin | Art Direction | | Randy Jackson | Bass | | Richard Haughton | Photography | | Rick DiFonzo | Guitar | | Rita Coolidge | Vocals | | Roger Waters | Vocals, Synthesizer, Bass, Guitar (12 String), Producer, Guitar | | Ron Lewter | Mastering | | Ross Donaldson | Assistant Engineer | | Roy Sweeting | Assistant Engineer | | Sean O'Dwyer | Mixing Assistant | | Stan Laurel | Vocals (Background), Vocals | | Stephen McLaughlan | Engineer | | Steve Heinke | Assistant Engineer | | Steve Lukather | Guitar | | Steve Sidwell | Cornet | | Tim Pierce | Bass, Choir, Chorus, Guitar | | Tony Kaye | Photography |
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