Album Details
Title: 101
Artist: Depeche Mode
Release Date: 1989
Re-Released On: 6/9/2009
Label: Sire, Mute Records, EMI Music Distribution
Duration: 95:45
Album Type(s): live
UPCs: 075992585323, 724359470726, 044008882039, 0724347387357, 075992585316, 075992585347, 075993815566, 094634465861, 4011393041576, 5016025611010, 766483311544
Genre: Rock
Styles: Synth Pop, Alternative Pop/Rock, New Wave, Contemporary Pop/Rock, Post-Punk, Club/Dance, Alternative Dance, Alternative/Indie Rock, Punk/New Wave, Dance-Rock
Moods: Brooding, Detached, Dramatic, Austere, Cathartic, Intimate, Melancholy, Nocturnal, Ominous, Plaintive, Reflective, Somber, Sophisticated, Angst-Ridden, Bleak, Cold, Gloomy, Hypnotic, Insular, Literate, Provocative, Refined/Mannered, Stylish, Tense/Anxious, Wintry, Confrontational, Paranoid, Searching, Sensual, Sexy, Slick, Theatrical, Wistful, Yearning, Bittersweet, Cynical/Sarcastic, Sad, Sexual, Sparse, Bitter
Total Copies: 4
Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Pimpf
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Behind the Wheel
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Strangelove
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Sacred [*]
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Something to Do
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Blasphemous Rumours
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Stripped
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Somebody
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Things You Said
Track Listings Disc 2
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Black Celebration
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Shake the Disease
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Nothing [*]
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Pleasure, Little Treasure
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People Are People
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A Question of Time
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Never Let Me Down Again
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A Question of Lust [*]
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Master and Servant
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Just Can't Get Enough
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Everything Counts
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | EMI Music Distribution | 594707 | | 2003 | CD | EMI Music Distribution | 0724359470726 | | 1989 | CD | Mute Records | 101 | | 1989 | CD | Sire | 25853 | | 1988 | CD | Sire | 2-25853 |
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Other Editions
- No other editions were found for this album.
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Album Review
As an event, Depeche Mode's huge (attendance around 80,000) Los Angeles Rose Bowl concert in 1988 remains legendary; no single artist show had totally sold out the venue since eight years beforehand, while the film documentary done by Dylan-filmer D.A. Pennebaker based around the show clearly demonstrated fans' intense commitment to a near-decade-old band most mainstream critics continued to stupidly portray as a flash-in-the-pan synth pop effort. This start-to-final-encore record of the concert showcases a band perfectly able to carry its music from studio to stage as well as any other combo worth its salt should be able to do. Understandably focused on Music for the Masses material, the album shows Depeche experimenting with alternate arrangements at various points for live performance; big numbers like "Never Let Me Down Again," "Stripped," and "Blasphemous Rumors" pack even more of a wallop here. Slower numbers and more than a couple of ballads help to vary the hit-packed set, including a fine "Somebody" and "The Things You Said" combination sung by Martin Gore. "Pleasure Little Treasure," on record an okay B-side, becomes a monster rocker live, the type of unexpected surprise one could expect from a solid band no matter what the music. With a triumphant set of closing numbers, including magnificent takes on "Never Let Me Down Again," "Master and Servant," and the set-ending "Everything Counts," with what sounds like the entire audience singing the chorus well after the song has finally ended, 101 does far better at its task than most might have guessed. ~ Ned Raggett, All Music Guide
Credits
| Name | Credits | | Alan Moulder | Engineer | | Alan Wilder | Group Member | | Andrew Fletcher | Group Member | | Anne Carruthers | Assistant | | Anton Corbijn | Photography, Cover Design, Artwork | | David Gahan | Group Member | | Depeche Mode | Group, Producer | | Ebby Acquah | Engineer | | John Harris | Assistant Engineer | | Mark Shane | Assistant Engineer | | Martin L. Gore | Group Member | | Paul West | Artwork, Cover Design | | Randy Ezratty | Engineer | | Simon Heyworth | Remastering | | William Yodelman | Assistant, Assistant Engineer |
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