Album Details
Title: One Nil Artist: Neil Finn Release Date: 3/19/2001 Re-Released On: 6/7/2005 Label: EMI Music Distribution Album Type(s): lyrics/libretto UPCs: 724353203924, 724353211226, 0724353203955, 632427798521, 724353269623, 724353290924 Genre: Rock Styles: Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Elegant, Reflective, Stylish, Amiable/Good-Natured, Brooding, Earnest, Earthy, Passionate, Playful, Sophisticated, Exuberant, Intimate, Bittersweet, Delicate, Fun, Gentle, Gleeful, Laid-Back/Mellow, Organic, Quirky, Raucous, Sentimental, Sweet, Wistful Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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The Climber
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Rest of the Day Off
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Hole in the Ice
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Wherever You Are
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Last to Know
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Don't Ask Why
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Secret God
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Turn and Run
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Elastic Heart
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Anytime
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Driving Me Mad
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Into the Sunset
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | EMI Music Distribution | 532039 | | 2001 | CD | EMI Music Distribution | 5329092 | | 2001 | CD | EMI Music Distribution | 5329092 |
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Album Review
In retrospect, Try Whistling This, Neil Finn's solo debut, seems like a conscious effort to distance himself from Crowded House. Filled with studio trickery, distorted microphones, and trendy vague trip-hop beats, the album was a deliberate move to establish himself as a separate, more adventurous entity from Crowded House -- yet one that remained a gifted, melodic songwriter. This is all put into sharp relief by his second solo album, One Nil, a record that finds him returning to solid ground, delivering his most straightforward album since Crowded House's Woodface. Curiously, for an album that plays to his strengths, a good portion is the result of a fruitful collaboration with Wendy & Lisa, plus a production pairing with Tchad Blake and numerous cameo spots, including Sheryl Crow, Lisa Germano, and Mitchell Froom. For all the guests and star power, the record is surprisingly subtle, lacking the knockout punches of Try Whistling This, where the singles leapt out of the grooves. This time around, the songs are gently insinuating, slowly working their way into the subconscious. Even the songs with the biggest hooks, such as the first single "Rest of the Day Off," aren't as immediate as "She Will Have Her Way." Yet, on repeated plays, the record begins to gel, revealing itself as a reliably solid effort from Finn. There may not be any new revelations, yet the little details -- the turns of phrase, the gently persuasive melodies, the slyly detailed productions -- all confirm his status as a gifted craftsman. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Adam Samuels | Assistant Engineer | | Bob Ludwig | Mastering | | Dave McDougall | Assistant Engineer, Assistant | | Doyle | Vocals | | J.J. Johnson | Drums | | Jim Keltner | Drums | | Jim Moginie | Fuzz Guitar, Ukulele, Guitar | | Joe T. Cook | Assistant | | Liam Finn | Vocals (Background) | | Lisa Coleman | Vocals (Background), Keyboards | | Lisa Germano | Violin, Vocals, Choir, Chorus, Vocals (Background) | | Little Joe Cook | Assistant Engineer | | Mark Cooper Smith | Photography | | Mitchell Froom | Producer, Piano, Keyboards, Pennyosley, Organ (Hammond), Wurlitzer, Chamberlin, Celeste | | Neil Baldock | Assistant Engineer, Assistant | | Neil Finn | Harmonium, Piano, Guitar (Synthesizer), Wurlitzer, Orchestral Bells, Vocals, Producer, Vibraphone, Guitar, Chamberlin, Bass, Orchestra Bells | | Rakai Karaitiana | Design, Artwork | | Sam Gibson | Engineer, Programming, Drum Programming | | Sharon Finn | Vocals, Vocals (Background) | | Sheryl Crow | Vocals, Accordion | | Susannah Melvoin | Vocals (Background) | | Tchad Blake | Rhythm, Performer, Engineer, Mixing, Producer | | Wendy Melvoin | Bass, Vocals, E-Bow, Percussion, Vocals (Background), Guitar, Fuzz Guitar, Drums, Shaker, Choir, Chorus |
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