Album Details
Title: The Look of Love Artist: Diana Krall Release Date: 9/18/2001 Re-Released On: 3/17/2009 Label: Verve, Universal Distribution Album Type(s): Enhanced CD-ROM UPCs: 731454984621, 0731454984621, 0731458959724, 731458959724 Genre: Vocal Music Styles: Jazz-Pop, Contemporary Jazz, American Popular Song, Standards, Vocal Jazz Moods: Elegant, Intimate, Stylish, Calm/Peaceful, Gentle, Laid-Back/Mellow, Soft, Soothing, Autumnal, Bittersweet, Earnest, Plaintive, Poignant, Refined/Mannered, Sad, Sensual, Joyous, Romantic, Sentimental, Wistful, Sophisticated Total Copies: 23 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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'S Wonderful
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Love Letters
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I Remember You
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Cry Me a River
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Besame Mucho
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The Night We Called It a Day
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Dancing in the Dark
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I Get Along Without You Very Well
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The Look of Love
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Maybe You'll Be There
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | Universal Distribution | 589597 | | 2001 | CD | Verve | 549846 |
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Album Review
Diana Krall has a good voice and plays decent piano, but this somewhat ridiculously packaged Verve CD seems like an obvious attempt to turn her into a pop icon, and sex symbol to boot. The bland arrangements by Claus Ogerman (who conducts the London Symphony Orchestra or the Los Angeles Session Orchestra on each track) border on easy listening, while Krall and her various supporting musicians, including John Pisano, Russell Malone, Christian McBride, and Peter Erskine (among others), clearly seem stifled by their respective roles. There are plenty of strong compositions here, including standards like "I Remember You," "The Night We Called It a Day," and "I Get Along Without You Very Well," but the unimaginative and often syrupy charts take their toll on the performances. What is even sillier is the label's insistence on attempting to photograph the artist in various sultry poses, which she evidently wants to discourage by refusing to provide much of a smile (the rumor is that she's not happy with this part of the business at all). If you are looking for unchallenging background music, this will fit the bill, but jazz fans are advised to check out Krall's earlier releases instead. ~ Ken Dryden, All Music Guide
Credits
| Name | Credits | | Al Schmitt | Surround Mix, Mixing, Engineer | | Annette Christensen | Wardrobe | | Aya Takemura | Assistant Engineer | | Bill Airey Smith | Assistant Engineer | | Bill Smith | Assistant Engineer | | Bruce Weber | Photography | | Chris Clark | Engineer, Assistant Engineer | | Christian McBride | Bass | | Claus Ogerman | Orchestral Arrangements, Conductor | | Diana Krall | Vocals, Piano | | Donna Ranieri | Photo Production | | Dori Caymmi | Guitar | | Doug Sax | Mastering, Stereo Master | | Hollis King | Art Direction | | Howard Fugler | Hair Stylist | | Isabelle Wong | Design | | Jane Shirek | Photography | | Jeff Hamilton | Bass, Drums | | John Hendrickson | Engineer, Assistant Engineer | | John Pisano | Guitar | | Jules Chaiken | Orchestra Contractor, Contractor | | Laurie Bird | Production Coordination | | London Symphony Orchestra | Orchestra | | Luis Conte | Percussion | | Nat Peck | Orchestra Contractor, Contractor | | Paulinho Da Costa | Percussion | | Peter Erskine | Drums | | Richard Lancaster | Engineer, Assistant Engineer | | Robert Hadley | Mastering | | Robert Silverberg | Release Coordinator | | Romero Lubambo | Guitar | | Russell Malone | Guitar | | Stuart Pressman | Release Coordinator | | Tommy LiPuma | Producer | | Voula Ampas | Make-Up |
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