Album Details
Title: Damn Yankees Artist: Damn Yankees Release Date: 1990 Re-Released On: 5/20/2008 Label: Warner Bros., Rhino Flashback Duration: 45:22 UPCs: 075992615921, 081227992804, 075992615914 Genre: Rock Styles: Hard Rock, Contemporary Pop/Rock, Heavy Metal, Hair Metal, Arena Rock, Pop-Metal Moods: Bittersweet, Plaintive, Rousing, Slick, Confident, Earnest, Party/Celebratory, Boisterous, Brash, Energetic, Rowdy Total Copies: 39 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Coming of Age
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Bad Reputation
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Runaway
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High Enough
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Damn Yankees
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Come Again
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Mystified
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Rock City
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Tell Me How You Want It
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Piledriver
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Rhino Flashback | 26159 | | 1990 | CD | Warner Bros. | 2-26159 |
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Other Editions
- No other editions were found for this album.
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Album Review
Although the term "supergroup" doesn't quite apply to the Damn Yankees, they did manage to rekindle the spirit of 1970s (and '80s) rock with each of their talents, at least to some extent. Damn Yankees took the unblemished, radio rock ballad "High Enough" to its deserving number three spot on the singles chart, with its power stemming from the oily melody and the made-to-order guitar playing of Ted Nugent. Both Tommy Shaw and Night Ranger's Jack Blades give "High Enough" an even quantity of lushness and might, which helped the album itself climb to number 13 and gain platinum status. "Coming of Age" is the album's second-best track, which has the band rocking out without going over the edge and sounding too contrived. The rest of the album finds the group reliving their glory days, which is to be expected, and tracks like "Runaway" and "Come Again" come through as avid little rockers. Only "Piledriver" and "Rock City" sound silly and pushed, most likely influenced by Nugent himself. As the 1990s approached, the slick sound of guitar rock may have been dwindling, but Damn Yankees do a fine job at keeping it alive at least for a little while. By the time their next album was released, the decade had no room for their brand of arena rock, which sounded more passé than ever before, despite a decent sounding single which kicked it off. ~ Mike DeGagne, All Music Guide
Credits
| Name | Credits | | Alan Pasqua | Organ (Hammond) | | Ann Yarbrough | French Horn | | B.J. Johnson | Violin | | Bill Kennedy | Assistant Engineer | | Charles McCracken | Cello | | Clifton Hardison | Percussion | | Dale Kirkland | Trombone | | Damn Yankees | Photography | | Danny Cahn | Trumpet | | David Chase | Conductor | | David Niwa | Violin | | Douglas Besterman | Arranger | | Ed Goodreau | Assistant Engineer | | Ethan Russell | Photography | | Gerald Tarack | Violin | | Ian Finkle | Percussion | | Jack Blades | Group Member, Vocals, Bass | | Jack Schatz | Trombone | | James Nichols | Engineer | | James Raitt | Arranger | | Jeanne Ingram | Violin | | Jeff Poe | Assistant Engineer | | Jesse Levy | Cello | | Jimmie Haskell | Conductor, Arranger, String Arrangements | | John Aguto | Assistant Engineer | | Katherine Easter | French Horn | | Keith O'Quinn | Trombone | | Kenneth Hitchcock | Reeds (Multiple) | | Kim Champagne | Design, Art Direction | | Lawrence Feldman | Reeds (Multiple) | | Marion Pinhiero | Violin | | Marti Sweet | Violin | | Michael Cartellone | Group Member, Drums | | Nancy Wolfe | Reeds (Multiple) | | Neil Zlozower | Photography | | Neverleave Bros. | Vocals (Background) | | Ray Marchica | Drums | | Richard Centalonza | Reeds (Multiple) | | Roger Rosenberg | Reeds (Multiple) | | Ron Nevison | Engineer, Producer | | Ron Raffio | Bass | | Sarah Carter | Cello | | Steve Freeman | Keyboards | | Steve Guttman | Trumpet | | Ted Nugent | Guitar, Vocals, Group Member | | Toby Wright | Assistant Engineer | | Tommy Shaw | Vocals, Guitar, Group Member | | Tommy Shepard | Producer | | Umfante | Vocals (Background) | | William Meade | ?, Reeds (Multiple) |
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