David Bowie - Hours [Japan Bonus Track]

Title: Hours [Japan Bonus Track] Artist: David Bowie Release Date: 10/5/1999 Re-Released On: 2/23/2004 Label: Sony Music Distribution, EMI Music Distribution UPCs: 4547366014617, 4988006774971 Genre: Rock Styles: Hard Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Experimental Rock, Alternative/Indie Rock, Art Rock Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1

1. Thursday's Child
2. Something in the Air
3. Survive
4. If I'm Dreaming My Life
5. Seven
6. What's Really Happening?
7. The Pretty Things Are Going to Hell
8. New Angels of Promise
9. Brilliant Adventure [Instrumental]
10. The Dreamers
11. We All Go Through [*]

Year Type Label Catalog # 2004 CD Sony Music Distribution 543 2001 CD EMI Music Distribution 68160

No other editions were found for this album.

Since David Bowie spent the '90s jumping from style to style, it comes as a shock that Hours, his final album of the decade, is a relatively straightforward affair. Not only that, but it feels unlike anything else in his catalog. Bowie's music has always been a product of artifice, intelligence, and synthesis. Hours is a relaxed, natural departure from this method. Arriving after two labored albums, the shift in tone is quite refreshing. "Thursday's Child," the album's engaging mid-tempo opener, is a good indication of what lays ahead. It feels like classic Bowie, yet recalls no specific era of his career. For the first time, Bowie has absorbed all the disparate strands of his music, from Hunky Dory through Earthling. That doesn't mean Hours is on par with his earlier masterworks; it never attempts to be that bold. What it does mean is that it's the first album where he has accepted his past and is willing to use it as a foundation for new music. That's the reason why Hours feels open, even organic -- he's no longer self-conscious, either about living up to his past or creating a new future. It's a welcome change, and it produces some fine music, particularly on the first half of the record, which is filled with such subdued, subtly winning songs as "Something in the Air," "Survive," and "Seven." Toward the end of the album, Bowie branches into harder material, which isn't quite as successful as the first half of the album, yet shares a similar sensibility. And that's what's appealing about Hours -- it may not be one of Bowie's classics, but it's the work of a masterful musician who has begun to enjoy his craft again and isn't afraid to let things develop naturally. [The Japanese release includes a bonus track, "We All Go Through."] ~ Stephen Thomas Erlewine, All Music Guide

Name Credits Andy VanDette Mastering Chris Haskett Guitar (Rhythm) David Bowie Guitar (12 String Acoustic), Vocals, Drum Programming, Keyboards, Cover Art Concept, Producer Everett Bradley Percussion Holly Palmer Vocals (Background) Jay Nicholas Assistant Engineer Kevin Paul Engineer Mark Plati Guitar (12 String), Bass (Acoustic), Drum Programming, Synthesizer Programming, Mellotron, Mixing, Bass (Electric) Mike Levesque Drums Reeves Gabrels Guitar (Acoustic), Guitar (Rhythm), Drums, Guitar, Guitar (Electric), Guitar (12 String Electric) Rex Ray Image Manipulation, Design Ryoji Hata Assistant Engineer Sterling Campbell Drums