Album Details
Title: A Collection of His Greatest Hits Artist: Babyface Release Date: 11/14/2000 Re-Released On: 6/2/2009 Label: Sony Music Distribution, Epic Album Type(s): Greatest Hits, lyrics/libretto UPCs: 696998513228, 5099749331129, 886975171422, 696998513280 Genre: Rhythm & Blues Styles: Urban, Adult Contemporary, Club/Dance, Quiet Storm Moods: Romantic, Sensual, Laid-Back/Mellow, Slick, Soothing, Intimate, Sexy, Smooth, Gentle, Stylish, Calm/Peaceful, Confident, Sentimental, Nocturnal Total Copies: 0 Members Wishing: 0 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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For the Cool in You
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It's No Crime
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Whip Appeal
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Never Keeping Secrets
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Every Time I Close My Eyes
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When Can I See You Again
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Reason for Breathing
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This Is for the Lover in You
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How Come, How Long
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Change the World [Live]
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I Love You Babe
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Soon as I Get Home
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Where Will You Go
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When Men Grow Old
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Sony Music Distribution | 88697517142 | | 2000 | CD | Sony Music Distribution | 85132 | | 2000 | CD | Epic | 85132 | | 2000 | CD | Epic | 4933112 |
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Album Review
As can be expected with a Babyface retrospective, the songs are top notch and the production is excellent. At his peak in the mid-'90s, Babyface was arguably the American music industry's hottest producer/songwriter. He also established himself as a top-rate balladeer, as evidenced by the songs on this selection. "Everytime I Close My Eyes," "Never Keeping Secrets," and "When Can I See You" are quintessential slow jam Babyface. His up-tempo numbers, such as "It's No Crime" and the Shalamar cover, "This Is for the Lover in You," are just as engaging. However, despite the inclusion of some of his best ballads and up-tempo hits, this album suffers from several glaring omissions, and leaves one hoping for a more complete product, or at least a second volume to complement what's lacking in this one. Glaring omissions include two hits from his Tender Lover album, those being "My Kinda Girl" and the title track. Incidentally, both those songs were remixed (and greatly improved) when released as singles, so their inclusion on this hits package would have been a huge bonus for the singer's fans. Other omissions include his hit duet with Pebbles, "Love Makes Things Happen," his hit duet with Toni Braxton, "Give U My Heart," early singles "Mary Mack" and "Lovers," later singles "And Our Feelings" and "Rock Bottom," as well as his har- to-find duet with Lisa Stansfield, "Dream Away," and his Top Ten hit with protégé Jon B., "Someone to Love." Omitting those songs in favor of non-hit album tracks such as "Soon as I Get Home" seems a tad bewildering. For completists, this collection is thoroughly lacking, but for the casual listener, it's a pleasure nonetheless. As a final note, two new songs are included, "When Men Grow Old" and "Reason for Breathing," as well as a live, unplugged version of a hit he wrote for Eric Clapton, "Change the World." ~ Jose F. Promis, All Music Guide
Credits
| Name | Credits | | Allan Lieberman | Stylist | | Babyface | Drum Programming, Guitar, Vocals, Producer, Guitar (Acoustic), Keyboards, Vocals (Background) | | Barney Perkins | Mixing | | Beverly Crowder | Vocals (Background) | | Bill Meyers | Horn Arrangements, String Arrangements | | Bo Watson | Keyboards | | Brad Gilderman | Engineer | | Bryce Wilson | Drum Programming | | Daryl Simmons | Producer | | Dave Way | Mixing | | David Rideau | Engineer | | De Rock | Percussion | | Don Sullivan | Assistant Engineer | | Donald Parks | Programming | | Eric Clapton | Performer | | Gerald Albright | Sax (Tenor) | | Greg Phillinganes | Piano | | Howard Hewett | Vocals (Background) | | Ian Evensar | Design | | Ivy Skoff | Production Coordination | | Jeffrey Daniels | Vocals | | Jim "Z" Zumpano | Engineer | | Jody Watley | Vocals (Background) | | Joe Thomas | Producer | | John "J.R." Robinson | Drums | | John Frye | Assistant Engineer | | John Guggenheim | Assistant Engineer | | Jon Gass | Mixing, Engineer | | Joshua Thompson | Producer | | Keith Andes | String Arrangements, Horn Arrangements | | Kenneth "Babyface" Edmonds | Executive Producer | | Kenny G | Saxophone | | Kevin Roberson | Guitar (Bass), Synthesizer Bass | | Kevon Edmonds | Vocals (Background) | | Kyle Bess | Mixing Assistant | | L.A. Reid | Percussion, Producer, Drums, Drum Programming | | Larry Jackson | Saxophone | | LL Cool J | Producer | | Lori Fumar | Assistant Engineer | | Lynn Linsey | Vocals (Background) | | Marc Bennett | Art Direction | | Marc Nelson | Vocals (Background) | | Mariah Carey | Vocals (Background), Vocal Arrangement | | Melvin Edmonds | Vocals (Background) | | Michael Thompson | Guitar | | Mike Scott | Engineer | | Milton Chan | Assistant Engineer | | Nathan East | Bass | | Novak | Art Direction | | Oscar Brashear | Trumpet | | Paul Boutin | Assistant Engineer | | Ramon Hervey II | Executive Producer | | Randee Saint Nicholas | Photography | | Ray Brown | Trumpet | | Reggie C. Young | Trombone | | Reggie Griffin | Saxophone, Guitar, Vocals | | Rich Caughron | Assistant Engineer | | Sarah Kushner | Design | | Shanice | Vocals (Background) | | Sheila E. | Percussion | | Steve Hall | Mastering | | Stevie Wonder | Vocals (Background), Harmonica | | Thom Russo | Engineer | | Tim Carter | Hair Stylist | | Victor Joseph | Make-Up | | Wayne Linsey | Keyboards | | Zulma Iracheta | Design |
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