Album Details
Title: Songs from an American Movie, Vol. 2: Good Time for a Bad Attitude Artist: Everclear Release Date: 11/21/2000 Re-Released On: 4/16/2001 Label: Capitol Records, EMI Music Distribution Album Type(s): Explicit lyrics sticker, lyrics/libretto UPCs: 724349587328, 724353041922, 0724349587359, 0724353041953 Genre: Rock Styles: Hard Rock, Alternative Pop/Rock, Post-Grunge, Alternative/Indie Rock Moods: Bittersweet, Passionate, Reflective, Angst-Ridden, Brooding, Earnest, Energetic, Intense, Playful, Rollicking, Exuberant, Intimate, Melancholy, Plaintive, Restrained, Rousing, Sentimental, Sweet Total Copies: 13 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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When It All Goes Wrong Again
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Slide
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Babytalk
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Rock Star
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Short Blonde Hair
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Misery Whip
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Out of My Depth
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The Good Witch of the North
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Halloween Americana
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All F***ed Up
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Overwhelming
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Song from an American Movie, Pt. 2
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | EMI Music Distribution | 5304192 | | 2000 | CD | Capitol Records | 95873 |
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Album Review
Everclear separated their double album into two different records, isolating the poppier songs (thematically, the courtship songs) onto the first album, leaving Songs From an American Movie, Vol. 2: Good Time for a Bad Attitude as the hard rock record (thematically, the divorce songs, or, as Art Alexakis puts it, "When It All Goes Wrong Again"). This may have concentrated their talents a little bit too much, but it does result in two pretty dynamic, effective records -- albums whose connections only become apparent through close listening, which is a compliment. If Good Time pales slightly to its predecessor, it's because it isn't as sonically varied as Vol. 1, even if it's still quite catchy. And this is the great thing about Everclear's advanced age, compared to their peers -- they not only have a greater musical reach, they are stronger craftsmen, not afraid to give their big riffs big melodies and pacing the record well, even if it winds up being heavy on hard rockers. Yes, sometimes they seem a little out of step -- the Spike character on "Babytalk" seemed just as out of date when Tom Petty wrote about him on 1986's Southern Accents -- but this is still a stronger post-grunge record than most, heavy on heavy rock, fine songcraft, and lyrics. If Alexakis occasionally delves into inadvertent misogyny, he balances it with sharp wit and warm humanity, plus fine riffs and melodies. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | A.P. Alexakis | Producer | | Andy Banton | Live Sound | | Bradley Cook | Drum Recordings, Engineer | | Brett Snyder | Drum Technician | | Craig Montoya | Bass, Vocals | | Dan Marnien | Engineer | | Darren Lewis | Executive Producer, Management | | David Weise | Management | | David Weiss | Management | | Everclear | Vocals | | Frank Ockenfels | Photography | | Geoff Templeton | Guitar Technician | | Geoff Walcha | Assistant Engineer, Guitar Engineer, Vocal Engineer | | Greg Eklund | Vocals, Drums | | James Beaton | Keyboards | | Jeffery Fey | Layout Design, Coordination, Layout Coordinator | | Kevin Dean | Bass Engineer, Assistant Engineer, Drum Engineering | | Lars Fox | Loop, Producer, Computers, Digital Engineer, Engineer, Loops | | Matt Miley | Management | | Mauricio Iragorri | Mixing | | Mick Kent | Live Sound Engineer, Engineer, Product Manager, Production Coordination | | Neal Avron | Mixing, Engineer, Vocal Recording | | Perry Watts-Russell | Executive Producer, A&R | | Scott Warner | Lighting Design | | Sean Cox | Guitar Technician | | Stephen Marcussen | Mastering |
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