Album Details
Title: Brand New Day [Japan Bonus CD] Artist: Sting Release Date: 9/28/1999 Re-Released On: 2/13/2001 Label: A&M Records, Polygram UPCs: 606949087326, 632427756620 Genre: Rock Styles: Adult Contemporary, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Album Rock Moods: Elegant, Poignant, Stylish, Wistful, Autumnal, Bittersweet, Carefree, Cerebral, Intimate, Laid-Back/Mellow, Refined/Mannered, Reflective, Sensual, Stately, Confident, Gentle, Passionate, Playful, Reserved, Restrained, Self-Conscious, Somber, Sophisticated, Whimsical, Wry, Cheerful, Confrontational, Exuberant, Visceral, Cynical/Sarcastic, Detached, Energetic, Provocative, Volatile, Brooding, Complex, Fiery, Melancholy, Romantic, Earnest, Literate Total Copies: 1 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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A Thousand Years
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Desert Rose
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Big Lie Small World
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After the Rain Has Fallen
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Perfect Love... Gone Wrong
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Tomorrow We'll See
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Prelude to the End of the Game
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Fill Her Up
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Ghost Story
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Brand New Day
Track Listings Disc 2
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Electronic Press Kit
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[Untitled Track]
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[Untitled Track]
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[Untitled Track]
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[Untitled Track]
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | Polygram | 544202 | | 2000 | CD | A&M Records | 4908732 |
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Other Editions
- No other editions were found for this album.
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Similar CDs
- No similar CDs were found for this album.
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Album Review
By the late '90s, Sting had reached a point where he didn't have to prove his worth every time out; he had so ingrained himself in pop culture, he really had the freedom to do whatever he wanted. He had that attitude on Mercury Falling, but it was too somber and serious, everything that its successor, Brand New Day, is not. Light, even effervescent, Brand New Day feels like little else in Sting's catalog. Not that it represents a new beginning, contrary to what the title may promise. The album is not only firmly within his tradition, it sounds out of time -- it's odd how close Brand New Day comes to feeling like a sequel to Nothing Like the Sun. Musically, that is. The sparkling, meticulous production and the very tone of the music -- ranging from light funk to mellow ballads to the Lyle Lovett tribute "Fill Her Up" -- are of a piece with Sting's late-'80s work. That's the main thing separating it from Ten Summoner's Tales, his other straight pop album -- well, that, and the levity. There are no overarching themes, no political messages on Brand New Day -- only love songs, story songs, and, for lack of a better term, inspirational exhortations. This is all a good thing, since by keeping things light he's managed to craft an appealing, engaging record. It may not ask as much from its audience as Sting's other '90s efforts, but it's immediately enjoyable, which isn't the case for its cousins. Brand New Day doesn't boast any new classics, and it does sound a little dated, but it's well-crafted, melodic, and has a good sense of humor -- exactly the kind of record Sting should be making as he embarks on the third decade of his career. [The Japanese release includes a bonus disc featuring enhanced content.] ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Althea Rogers | Vocals (Background) | | Andrew Felluss | Assistant Engineer | | Aya Takemura | Assistant Engineer | | B.J. Cole | Guitar (Steel) | | Ben Kape | Assistant Engineer | | Branford Marsalis | Clarinet | | Brian Garten | Assistant Engineer | | Carter Smith | Photography | | Cheb Mami | Vocals, Lyric Adaptations | | Chris Blair | Mastering | | Chris Botti | Trumpet | | Darryl Tookes | Vocals (Background) | | David Hartley | Organ, String Arrangements, Conductor | | Dennis Collins | Vocals (Background) | | Dominic Miller | Guitar | | Don Blackman | Organ | | Etienne Colin | Assistant Engineer | | Farhat Bouallagui | String Arrangements, Conductor, Leader | | Gavyn Wright | Leader | | Geoff Foster | Engineer | | Hopps | Assistant Engineer | | Isobel Griffiths | Orchestra Contractor | | James Taylor | Vocals | | Janice Pendarvis | Vocal Contractor, Vocals (Background) | | Joe-Mama Nitzberg | Direction | | Kathryn Tickell | Fiddle, Northumbrian Smallpipes | | Ken Williams | Vocals (Background) | | Kipper | Keyboards, Drum Programming, Producer | | Kouider Berkane | Strings | | Mac Quayle | Engineer, Keyboards | | Manu Katche | Drums | | Marlon Saunders | Vocals (Background) | | Mino Cinelu | Percussion | | Moulay Ahmed | Strings | | Mustapha Ettamri | Darbouka | | Neil Dorfsman | Engineer | | Nico Dupont | Assistant Engineer | | Olaf Heine | Photography | | Richard Frankel | Package Design | | Ricky Graham | Assistant Engineer | | Salem Bnouni | Strings | | Sameh Catalan | Strings | | Simon Osborne | Mixing, Engineer | | Ste | Vocals | | Stéphane Lévy | Assistant Engineer | | Stevie Wonder | Harmonica | | Sting | Synthesizer, Guitar, Vocals, Bass, Producer | | Tawatha Agee | Vocals (Background) | | Victor Calderone | Remixing, Producer | | Vinnie Colaiuta | Drums |
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