Album Details
Title: Experience: Jill Scott 826+ Artist: Jill Scott Release Date: 11/20/2001 Label: Hidden Beach Records Album Type(s): Explicit lyrics sticker UPCs: 696998615021, 5099750519226 Genre: Rhythm & Blues Styles: Soul, Neo-Soul, Adult Contemporary R&B Moods: Confident, Intimate, Stylish, Brash, Elegant, Laid-Back/Mellow, Sensual, Soothing, Playful, Reflective, Sexy, Street-Smart Total Copies: 4 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Show Intro (Alright Man, It's Time for You to Move)
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A Long Walk (Groove)
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Love Rain (Suite)
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Slowly Surely
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One Is the Magic # [Redux]
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Do You Remember
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Gettin' in the Way
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It's Love
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The Way
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Fatback Taffy
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He Loves Me (Lyzel in E Flat) (Movements I, II & III)
Track Listings Disc 2
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Free (Prelude)
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Gotta Get Up (Another Day)
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One Time
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Sweet Justice
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High Post Brotha
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Gimme
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Be Ready
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Gotta Get Up (Another Day) [Minnie Version]
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Free (Epilogue)
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | Hidden Beach Records | 86150 | | 2001 | CD | Hidden Beach Records | 5051922 |
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Album Review
What you think of Jill Scott's second album, Experience: Jill Scott 826+, is going to depend on how you define the two-hour, double-disc set. Is it, as its title suggests, a live album (recorded mostly on August 26, 2001, in Washington, D.C., hence the "826") plus a bonus disc containing some new studio tracks? Or is it a new studio album with a live disc tacked on? There aren't many artists who can justify the release of a live album after releasing only one studio album, especially when the live album consists almost entirely of material from that one album. The draw here, however, is Scott herself. A performing poet-turned-singer, she clearly knows how to please an audience, and the Washingtonians seem primed, frequently singing along to her songs without prompting and cheering many aspects of the show that can't be appreciated on a mere audio recording of it. If Scott's debut disc found her still in transition from the spoken word to the sung song, she has long since made that shift, and the album is full of vocal pyrotechnics, though, as she herself acknowledges, she talks a lot, even coming off like a standup comic in her defense of her song "Gettin' in the Way." The conceptual unity that tied these songs together on Who Is Jill Scott? Words and Sounds, Vol. 1 is missing here, but there's no denying Scott's effectiveness as a performer. The "+" disc, however, sounds like a collection of demos for her next album rather than a stand-alone document, even before the extended hidden tracks at the end present alternate versions. (Don't believe the one-minute-and-48-second time listed for the last track; it really runs over 16 minutes.) So, let's call this a satisfying live album with some bonus tracks, a good seasonal stocking-stuffer. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Andre Harris | Producer | | Andre Houser | Mixing, Engineer | | Andy Hamill | Bass | | Becca Ware | Viola | | Brad Somatik | Mixing, Arranger, Fender Rhodes, Piano, Engineer | | Brigid Button | Violin | | Christopher Odom | Guitar | | Common | Vocals (Background) | | Dave Liddell | Trombone | | Eric Roberson | Vocal Arrangement, Vocals (Background) | | Eric Tribbett | Drums | | George Glass | Mixing | | Glenn Barratt | Mixing | | Herb Powers | Mastering | | James Mason | Percussion | | Jeff Townes | Executive Producer, Producer | | Jill Scott | Vocal Arrangement, Vocals (Background), Liner Notes, Vocals, Producer | | Keith Pelzer | Producer, Engineer | | Luke Parkhouse | Drums | | Marc Mac | Guitar, Arranger, Moog Bass, Percussion, Drum Programming | | Mike Parker | Administration, A&R | | Monique Harcum | Vocals (Background) | | Nick Etwell | Trumpet | | Pete Kuzma | Keyboards, Musical Director | | Pete Wareham | Saxophone | | Peter Thomas | Editing, Mastering | | Rebecca Carrington | Cello | | Sarah Button | Violin | | Steve McKeever | Executive Producer | | Ted Thomas, Jr. | Instrumentation, Producer | | Terry Tribbett | Bass | | Thornell Jones | Project Manager | | Valvin Roane | Vocals | | Vidal Davis | Engineer, Vocal Producer, Producer, Mixing | | Vivian Green | Vocals (Background) |
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