Album Details
Title: Complete Greatest Hits Artist: The Cars Release Date: 2/19/2002 Re-Released On: 4/12/2002 Label: Warner Bros., Rhino Records Album Type(s): Greatest Hits UPCs: 081227828820, 081227828868, 9325583014673 Genre: Rock Styles: New Wave, Contemporary Pop/Rock, Punk/New Wave, Album Rock Moods: Fun, Quirky, Wry, Bright, Crunchy, Detached, Nocturnal, Slick, Amiable/Good-Natured, Cold, Energetic, Ironic, Playful, Reflective, Tense/Anxious, Light Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Just What I Needed
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My Best Friend's Girl
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Good Times Roll
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You're All I've Got Tonight
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Bye Bye Love
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Moving in Stereo
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Let's Go
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It's All I Can Do
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Dangerous Type
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Touch and Go
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Shake It Up
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Since You're Gone
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I'm Not the One
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You Might Think
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Drive
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Magic
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Hello Again
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Why Can't I Have You
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Tonight She Comes
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You Are the Girl
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | Warner Bros. | 8122782882 | | 2002 | CD | Rhino Records | 78288 |
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Album Review
When the Cars released their first greatest-hits album in 1985, it was capping a golden run that culminated in 1984's Heartbeat City, their biggest hit yet. They lasted one more album, 1987's abysmal Door to Door. So, technically, there isn't that much new territory covered by Complete Greatest Hits, especially since there's only one song -- the only good one, "You Are the Girl" -- from Door to Door, but it's nevertheless a substantial improvement over that initial hits collection, while being easier to digest for most listeners than the exhaustive 1995 anthology Just What I Needed. Essentially, the title explains it all, since it has all of the hits, which also means many are AOR staples. This approach means that nearly all of their debut and half of Heartbeat City is on this disc, but it also means that there's essentially nothing missing (apart from perhaps "Candy-O") that casual fans would want. Also, this approach confirms that the Cars were a sexy, stylish new wave singles band on the order of Blondie -- sure, they had one classic album in their canon (the debut), along with some very good follow-ups, but they made the most sense song by song on the radio, even years after their prime. To hear why, this is the disc to get. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | B.C. Kagan | Photography | | Benjamin Orr | Guitar (Bass), Vocals | | Bill Inglot | Producer | | Brett Milano | Liner Notes | | Brian McLaughlin | Photography | | Cory Frye | Editorial Supervision | | Dan Hersch | Remastering | | David McLees | Producer | | David Robinson | Percussion, Drums, Vocals (Background), Photography | | Ebet Roberts | Photography | | Elliot Easton | Guitar, Vocals (Background) | | Ginger Dettman | Project Assistant | | Greg Allen | Art Direction, Design | | Greg Hawkes | Producer, Keyboards, Percussion, Vocals (Background), Saxophone | | Komeka Freeman | Product Manager | | Leigh Hall | Liner Note Coordination | | Mike Shipley | Producer | | Randy Perry | Project Assistant | | Ric Ocasek | Producer, Vocals, Guitar (Rhythm) | | Robert John "Mutt" Lange | Producer | | Roy Thomas Baker | Producer | | Steve Woolard | Project Supervisor | | The Cars | Producer |
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