Rod Stewart - A Night on the Town

In some ways, it's easy to think of A Night on the Town, Rod Stewart's second album for Warner, as a reprisal of the first, cut with many of the same musicians as Atlantic Crossing, produced once again by Tom Dowd, and even following its predecessor's conceit of having a "Slow Side" and "Fast Side" (granted, this flips the two around, opening with the slow one first). Superficially, this seems true, but A Night on the Town has a crucial difference: despite its party-hearty title, this album finds Stewart folding folk back into his sound, a move that deepens the music tonally and emotionally, particularly in the case of "The Killing of Georgie (Pts. 1 & 2)," Rod's most ambitious original. A winding, sensitive narrative about the murder of a gay friend -- a hate crime years before the term existed -- "The Killing of Georgie" finds Stewart filtering Dylan through his own warm, conversational style, creating a remarkable work unlike anything else in his body of work, yet the song's smooth synthesis of folk storytelling, soul, and incipient disco act as an appropriate conclusion to a side-long suite of songs of seduction, beginning with his classic come-on "Tonight's the Night (Gonna Be Alright)," running through his splendid reading of Cat Stevens' "The First Cut Is the Deepest," and his fine original "Fool for You." On the Fast Side, Stewart has only one original -- the lewd, riotous "The Balltrap" -- but he more makes up for it by spinning two country classics, Gib Guilbeau's "Big Bayou" and Hank Thompson's "The Wild Side of Life," into thick, Stonesy rock & roll, and turning Manfred Mann's "Pretty Flamingo" into a rave-up. With all this in mind, A Night on the Town isn't a revival of Atlantic Crossing, it's its inverse, with Stewart shining as an interpreter on the fast songs and writing the best slow ones, but it's also its equal, proving that Stewart could still stay true to his open-hearted, ragged soul while on a big budget. ~ Stephen Thomas Erlewine, All Music Guide

Name Credits Al Jackson, Jr. Drums Andy Newmark Drums Arif Mardin Arranger, Strings Barry Beckett Keyboards Billy Peek Guitar Bob Glaub Bass Dave Steen Photography David Foster Keyboards David Hood Bass David Lindley Violin, Mandolin, Guitar Dee Robb Engineer Donald "Duck" Dunn Bass Fred Tackett Guitar George Tutko Assistant Engineer J. Davis Guitar J. Jarvis Keyboards J. Smith Keyboards Jerry Jumonville Sax (Tenor), Saxophone Jimmy Horowitz Strings, Arranger Joe Lala Percussion Joe Robb Engineer Joe Walsh Guitar John Jarvis Keyboards Leland Sklar Bass M. Lewis Strings, Arranger Mel Lewis Strings Michael Bryan Cover Painting Plas Johnson Sax (Tenor), Saxophone R. Glaub Bass R. Hawkins Drums Rick Shlosser Drums Rod Stewart Vocals, Selection Roger Hawkins Drums Steve Cropper Guitar The Memphis Horns Horn Tom Dowd Producer Tommy Vig Percussion Tower of Power Horn W. Peek Guitar Willie Weeks Bass