Depeche Mode - Some Great Reward

Depeche Mode - Some Great Reward
8




Album Details

Title: Some Great Reward
Artist: Depeche Mode
Release Date: 1984
Re-Released On: 7/24/2007
Label: Sire, EMI Europe Generic
Duration: 40:18
Album Type(s): lyrics/libretto
UPCs: 075992519427, 094637006221, 0724347387555, 075992519410
Genre: Rock
Styles: Synth Pop, Alternative Pop/Rock, Alternative Dance, Alternative/Indie Rock, Punk/New Wave, Dance-Rock
Moods: Brooding, Detached, Dramatic, Austere, Cathartic, Intimate, Melancholy, Nocturnal, Ominous, Plaintive, Reflective, Somber, Sophisticated, Angst-Ridden, Bleak, Cold, Gloomy, Hypnotic, Insular, Literate, Provocative, Refined/Mannered, Stylish, Tense/Anxious, Wintry, Confrontational, Paranoid, Searching, Sensual, Sexy, Slick, Theatrical, Wistful, Yearning, Bittersweet, Cynical/Sarcastic, Sad, Sexual, Sparse, Bitter
Total Copies: 3
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Something to Do
  2. Lie to Me
  3. People Are People
  4. It Doesn't Matter
  5. Stories of Old
  6. Somebody
  7. Master and Servant
  8. If You Want
  9. Blasphemous Rumours

Additional Releases

YearTypeLabelCatalog #
2006CDEMI Europe Generic3700622
1984CDSire2-25194

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Album Review

The peak of the band's industrial-gone-mainstream fusion, and still one of the best electronic music albums yet recorded, Some Great Reward still sounds great, with the band's ever-evolving musical and production skills matching even more ambitious songwriting from Martin Gore. "People Are People" appears here, but finds itself outclassed by some of Depeche Mode's undisputed classics, most especially the moody, beautiful "Somebody," a Gore-sung piano ballad that mixes its wit and emotion skillfully; "Master and Servant," an amped-up, slamming dance track that conflates sexual and economic politics to sharp effect; and the closing "Blasphemous Rumors," a slow-building anthemic number supporting one of Gore's most cynical lyrics, addressing a suicidal teen who finds God only to die soon afterward. Even lesser-known tracks like the low-key pulse of "Lie to Me" and the weirdly dreamy "It Doesn't Matter" showcase an increasingly confident band. Alan Wilder's arrangements veer from the big to the stripped down, but always with just the right touch, such as the crowd samples bubbling beneath "Somebody" or the call/response a cappella start to "Master and Servant." With Reward, David Gahan's singing style found the métier it was going to stick with for the next ten years, and while it's never gone down well with some ears, it still has a compelling edge to it that suits the material well. ~ Ned Raggett, All Music Guide

Credits

NameCredits
Alan Wilder?
Andrew Fletcher?
Ben WardEngineer, Assistant Engineer
Brian GriffinPhotography
Colin McMahonAssistant Engineer, Engineer
D.A. JonesDesign
Daniel MillerProducer
David Gahan?
Depeche ModeProducer
Gareth JonesProducer
Marcx TownDesign
Martin L. Gore?
Stefi MarcusAssistant Engineer, Engineer
Stuart GrahamPhotography