Album Details
Title: Anthology: The Warner/Reprise Years Artist: Emmylou Harris Release Date: 5/1/2001 Re-Released On: 6/14/2005 Label: Rhino, Warner Bros. Album Type(s): Greatest Hits UPCs: 081227670528, 081227685768 Genre: Country Styles: Traditional Country, Progressive Country, Country-Rock, Contemporary Country Moods: Earthy, Rustic, Soothing, Autumnal, Elegant, Organic, Bittersweet, Calm/Peaceful, Earnest, Intimate, Literate, Melancholy, Plaintive, Poignant, Reflective, Wistful, Gentle, Refined/Mannered Total Copies: 0 Members Wishing: 10 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Too Far Gone
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If I Could Only Win Your Love
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Boulder to Birmingham
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Together Again
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Here, There and Everywhere
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One of These Days
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Sweet Dreams [Live]
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You Can Never Tell
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Making Believe
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Easy from Now On
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To Daddy
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Two More Bottles of Wine
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Save the Last Dance for Me
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Beneath Still Waters
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Blue Kentucky Girl
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Wayfaring Stranger
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That Lovin' You Feelin' Again
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The Boxer
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Precious Love
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Fools Thin Air
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Mr. Sandman
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Colors of Your Heart
Track Listings Disc 2
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If I Needed You
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Tennessee Rose
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Born to Run
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Another Pot O' Tea
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I'm Movin' On [Live]
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On Our Last Date, (Lost His Love) [Live]
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So Sad (To Watch Good Love Go Bad) [Live]
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Maybe Tonight
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Drivin' Wheel
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In My Dreams
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Pledging My Love
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Someone Like You
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White Line
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Rhythm Guitar
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Timberline
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I Had My Heart Set on You
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Today I Started Loving You Again
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To Know Him Is to Love Him
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Heartbreak Hill
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Heaven Only Knows
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I Still Miss Someone
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Wheels of Love
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Warner Bros. | | | 2001 | CD | Rhino | 76705 |
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Other Editions
- No other editions were found for this album.
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Album Review
Rhino's double-disc Anthology concentrates on Emmylou Harris' Reprise recordings, which is a blessing. Once she left Reprise, she started to delve into "experimental," "atmospheric" recordings a bit too heavily, certainly more than her prior recordings would justify, and it almost obscured her purest talents -- that of a singer that carried on the tradition of, say, Patsy Cline, becoming the greatest country singer of her generation. Since her generation was the rock generation, her path crossed multiple times with singers that weren't strictly country, most notably at the beginning of her career, when she sung backing and harmony vocals for the incomparable Gram Parsons. This gave her exposure, and she capitalized upon it by turning in recordings that simultaneously appealed to rock and country artists, finding herself as a tremendous interpretive singer, somebody that perfectly balanced the divide between classic and contemporary. Rhino's double-disc Anthology perfectly captures that balance and if it has any faults, it's that it illustrates her career a little too well, finding that her classicist approach was as modern as it was reverent. So, there are moments here that seem a little too studied to be true, but that's an accurate representation of her career, illustrating how she walked the tightrope between genuine country and a scholarly interpretation of it. This will appeal to both factions, as it captures both sides of her personality equally well. That means it might not be the perfect choice to convert doubters, yet it still winds up representing Harris' career remarkably well, perhaps being the one disc for casual fans. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Albert Lee | Guitar (Electric), Guitar (Acoustic), Vocals (Background), Mandolin, Piano | | Amy Utstein | Project Assistant | | Barbara Cowart | Vocals (Background) | | Barry Tashian | Guitar (Acoustic), Vocal Harmony, Duet, Guitar (Rhythm), Vocals (Background) | | Ben Keith | Pedal Steel | | Bernie Leadon | Guitar (Acoustic) | | Bessyl Duhon | Accordion | | Bill Inglot | Producer, Remastering | | Bill Payne | Piano | | Billy Thomas | Drums, Percussion | | Bobby Wood | Organ, Piano (Electric) | | Brian Ahern | Archguitar, Guitar (Acoustic), Guitar (12 String), Gut String Guitar, 6-String Bass, Banjo | | Bruce Bouton | Pedal Steel | | Bryan Bowers | Autoharp | | Buddy Spicher | Viola | | Byrd Burton | Guitar (Acoustic) | | Carl Jackson | Mandolin, Fiddle, Vocal Harmony, Guitar (Acoustic), Banjo | | Carl Marsh | Organ (Hammond), Synthesizer | | Caroline Greyshock | Photography | | Charles Cochran | Piano (Electric) | | Charlyn Zlotnik | Photography | | Cheryl Warren | Vocal Harmony | | Cheryl White | Vocal Harmony | | Chris Leuzinger | Guitar (Electric), Guitar (Acoustic) | | Craig Safan | Conductor, String Arrangements | | Dan Hersch | Remastering | | Daniel Goldmark | Editorial Research | | Dave Pomeroy | Bass (Upright), Bass (Electric), Bass (Acoustic) | | David Lindley | Hawaiian Guitar | | David McLees | Project Assistant | | David Redfern | Photography | | Dianne Brooks | Vocals, Vocals (Background) | | Dolly Parton | Vocals, Vocals (Background) | | Don Heffington | Drums | | Donivan Cowart | Vocals (Background), Vocal Harmony | | Duane Eddy | Guitar | | Ed Greene | Drums | | Emmylou Harris | Guitar (Acoustic), Percussion | | Emory Gordy | Conductor, Guitar (Acoustic), Bass, String Arrangements | | Fayssoux Starling | Vocals (Background) | | Frank Reckard | Guitar (Electric), Guitar | | Gail Davies | Vocals (Background) | | Gary Peterson | Discographical Annotation | | Gary Scruggs | Harmonica | | Gerry McGee | Guitar (Electric) | | Glen D. Hardin | Piano, String Arrangements, Conductor, Piano (Electric), Ensoniq | | Glenn Worf | Bass | | Hank DeVito | Dobro, Pedal Steel, Guitar (Electric), Guitar (Acoustic) | | Harry Stinson | Drums | | Henry Diltz | Photography | | Herb Pedersen | Banjo, Guitar (12 String), Vocals (Background), Vocal Harmony | | Hugh Brown | Art Direction | | Iris DeMent | Vocal Harmony | | Jai Winding | Piano | | James Austin | Associate Producer | | James Burton | Guitar (Electric) | | Jerry Douglas | Dobro | | Jim Hughes | Project Assistant | | Jim McGuire | Photography | | Jo Motta | Project Coordinator | | John Jarvis | Keyboards | | John Pierce | Bass | | John Ware | Drums | | Kate McGarrigle | Accordion | | Kenny Malone | Conga, Drums | | Kieran Kane | Mandolin | | Larrie Londin | Percussion, Drums | | Linda Ronstadt | Vocals (Background), Vocals | | Malia Doss | Project Assistant | | Mary Ann Kennedy | Vocals (Background) | | Michael Putland | Cover Photo, Photography | | Mickey Raphael | Harmonica | | Mike Bowden | Bass | | Nick DeCaro | String Arrangements | | Olivier Ferrand | Back Cover | | Paul Kennerley | Guitar (Electric), Guitar (Acoustic) | | Paul Worley | Guitar (Acoustic) | | Randy Perry | Project Assistant | | Ray Flacke | Guitar (Electric) | | Ray Pohlman | Bass | | Richard Bennett | Guitar (12 String), Guitar (Electric), Guitar (Acoustic), Percussion, 6-String Bass | | Richard McCaffrey | Photography | | Rick Cunha | Guitar (Acoustic) | | Ricky Skaggs | Guitar (Acoustic), Fiddle, Vocal Harmony | | Rodney Crowell | Guitar (Acoustic), Vocals (Background), Hi String Guitar, Guitar (Electric) | | Ron Tutt | Drums | | Roy Orbison | Duet | | Russ Kunkel | Drums | | Ry Cooder | Guitar (Tremolo) | | Shane Keister | Synthesizer, Keyboards | | Sharon Hicks | Vocal Harmony | | Sharon White | Vocal Harmony | | Shirley Eikhard | Vocal Harmony | | Steve Cash | Harmonica | | Steve Fishell | Weissenborn, Pedal Steel, Percussion, Melobar, Hawaiian Guitar, Dobro | | T Bone Burnett | Guitar (Electric) | | Tony Rice | Guitar (Acoustic) | | Trevor Veitch | Guitar (Acoustic) | | Vanessa Atkins | Editorial Supervision | | Vince Gill | Guitar (Electric), Vocals (Background) | | Waylon Jennings | Guitar (Electric) | | Wayne Goodwin | Mandolin, Fiddle, Sax (Tenor) |
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