Album Details
Title: Frantic Artist: Bryan Ferry Release Date: 2/5/2002 Re-Released On: 9/2/2003 Label: Virgin, Virgin Records Album Type(s): lyrics/libretto UPCs: 724381198421, 724381213827, 0724381198452, 724381198414, 766488880328 Genre: Rock Styles: Contemporary Pop/Rock, Album Rock, Art Rock Moods: Brooding, Cathartic, Earnest, Campy, Playful, Refined/Mannered, Sensual, Theatrical, Witty, Passionate, Reflective, Romantic, Dramatic, Poignant, Quirky, Sentimental, Sexy, Confident, Energetic, Literate, Restrained, Elegant, Soothing, Sophisticated, Stylish Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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It's All Over Now, Baby Blue
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Cruel
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Goin' Down
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Goddess of Love
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Don't Think Twice, It's All Right
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Nobody Loves Me
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Ja Nun Hons Pris
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A Fool for Love
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Goodnight Irene
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Hiroshima...
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San Simeon
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One Way Love
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I Thought
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Virgin | 812138 | | 2002 | CD | Virgin Records | 11984 |
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Album Review
Frantic manages to touch upon virtually every musical style of Bryan Ferry's career. Ferry has proved to be as interested in covering other artists' material as penning original songs, and he straddles a smart mix of originals and covers here. Two brilliant Bob Dylan songs appear among the opening tracks: "It's All Over Now Baby Blue" sees a return to the eclectic, energetic experimentation of Ferry's early albums with Roxy Music as a lush modern swirl of instruments mingles with the singer's stylized vocals and throwback harmonica; "Don't Think Twice It's Alright" completes the Dylan pair, as Ferry intones with confidence and again takes up harmonica over Colin Good's rolling piano. The reverent Leadbelly cover "Goodnight Irene" reimagines Ferry as a kind of blues troubadour. "One Way Love" sees the Drifters' song reworked as a squall of distorted guitars and keyboards. Almost half of Frantic's songs originated from late-'90s sessions with Eurythmics' Dave Stewart, and Stewart is given a co-writer credit for these songs. Though the Stewart songs tend to favor edginess over songwriting, a few of them manage to break through the bombast. "Goddess of Love" is probably the best song about Marilyn Monroe since Kitchens of Distinction's "When in Heaven," and there's a passing musical resemblance to that great song. "Hiroshima" works like an ominous take on Roxy Music's synth-heavy Avalon period, with raging guitar dynamics contributed by Radiohead's Jonny Greenwood. Roxy Music fans will find more reasons to rejoice with the superb album closer, "I Thought," which was co-written with Brian Eno, who sings backing vocals and plays keyboards. Some listeners might suggest that an album this varied has an identity crisis, but with standout tracks as glorious as the Dylan covers and the Eno closer, Frantic is a fascinating addition to Bryan Ferry's accomplished discography. ~ Tim DiGravina, All Music Guide
Credits
| Name | Credits | | Adam Lamprell | Guitar | | Albert Sanchez | Photography | | Alice Retif | Vocals (Background) | | Allison Goldfrapp | Vocals (Background) | | Andy Newmark | Percussion, Drums | | Ash Howes | Engineer, Mixing | | Audrey Wheeler | Vocals (Background) | | Ben Chapman | Programming | | Bob Clearmountain | Mixing | | Bob Ludwig | Mastering | | Bobby Irwin | Drums | | Bogdan Zarkowski | Design, Photography | | Brian Eno | Vocals (Background), Keyboards, Guitar | | Brian Ferry | Producer, Harmonia, Design, Arranger | | Bryan Ferry | Vocals, Keyboards, Design, Producer, Harmonica, Arranger | | Chris Spedding | Guitar, Sitar (Electric) | | Colin Good | String Arrangements, Mellotron, Producer, Virginal, Arranger, Piano | | D.L. Menard | Guitar | | D.L. Menard and the Louisiana Aces | Guitar | | Dan Grech-Marguerat | Assistant Engineer | | Dave Stewart | Guitar, Producer | | David E. Williams | Bass, Guitar | | Eddie LeJeune | Accordion | | Eric Boman | Photography | | Frank Ricotti | Percussion | | James Sanger | Programming | | Jhelisa Anderson | Vocals (Background) | | Jonny Greenwood | Guitar | | Julia Thornton | Harp | | Keith G. Thompson | Recorder, Crumhorn, Oboe, Curtal, Woodwind | | Kelli Dayton | Vocals (Background) | | Ken Smith | Fiddle | | Kevin Harp | Assistant Engineer | | Lisa Anderson | Vocals (Background) | | Lucy Kaplansky | Vocals (Background) | | Lucy Theo | Strings, Vocals | | Lucy Wilkins | Vocals, Strings | | Marcus Miller | Bass | | Mark Tucker | Engineer | | Martin Wheatley | Guitar | | Michael Boddy | Engineer | | Mick Green | Guitar | | Natalia Bonner | Strings, Vocals | | Neil Brockbank | Engineer, Mixing | | Nicholas Deville | Design | | Nick Addison | Engineer | | Nicole Blumberg | Vocals (Background) | | Patti Russo | Vocals (Background) | | Paul Anthony Taylor | Keyboards, Programming | | Paul Thompson | Percussion, Drums | | Pete Glenister | Guitar | | Rev. Sister Mary M. Nelson | Soprano | | Rhett Davies | Producer | | Richard Norris | Engineer | | Robert Fowler | Oboe, Sax (Alto) | | Robin Trower | Guitar, Producer | | Rosie Wetters | Strings, Vocals | | Sarah Brown | Vocals (Background) | | Stevie DeGranville | Vocals (Background) | | Sven Taits | Engineer | | Terry Disley | Keyboards | | Trio Cadien | Vocals (Background) | | Zev Katz | Bass |
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