Album Details
Title: Life on a String Artist: Laurie Anderson Release Date: 8/21/2001 Re-Released On: 9/3/2001 Label: Nonesuch Records, Atlantic Album Type(s): lyrics/libretto UPCs: 075597953923, 075597953961, 075597964820 Genre: Rock Styles: Experimental Rock, Alternative/Indie Rock Moods: Cold, Complex, Stylish, Theatrical, Elaborate, Quirky, Sophisticated, Indulgent, Ironic, Refined/Mannered, Restrained, Wintry, Cerebral, Eerie, Humorous, Playful, Reserved, Clinical, Detached, Literate Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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One White Whale
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The Island Where I Come From
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Pieces and Parts
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Here With You
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Slip Away
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My Compensation
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Dark Angel
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Broken
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Washington Street
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Statue of Liberty
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One Beautiful Evening
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Life on a String
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | Nonesuch Records | 7559796482 | | 2001 | CD | Atlantic | 75939 |
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Other Editions
- No other editions were found for this album.
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Album Review
2001's Life on a String is a peculiar entry in Laurie Anderson's career, in that elements of it echo her previous work without sounding much like anything she's done before. In particular, the album has ties both to 1982's Big Science (like that album, Life on a String largely consists of songs taken from a much larger work, her musical theater piece Moby Dick) and 1989's Strange Angels (it returns to the more musical side of her style, which had been largely abandoned on her two '90s releases). The sound is a new and intriguing development for Anderson; an accomplished violin player who previously had only used the instrument pretty much as a prop, Anderson fills all of these songs with front-and-center string sections that provide an entirely different texture for her usual meandering melodies. "Slip Away" is a moving song about the death of her father that's probably the most direct and emotional song Anderson has ever written. It's the clear high point of Life on a String. ~ Stewart Mason, All Music Guide
Credits
| Name | Credits | | Barbara de Wilde | Design | | Ben Rubin | Bells | | Bill Frisell | Guitar | | Bob Brockmann | Engineer, Mixing | | Bob Ludwig | Mastering | | Chris Speed | Saxophone | | Cuong Vu | Trumpet | | Danny Frankel | Handclapping, Percussion | | Dante de Sole | Engineer | | David Bither | Executive Producer | | David Torn | Loop | | Erik Friedlander | Cello | | Eyvind Kang | Violin | | Greg Cohen | Bass (Acoustic) | | Hal Willner | Producer, Turntables, Sampling | | Joey Baron | Percussion, Drums | | Josiah Gluck | Engineer | | Laurie Anderson | Producer, Percussion, Gong, Vocals, Engineer, Violin, Keyboards | | Lou Reed | Guitar | | Martin Brumbach | Percussion Arrangement, Mixing, Engineer | | Mino Cinelu | Percussion | | Mitchell Froom | Claviola, Keyboards, Wurlitzer, Mellotron | | Peter Scherer | Keyboards | | Skúli Sverrisson | Percussion Programming, Bass, Director, Sounds, Guitar, Keyboards | | Van Dyke Parks | Conductor, String Arrangements, Keyboards | | Vinicius Cantuaria | Percussion |
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