Album Details
Title: Breach Artist: The Wallflowers Release Date: 9/26/2000 Re-Released On: 10/10/2000 Label: Interscope Records Album Type(s): lyrics/libretto UPCs: 606949074524, 0606949074524, 606949081720 Genre: Rock Styles: Adult Alternative Pop/Rock, American Trad Rock, Alternative/Indie Rock Moods: Bittersweet, Brooding, Cerebral, Gutsy, Melancholy, Nocturnal, Plaintive, Sentimental, Slick, Smooth, Atmospheric, Intimate, Laid-Back/Mellow, Passionate, Rollicking, Earnest, Rousing, Sad, Reflective, Sophisticated, Stylish Total Copies: 42 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Letters from the Wasteland
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Hand Me Down
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Sleepwalker
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I've Been Delivered
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Witness
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Some Flowers Bloom Dead
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Mourning Train
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Up from Under
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Murder 101
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Birdcage
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | Interscope Records | 4908172 | | 2000 | CD | Interscope Records | 490745 |
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Album Review
When Jakob Dylan first debuted with the Wallflowers, nobody expected that he would ever escape the shadow of his famous father, and those doubts hung heavily above the band until their second album, Bringing Down the Horse, became an unexpected multi-platinum smash. In light of that success, Dylan became his own man, no longer seen as only Bob's kid. That freedom is evident on the Wallflowers' superb third album, Breach. At the time of its fall 2000 release, there was a lot of attention paid to Jakob finally writing about Bob, a subject he steadfastly ignored before, and it is true that several songs do clearly acknowledge his famous father. But that's not the most noteworthy thing about the album. What's remarkable about the album is that he is assured as a songwriter and bandleader. On the surface, there's not much different between this album and its predecessor, but the songs are stronger, sharper, and the performances are lean, muscular, and immediate. Andrew Slater and Michael Penn's clear, surprisingly varied production is a factor, but the credit goes to Jakob Dylan and the Wallflowers; the band has never sounded better and Dylan has never been as convincing as a writer or singer. The result is the finest straight-ahead rock album of 2000. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Andrew Slater | Producer | | Blue Source | Design, Art Direction | | Buddy Judge | Vocals (Background) | | Christophe Rihet | Photography | | Christopher Penn | Vocals (Background) | | Daniel Chase | Digital Engineer | | Elvis Costello | Vocals (Background) | | Femio Hernández | Engineer | | Frank Black | Vocals (Background) | | Gary Louris | Vocals (Background) | | Greg Adams | Horn | | Greg Leisz | Musician | | Greg Richling | Percussion, Vocals (Background), Bass | | Howard Willing | Engineer | | Jakob Dylan | Vocals (Background), Vocals, Guitar | | Jay Joyce | Musician | | Joel Derouin | Strings | | Jon Brion | Musician | | Karie Prescott | Strings | | Ken Kugler | Horn | | Kevin Dean | Engineer | | Lenny Castro | Musician | | Mario Calire | Drums | | Matt Chamberlain | Drums | | Mauricio Iragorri | Engineer | | Michael Penn | Musician, Producer, Vocals (Background) | | Michael Ward | Vocals (Background), Guitar | | Michele Richards | Strings | | Mitchell Froom | Horn Arrangements | | Ok Hee Kim | Engineer | | Paul Foley | Digital Engineer | | Rami Jaffee | String Arrangements, Keyboards, Vibraphone, Vocals (Background) | | Sal Cracchiolo | Horn | | Shari Sutcliffe | Project Coordinator | | Suzie Katayama | Strings | | Ted Jensen | Mastering | | Tom Lord-Alge | Mixing | | Tom Whalley | A&R |
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