Album Details
Title: The Great Divide Artist: Willie Nelson Release Date: 1/15/2002 Re-Released On: 2/11/2002 Label: Mercury, Lost Highway Records Album Type(s): lyrics/libretto UPCs: 731458623120, 0008817027821, 0731458623120, 008817027821 Genre: Country Styles: Progressive Country, Contemporary Country Moods: Amiable/Good-Natured, Laid-Back/Mellow, Meandering, Organic, Playful, Bittersweet, Calm/Peaceful, Earthy, Gentle, Reflective, Sad, Wry, Yearning, Ambitious, Earnest, Freewheeling, Intimate, Poignant, Refined/Mannered, Rollicking, Rousing, Searching, Sentimental, Soothing, Plaintive, Ramshackle, Reserved, Sophisticated, Cheerful, Complex, Detached, Happy, Light, Melancholy, Messy, Party/Celebratory, Relaxed, Restrained, Reverent, Romantic, Warm, Wistful Total Copies: 6 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Maria (Shut Up and Kiss Me)
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Mendocino County Line
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Last Stand in Open Country
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Won't Catch Me Cryin'
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Be There for You
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The Great Divide
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Just Dropped In (To See What Condition My Condition Was In)
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This Face
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Don't Fade Away
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Time After Time
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Recollection Phoenix
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You Remain
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | Mercury | 1702782 | | 2002 | CD | Lost Highway Records | 586231 |
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Other Editions
- No other editions were found for this album.
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Album Review
Like most star-studded superstar comeback albums of the late '80s, '90s, and 2000s, Willie Nelson's The Great Divide isn't meant for longtime fans of the artists, or even the artists themselves; it's meant for listeners who always liked the idea or persona of the featured artist, but never liked the artist's music. That's certainly the case with The Great Divide, which finds Willie Nelson inexplicably recast as an adult alternative artist, singing songs written by Rob Thomas -- who, not coincidentally, led Carlos Santana to the biggest hit of his career in 1999 -- and other professional tunesmiths, all corralled by producer Matt Serietic. Since professionals are involved -- including Nelson himself, who gives an admirable vocal performance throughout -- this is an accomplished, classy album, but it sure as hell isn't a Willie Nelson album. The closest it comes is on the title track, the only song co-written by Nelson himself, and the Bernie Taupin co-written numbers, including a pretty good deliberate ballad called "Let Stand in Open Country" featuring Kid Rock. The rest is radio-ready adult pop, produced fairly well but not inherently interesting, no matter how professional it is. And that's the problem with the record; sure, it may get those who like Nelson the star, but if it alienates those who love his music, including his legions of quiet masterpieces from The Troublemaker to Rainbow Connection, then what's the point? ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Aaron Brougher | Production Assistant | | Alison Krauss | Fiddle | | Bill Talbott | Stage Engineer | | Bonnie Raitt | Vocals | | Brad Dutz | Percussion | | Brian McKnight | Vocals | | Bruce Dukov | Concert Master | | Bruce Fowler | Horn | | Christopher Wade Damerst | Programming | | Curtis Young | Vocals (Background) | | Dan Dugmore | Pedal Steel | | Dan Higgins | Horn | | Danny Saber | Programming | | David Bryant | Assistant Engineer | | David Thoener | Engineer, Mixing | | Dennis Sands | Engineer | | Dennis Wilson | Vocals (Background) | | Derek Carlson | Mixing | | Gabe Witcher | Fiddle | | Greg Leisz | Dobro | | Greg Phillinganes | Keyboards | | Harry Stinson | Vocals (Background) | | Heitor Teixeira Pereira | Whistle (Human), Vocals (Background), Guitar | | Jay Goin | Mixing | | John "J.R." Robinson | Drums | | John Nelson | Assistant Engineer | | John Rodd | Assistant Engineer | | John Wesley Ryles | Vocals (Background) | | Kenny Aronoff | Drums | | Kid Rock | Vocals | | Lee Ann Womack | Vocals | | Lee Sklar | Bass | | Lisa Silver | Vocals (Background) | | Louis Dean Nunley | Vocals (Background) | | Mark Dobson | Pro-Tools, Engineer | | Mark Seliger | Photography | | Matt Rollings | Fender Rhodes, Organ (Hammond), Wurlitzer, Piano | | Matt Serletic | Electronics, Vocals (Background), Producer, Orchestral Arrangements | | Matthew Freeman | Project Coordinator | | Michael Black | Vocals (Background) | | Mickey Raphael | Harmonica | | Neil Stubenhaus | Bass | | Noel Golden | Engineer | | Pete Anthony | Conductor | | Reggie Young | Guitar | | Rick Patrick | Art Direction | | Rob Thomas | Vocals | | Sam Story | Assistant Engineer | | Sheryl Crow | Vocals | | Stacey Robinson | Director | | Stephen Marcussen | Mastering | | Steve Marcantonio | Engineer | | Stewart Whitmore | Digital Editing | | The Water Sisters | Vocals (Background) | | Todd Johnson | Assistant Engineer | | Tom Steel | Stage Manager | | Tosh Kasai | Assistant Engineer | | Valerie Pack | Project Coordinator | | Willie Nelson | Vocals, Guitar (Acoustic) |
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