Alison Krauss & Union Station - New Favorite

7




Album Details

Title: New Favorite
Artist: Alison Krauss & Union Station
Release Date: 8/14/2001
Re-Released On: 11/5/2002
Label: Rounder, Rounder Select
UPCs: 011661049529, 011661049567
Genre: Country
Styles: Progressive Bluegrass, Contemporary Country, New Acoustic, Bluegrass, Contemporary Bluegrass
Moods: Warm, Sentimental, Wistful, Yearning, Amiable/Good-Natured, Cheerful, Earthy, Energetic, Organic, Passionate, Plaintive, Stylish, Theatrical
Total Copies: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Let Me Touch You for Awhile
  2. The Boy Who Wouldn't Hoe Corn
  3. The Lucky One
  4. Choctaw Hayride
  5. Crazy Faith
  6. Momma Cried
  7. I'm Gone
  8. Daylight
  9. Bright Sunny South
  10. Stars
  11. It All Comes Down to You
  12. Take Me for Longing
  13. New Favorite

Additional Releases

YearTypeLabelCatalog #
2002CDRounder Select610495
2001CDRounder0495

Other Editions

  • No other editions were found for this album.

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Album Review

Following the success of the startlingly popular traditional old-timey soundtrack for the film O Brother, Where Art Thou?, contemporary bluegrass pioneers Alison Krauss & Union Station moved in the opposite direction for their 2001 release, New Favorite. While Krauss and Union Station guitarist/vocalist Dan Tyminski got deeply in touch with their dust bowl americana roots for their work on the film, their follow-up studio album is certainly the slickest, most progressive work they've recorded to date. New Favorite seems almost neatly divided into two albums: one following the same path as Krauss' 1999 contemporary country solo album, Forget About It, and the other helmed by Tyminski, bringing a progressive slant to Union Station's traditional bluegrass feel. The whole album is well crafted (with the exception of Tyminski's laborious, drawn-out "The Boy Who Wouldn't Hoe Corn") but will certainly not sit right with certain elements of the band's core audience, which has come to know them as the strongest traditionally based bluegrass act still recording. The whole album feels a little too slick and reverbed out; the brilliant dobro work of Jerry Douglas seems echoey, and at times Krauss' vocals seem to be coming out of some deep studio well. The musicianship, however, is beyond top-notch. The players (specifically banjo player Ron Block and guitarist Tyminski) are among the best in the genre, and the harmonies between the two vocalists are stunning and sine-tingling. Their call and response vocals on "Daylight" serve as the highlight of the album, traced delicately by Douglas' dobro and chilling to the end. ~ Zac Johnson, All Music Guide

Credits

NameCredits
Alison KraussArranger, Baritone (Vocal), Producer, Viola, Fiddle, Vocals
Alison Krauss & Union StationProducer
Barry BalesBass (Upright), Vocals, Bass
Chris ScherbakAssistant Engineer
Dan TyminskiVocals, Baritone (Vocal), Engineer, Mandolin, Guitar
Doug SaxMastering
Eric BickelMixing Assistant, Mixing
Frank OlinskyArt Direction, Design
Gary PaczosaMixing, Production Coordination, Engineer
James GuthrieAssistant
Jason LehningEngineer
Jerry DouglasLap Steel Guitar, Dobro
Larry AtamanuikDrums, Percussion
Neal CappellinoDigital Editing
Pamela SpringsteenPhotography
Rob ClarkAssistant Engineer
Robert HadleyMastering
Ron BlockVocals, Tenor (Vocal), Guitar, Banjo
Thomas JohnsonAssistant Engineer
Tracy MartinsonEngineer, Editing
Union StationProducer