Muddy Waters - 1941-1947

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Album Details

Title: 1941-1947
Artist: Muddy Waters
Release Date: 10/2/2001
Label: Classics
Album Type(s): Greatest Hits
UPCs: 3307510500820, 723724322127
Genre: Blues
Styles: Chicago Blues, Electric Chicago Blues, Electric Blues, Delta Blues, Blues Revival, Slide Guitar Blues, Regional Blues
Moods: Confident, Earthy, Exuberant, Passionate, Plaintive, Raucous, Rollicking, Rousing, Boisterous, Cathartic, Earnest, Energetic, Exciting, Greasy, Gritty, Rowdy, Amiable/Good-Natured, Fiery, Freewheeling, Melancholy, Organic, Playful, Autumnal, Brooding, Party/Celebratory, Quirky, Visceral, Wry
Total Copies: 0
Members Wishing: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Country Blues
  2. I Be's Troubled
  3. Burr Clover Farm Blues
  4. Ramblin' Kid Blues
  5. Rosalie
  6. Joe Turner Blues
  7. Pearlie May Blues
  8. Take a Walk With Me
  9. Burr Clover Farm Blues
  10. I Be Bound to Write to You
  11. You're Gonna Miss Me When I'm Gone
  12. You Got to Take Sick and Die Some of These Days
  13. Why Don't You Live So God Can Use You
  14. Country Blues
  15. You're Gonna Miss Me When I'm Gone
  16. 32-20 Blues
  17. Mean Red Spider
  18. Jitterbug Blues
  19. Hard Day Blues
  20. Burying Ground Blues
  21. Gypsy Woman
  22. Little Anna Mae

Additional Releases

YearTypeLabelCatalog #
2001CDClassics5008

Other Editions

  • No other editions were found for this album.

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Album Review

While the Chess/MCA reissue of The Complete Plantation Recordings of Muddy Waters focuses upon the 1941 and 1942 sessions, including alternate takes and spoken interviews, the Classics Blues & Rhythm Series presents only the master takes and follows McKinley Morganfield to Chicago where he made four sides in 1946 and teamed up with Sunnyland Slim in 1947. Muddy's first three records are amazing. His way of pulling the guitar strings and singing out of his heart is hypnotic, particularly on the straightforward "I Be's Troubled." In the company of guitarist Percy Thomas, mandolin man Louis Ford, and violinist Son Simms, Muddy shares vocals with everyone except the fiddler. This band, probably because of the mandolin, feels at times almost like the grandchild of the Memphis Jug Band. At the same session McKinley Morganfield cut four sides backed only by two other guitars. His recording itinerary as listed in the enclosed discography has him recording in both Stovall and Clarksdale, MS, over the span of several days. The Clarksdale material focuses once again on the man's sound when unaccompanied by anyone else. Muddy touches upon turf similar to that of Blind Gary Davis with "You Got to Take Sick and Die Some of These Days" and "Why Don't You Live So God Can Use You." Some of this feels like Ritual, the human function described by Anthony Braxton as "the highest function." The effect of these chronologically arranged recordings is that of a steady progression, beginning literally on the plantation and ending up in the big city where the music grew stronger, got tougher, and became something downright formidable. Akin to the undiluted blues of Tampa Red and Maceo Merriweather, Muddy's 1946 recordings have a potency all their own. By the time he made those two sides for Aladdin in 1947 with the great pianist Sunnyland Slim, bassist Ernest "Big" Crawford, and a drummer whose name has since been forgotten, Muddy Waters was in business. This CD chronicles the beginning of Muddy's recording career. You need it. ~ arwulf arwulf, All Music Guide

Credits

NameCredits
Dave PennyLiner Notes
Son SimmsPerformer
Sunnyland SlimPerformer