Album Details
Title: Morning Glory: The Tim Buckley Anthology Artist: Tim Buckley Release Date: 3/20/2001 Label: Rhino Album Type(s): Greatest Hits UPC: 081227672225 Genre: Rock Styles: Singer/Songwriter, Psychedelic, Folk-Rock, Folk Jazz, Jazz-Rock Moods: Autumnal, Spacey, Sprawling, Bittersweet, Earnest, Intimate, Literate, Melancholy, Spooky, Theatrical, Passionate, Quirky, Reflective, Sophisticated, Provocative Total Copies: 0 Members Wishing: 10 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Wings
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She Is
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Song Slowly Song
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It Happens Every Time
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Aren't You the Girl
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Pleasant Street
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Hallucinations
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No Man Can Find the War
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Once I Was
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Morning Glory
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Goodbye and Hello
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Buzzin' Fly
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Strange Feelin'
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Sing a Song for You
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Phantasmagoria in Two [Live]
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I've Been Out Walking [Live]
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Troubadour [Live]
Track Listings Disc 2
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Happy Time
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Chase the Blues Away
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I Must Have Been Blind
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The River
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So Lonely
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Blue Melody
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I Had a Talk with My Woman [Live]
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Moulin Rouge
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Song to the Siren
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Monterey
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Sweet Surrender
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Hong Kong Bar
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Make It Right
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Sally Go 'Round the Roses
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Who Could Deny You
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Song to the Siren [from "The Monkees" TV Show]
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | Rhino | 76722 |
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Other Editions
- No other editions were found for this album.
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Album Review
Buckley whizzed through a bunch of different styles in his approximately decade-long career, and was always an album-oriented artist. That makes the assembly of a best-of collection a difficult task to fulfill without omitting much of the context of what made the singer special. Still, Morning Glory does a pretty good job of touching upon highlights of his work, aided by the generous running time, with two CDs and 33 songs that add up to about two-and-a-half hours of music. It does concentrate on his most accessible tunes, drawing most heavily from his earliest albums and shorter songs, pitching in four tracks from late-'60s live recordings that were not released until long after his death. There is nothing at all, in fact, from his least commercial effort, 1970's Lorca (although "I Had a Talk With My Woman" is identified as coming from Lorca in the track list, it in fact is taken from Live at the Troubadour 1969). As is proper, his final albums, in which both his material and voice were in decline, are lightly represented. There's just one previously unreleased track, though it's a goodie: the legendary solo version of "Song to the Siren" that Buckley performed on an episode of The Monkees, with a much sparer arrangement than was used when it was included on 1970's Starsailor, as well as a different lyric. ~ Richie Unterberger, All Music Guide
Credits
| Name | Credits | | Alena | Dancer | | Amy Utstein | Project Assistant | | Barry Alfonso | Liner Notes | | Bernie Mysior | Bass | | Bill Inglot | Remastering, Producer | | Billy Mundi | Drums, Percussion | | Brian Hartzler | Guitar | | Bruce Botnick | Mixing, Engineer | | Buddy Helm | Drums | | Buzz Gardner | Trumpet | | Carter C.C. Collins | Conga, Percussion | | Cheryl Fugate | Discographical Annotation | | Chris Huston | Engineer | | Chuck Rainey | Bass | | Clydie King | Vocals (Background) | | Dan Hersch | Remastering | | Daniel Goldmark | Editorial Research | | Danny Thompson | Bass | | David Baker | Project Assistant | | David Blumberg | String Arrangements | | David Browne | Session Information | | David Friedman | Vibraphone | | David Gahr | Photography | | Denny Randell | String Arrangements, Producer | | Dick Kunc | Engineer, Producer | | Don Randi | Piano, Keyboards | | Earl Palmer | Drums | | Ed Greene | Drums | | Fast Eddie Hoh | Drums | | Gary Coleman | Percussion | | Gary Peterson | Discographical Annotation | | Greg Venable | Engineer | | Guy Webster | Photography | | Harry Hyams | Viola | | Henry Diltz | Harmonica | | Herb Cohen | Executive Producer | | Hugh Brown | Art Direction | | Jac Holzman | Producer | | Jack Nitzsche | String Arrangements | | James Austin | Compilation Producer, Liner Notes | | Jerry Goldstein | Producer, Handclapping | | Jerry Yester | Keyboards, Producer, Vocals (Background) | | Jesse Ehrlich | Cello | | Jim Fielder | Bass | | Jim Gordon | Drums | | Jim Hughart | Bass | | Jimmy Bond | Bass | | Jimmy Madison | Drums | | Jo Motta | Project Assistant | | Joe Falsia | Guitar, String Arrangements | | John Balkin | Bass | | John Miller | Bass, Bass (Electric) | | Julee Stover | Editorial Supervision | | Kerry McNabb | Engineer | | Kevin Kelly | Piano | | King Errisson | Conga | | Larry Hirsch | Engineer | | Lee Tanner | Photography | | Lee Underwood | Guitar, Liner Notes | | Louis Kievman | Violin | | Maria Villar | Design, Art Direction | | Mark Tiernan | Keyboards | | Maury Baker | Drums, Tympani [Timpani] | | Micky Dolenz | Introduction | | Mike Melvoin | Organ, Moog Synthesizer, Piano | | Paul Rothchild | Producer | | Ralph Schaeffer | Viola | | Randy Perry | Project Assistant | | Ray Pohlman | Guitar | | Reinie Press | Bass | | Robert Konrad | Violin | | Roger Dollarhide | Engineer | | Roy Harte | Drums | | Sherlie Matthews | Vocals (Background) | | Sid Sharp | Concert Master | | Stan Agol | Engineer | | Steve Khan | Guitar | | Ted Myers | Discographical Annotation | | Thane Tierney | Project Assistant | | Tim Buckley | Vocals, Kalimba, Slide Guitar, Guitar (12 String), Producer | | Van Dyke Parks | Harpsichord | | Venetta Fields | Vocals (Background) | | William Kurash | Violin | | Zal Yanovsky | Producer |
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